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Why we need European cultural policies: the impact of EU ...

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Introduction Quotes like this are <strong>of</strong>ten used as to ornamenttexts about <strong>European</strong> integration, but <strong>the</strong> fact is that, from <strong>the</strong> very beginning, culture as a fieldhas been marginalized in a majority <strong>of</strong> studies about <strong>European</strong> integration as <strong>we</strong>ll as in <strong>the</strong> eyes <strong>of</strong>those determining priorities at <strong>the</strong> <strong>European</strong> level.In most current debates about <strong>European</strong> integration, culture remains an abstract term, <strong>of</strong>ten usedto illustrate how <strong>European</strong> integration brings more than economic benefits. It is commonplaceto read or hear statements declaring that an economically, monetarily and politically integrated<strong>European</strong> space will confirm a centuries-old <strong>European</strong> identity, respect for common values andcommon <strong>European</strong> <strong>cultural</strong> heritage, which have all been foundations for <strong>the</strong> development <strong>of</strong>modern <strong>European</strong> states.The significance <strong>of</strong> <strong>cultural</strong> policy-makingEven though culture is said to be so fundamentally important, <strong>the</strong> <strong>European</strong> Union has neverexplicitly formulated its <strong>cultural</strong> policy. Culture and <strong>cultural</strong> <strong>policies</strong> <strong>we</strong>re not considered prioritiesduring <strong>the</strong> first period <strong>of</strong> <strong>European</strong> integration and <strong>we</strong>re discussed only in <strong>the</strong> later phases.Even though most member states still reject <strong>the</strong> idea <strong>of</strong> formulating `common <strong>cultural</strong> policy’ andinsist on respect for <strong>the</strong> principle <strong>of</strong> `subsidiarity’,5 <strong>the</strong>re has also been a consensus in favour<strong>of</strong> establishing a certain degree <strong>of</strong> cooperation in <strong>the</strong> <strong>cultural</strong> field, because many issues require<strong>European</strong>-level coordination.While debates still focus mainly on <strong>the</strong> <strong>need</strong> for <strong>European</strong> <strong>cultural</strong> policy, at <strong>the</strong> same time it ispossible to claim that a de facto <strong>European</strong> <strong>cultural</strong> policy already exists, even if it is not yet clearlyarticulated. Provisions from various common <strong>policies</strong> have an <strong>impact</strong> on culture, including both<strong>policies</strong> that refer specifically to culture and those that have a more indirect <strong>impact</strong> on culture. Anumber <strong>of</strong> published studies have shown that <strong>cultural</strong> <strong>policies</strong> depend on, and are influenced by,provisions and rules arising from o<strong>the</strong>r spheres <strong>of</strong> public <strong>policies</strong>.6Topics in this category include:■ obstacles to <strong>the</strong> mobility <strong>of</strong> artists■ <strong>cultural</strong> industries■ analysis <strong>of</strong> employment opportunities across Europe■ tax systems■ copyright■ <strong>the</strong> liberalization <strong>of</strong> marketplaces.Introduction11

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