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In January, 1948, Sukenik received one of Samuel’s scrolls, a copy of the Isaiah scroll,<br />

which he was able to inspect. Although he was interested in purchasing the four scrolls, he<br />

couldn’t raise the money necessary to make the transaction.<br />

Samuel then contacted the William F. Albright Institute of Archaeological Research in<br />

Jerusalem, where the scrolls were inspected by John C. Trever and William H. Brownlee, who<br />

felt they were as old, if not older, than the 2nd century Nash Papyrus fragment, which up to then,<br />

was the oldest known example of Biblical Hebrew. A set of prints were forwarded to Professor<br />

William Foxwell Albright at Johns Hopkins University in Baltimore, Maryland, who was the<br />

leading Hebrew epigraphist in the world. He dated the material back to 100 BC. Upon<br />

examination of all these Hebrew and Aramaic scrolls and fragments which have been discovered<br />

at Qumran, it is generally accepted that they were written between 250 BC and 68 AD, when the<br />

Romans destroyed the Qumran settlement.<br />

The scrolls were taken to a bank in Beirut, and then in January, 1949, to a New York City<br />

bank vault. Up to 1954, only three of the scrolls had been published. Samuel, labeled a<br />

‘smuggler,’ was anxious to sell the scrolls, and would not allow the fourth to be published until<br />

all of them had been purchased.<br />

In February, 1949, Gerald Lankester Harding, director of the Department of Antiquities for<br />

Transjordan and Arab Palestine; and Father Roland de Vaux, director of the Dominicancontrolled<br />

Ecole Biblique in the Jordanian sector of East Jerusalem, went to the cave at Qumran,<br />

where they found the remains of 30 identifiable texts, and a number of unidentifiable fragments.<br />

Harding made it known that he was interested in all subsequent finds made by the Ta’amireh<br />

tribe. They would sell the results of their excavation to Kando, who would then sell the items to<br />

Harding. Meanwhile, de Vaux, Harding, and a group of fifteen workers continued to excavate<br />

around Qumran until 1956, where they uncovered the buildings of what they felt were an Essene<br />

community.<br />

For nearly two weeks in mid-March, 1952, de Vaux, three members of the Ecole Biblique,<br />

William Reed (director of the Albright Institute), and 24 Bedouins under the supervision of three<br />

Jordanian and Palestinian archaeologists, embarked on an effort to conduct a survey of all the<br />

caves in the area. This survey indicated the existence of 40 caves, and the umbrella term of the<br />

Dead Sea Scrolls refers to the scrolls and fragments that were found in eleven of the caves.<br />

In September, 1952, in Cave 4, located about 50 feet away from some of the Qumran ruins,<br />

the largest number of scroll fragments were discovered– the remains of over 500 different<br />

scrolls.<br />

By 1959, all the scroll fragments were kept in a room known as the ‘Scrollery’ in the<br />

Rockefeller Museum (formerly known as the Palestine Archaeological Museum), which had<br />

been built with funds provided by John D. Rockefeller. The Museum was run by an international<br />

Board of Trustees, and later fell under the control of the Jordanian government. After the Six<br />

Day War in June, 1967, when Israel took over control of the entire city of Jerusalem, the <strong>contents</strong><br />

of the Museum were considered spoils of war, so the Israeli government became the guardian of<br />

the fragments.<br />

The Museum contained laboratories, photographic facilities, and the Department of<br />

Antiquities, however, the headquarters of the entire operation was actually located at the Ecole<br />

Biblique which contained a research library totally dedicated to Qumran research, which was not<br />

open to the public. They also published two journals, the Revue Biblique, printed since 1892, and<br />

the Revue de Qumran, started in 1958 to publish information on the scrolls.<br />

This may be one of the keys to understanding what may be going on here behind the scenes.

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