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Why we need European cultural policies: the impact of EU ...

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Foreword The Cultural Policy Research Award (CPRA) was launchedin 2004 with three main aims in mind: to support and promote young talents in <strong>cultural</strong> policyresearch, to streng<strong>the</strong>n <strong>cultural</strong> policy research as an academic discipline, and to contribute to aknowledge-base <strong>of</strong> issues related to <strong>European</strong> <strong>cultural</strong> integration.The two organisations behind <strong>the</strong> award – <strong>the</strong> <strong>European</strong> Cultural Foundation (ECF) and <strong>the</strong>Bank <strong>of</strong> S<strong>we</strong>den Tercentenary Foundation (Stiftelsen Riksbankens Jubileumsfond) – recognized<strong>the</strong> importance for young <strong>cultural</strong> policy researchers <strong>of</strong> having proper frameworks for <strong>the</strong>irresearch projects – frameworks which would enable <strong>the</strong>m to carry out <strong>the</strong>ir projects, which wouldguide <strong>the</strong>m through this process, and which would later promote <strong>the</strong> results <strong>of</strong> <strong>the</strong>ir research.The CPRA encourages <strong>the</strong> analysis <strong>of</strong> contemporary <strong>cultural</strong> issues from a <strong>European</strong> perspective,using a comparative approach and considering <strong>the</strong> issues from a <strong>cultural</strong> policy point <strong>of</strong> view.Research projects are evaluated and selected with regard to <strong>the</strong>ir intrinsic quality as <strong>we</strong>ll as <strong>the</strong>irpotential contribution to <strong>cultural</strong> policy thinking and design.The first CPRA winner was Ms Nina Obuljen, a junior research fellow at <strong>the</strong> Institute forInternational Relations (IMO) in Zagreb and now Assistant Minister <strong>of</strong> Culture <strong>of</strong> <strong>the</strong> Republic <strong>of</strong>Croatia. Her research project on <strong>the</strong> influence <strong>of</strong> <strong>EU</strong> enlargement on <strong>cultural</strong> <strong>policies</strong> in transitioncountries was selected because <strong>of</strong> <strong>the</strong> importance <strong>of</strong> its subject-matter, its sound researchmethodology, and <strong>the</strong> potential use <strong>of</strong> its conclusions in public <strong>policies</strong>.We congratulate Nina Obuljen for her academic endeavour and pr<strong>of</strong>essional rigour.The completed research project is an achievement indeed, and <strong>we</strong> hope it will contribute toa better understanding <strong>of</strong> <strong>the</strong> <strong>impact</strong> <strong>of</strong> Community <strong>policies</strong> on culture and <strong>the</strong> possibility <strong>of</strong>streamlining <strong>the</strong>se effects positively. It should certainly inform debates on a <strong>European</strong> agenda for<strong>cultural</strong> <strong>policies</strong>.We also thank <strong>the</strong> CPRA jury, which was chaired by Pr<strong>of</strong>. Dr. Milena Dragicevic-Sesic <strong>of</strong> <strong>the</strong>Faculty <strong>of</strong> Dramatic Arts in Belgrade, for its continued and committed involvement in <strong>the</strong> project’spilot phase (2004-2006). The jury members’ advice and selection are greatly valued by both <strong>the</strong>ECF and <strong>the</strong> Bank <strong>of</strong> S<strong>we</strong>den Tercentenary Foundation.This is <strong>the</strong> first in a series <strong>of</strong> publications which will present <strong>the</strong> completed CPRA researchprojects. We hope it will serve <strong>the</strong> field <strong>of</strong> <strong>cultural</strong> policy research and that <strong>of</strong> <strong>cultural</strong> practice.We also hope that <strong>the</strong> CPRA series will help talented young researchers to gain a greaterpr<strong>of</strong>ile within <strong>the</strong>ir own academic disciplines and within <strong>the</strong> academic circles <strong>of</strong> Europe andpossibly beyond.Isabelle SchwarzCultural Policy Development Manager, <strong>European</strong> Cultural FoundationForeword7

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