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Why we need European cultural policies: the impact of EU ...

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countries disclosed regularly by <strong>the</strong><strong>European</strong> Commission also acknowledgedthat <strong>the</strong>se countries <strong>we</strong>re having to complywith <strong>the</strong> Council <strong>of</strong> Europe Convention onTransfrontier Television. Ho<strong>we</strong>ver, <strong>the</strong> maindifference bet<strong>we</strong>en this Convention and<strong>the</strong> <strong>EU</strong>’s Directive on Television withoutfrontiers (Directive 97/36/EC) is that <strong>the</strong>latter Directive applies both to domesticand `transfrontier’ broadcasting, while <strong>the</strong>Convention only applies to `transfrontier’programmes.75 In fact, <strong>the</strong> reform <strong>of</strong> <strong>the</strong> audiovisualsector started soon after <strong>the</strong> fall <strong>of</strong>communism and at first countries undertookmany privatization reforms: such asprivatization <strong>of</strong> companies producing anddistributing audio-visual services and o<strong>the</strong>r<strong>cultural</strong> industries and generally eliminatingstate control.76 General Agreement on Trade inServices.77 In <strong>the</strong> Draft Constitution <strong>of</strong> <strong>the</strong> <strong>European</strong>Union unanimity was required for negotiatinginternational trade agreements relevant toculture. Also, even before some <strong>of</strong> <strong>the</strong>secountries became members or even startednegotiations, <strong>the</strong> <strong>European</strong> Commission wasactively participating in international tradenegotiations to secure <strong>the</strong> special treatment<strong>of</strong> culture. One example was <strong>the</strong> so-called`Baltic model’, negotiated within GATS for <strong>the</strong>three Baltic countries or in <strong>the</strong> case <strong>of</strong> Croatiawhen <strong>the</strong>re was a pressure not to include anyaudio-visual services on <strong>the</strong> agenda (Obuljen,2002)78 The Polish negotiating position in <strong>the</strong>sphere <strong>of</strong>, `culture and audio-visual policy’,agreed to by <strong>the</strong> negotiating team in July1998, states <strong>the</strong> following: `As concernsCouncil Directive <strong>of</strong> September 22, 1997,Poland, accepting <strong>the</strong> requirements <strong>of</strong> <strong>the</strong><strong>EU</strong> concerning VAT, should be able to applyfor a VAT reduction on books and magazines,which is allo<strong>we</strong>d under <strong>the</strong> acquiscommunautaire. Polish legislation envisages0% VAT rates for <strong>the</strong> aforementioned <strong>cultural</strong>goods, until <strong>the</strong> year 2000. Member Statesshall consider this issue individually. ThePolish notion <strong>of</strong> <strong>the</strong> best solution is close tothat <strong>of</strong> Italy, i.e. 0% VAT for book publicationsand 4% VAT for magazines’.79 Study <strong>of</strong> <strong>cultural</strong> cooperation in Europehas also argued that even in countries withfe<strong>we</strong>r than 2 million inhabitants, it will benecessary to introduce a standard minimumVAT rate <strong>of</strong> 6 per cent on books (EFAH/Interarts Report 2003).80 A question about fixed book pricewas not included in <strong>the</strong> questionnaire. TheResolution on fixed book price is just aresolution and is not legally binding for newmember states (whereas <strong>the</strong> Directive onTelevision without frontiers is part <strong>of</strong> <strong>the</strong>acquis communautaire and <strong>the</strong>refore hasto be built into national legislation). Accordingto <strong>the</strong> data presented by <strong>the</strong> Compendium<strong>of</strong> <strong>cultural</strong> <strong>policies</strong> and trends in Europe(2005) Slovenia is <strong>the</strong> only country amongnew member states included in <strong>the</strong>Compendium which has so far introduced<strong>the</strong> fixed book price.86Notes

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