German Catalog 2006 USE THIS ONE.qxp - Michael Skurnik Wines
German Catalog 2006 USE THIS ONE.qxp - Michael Skurnik Wines
German Catalog 2006 USE THIS ONE.qxp - Michael Skurnik Wines
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MOSEL WINES<br />
68<br />
he elects not to. “The estate is the right size for me to<br />
work and give the proper attention to the wines,” he<br />
says. How’s that for capitalism! Willi could make, say,<br />
50% more wine and sell it instantaneously, thus obtaining<br />
kid-leather seat covers for his zippy new Porsche, but<br />
instead he knows in his bones what the proper size for<br />
his estate must be, if he is to preserve his relationship to<br />
his wines, to his work. Hopeless Willi, just hopeless;<br />
where’s your ambition, man; where’s your can-do spirit?<br />
DON’T YOU WANT TO MAKE MORE M<strong>ONE</strong>Y???<br />
Most businesses confront this conundrum eventually.<br />
What is the ideal size to which to aspire? I would<br />
define it as the most robust volume consistent with maintaining<br />
the original motivating spirit of the enterprise.<br />
You know you’ve passed that point when it isn’t as much<br />
fun as it used to be. Growth, in itself, is the siren song<br />
that dashes our souls against the rocks unless we insist<br />
on balancing our whole lives. This sermon will be<br />
rebroadcast at eleven.<br />
When we finished tasting one year, Willi brought<br />
out a bottle of the celestial 1975 Domprobst Auslese,<br />
which is about as good a Mosel wine as has ever been<br />
made. Christoph appeared in the doorway to say hi in<br />
his raffish sideburns. I recalled that the first time I drank<br />
this Domprobst was in 1980, in Willi’s living room. His<br />
kids were little then. Willi left the room to take a phone<br />
call and I sat there with my glass of Auslese while the<br />
kids sat on the floor playing with a little top which<br />
hummed as it spun. The humming and the playing and<br />
the beauty of the wine and the friendliness and hospitality<br />
of my host became a single thing. I often recall that<br />
moment when I hear someone defend the idea of giving<br />
point-scores to wines.<br />
Schaefer grows only Riesling and only on steep<br />
slopes. The best is the Domprobst, though there’s no<br />
scoffing at his Himmelreich (fruitier), or his Bernkasteler<br />
Badstube (actually Matheisbildchen, and typically rich<br />
and flinty) or his little bit of Wehlener Sonnenuhr (light<br />
but true to form). Vinification isn’t unusual, expect for<br />
the very gentlest of pressings, which leaves few bitter<br />
phenols in the wines, and gives them their strikingly pale<br />
colors. Willi knows his vineyards like he knows his children,<br />
all their quirks and foibles and capabilities. As a<br />
taster he responds to “character above all. The finesse of<br />
fruit is also important to me, and the harmony of sweetness,<br />
fruit and acidity. Apart from that, the wine should<br />
embody its vineyard and grape variety.”<br />
Christoph’s decision to carry on the winery is quietly<br />
momentous. Schaefers said, with characteristic understatement,<br />
“we really didn’t pressure him at all, he came<br />
to the decision entirely on his own,” and there was something<br />
even more stirring than Willi’s and Esther’s quiet<br />
pride and gratification. How can I put it? I hope that<br />
Christoph observed the contentment in this household,<br />
the bedrock joy when one’s heart is at home in one’s<br />
work. Different vintners have said this to me at different<br />
times: Hans-Günter Schwarz is always saying, “you have<br />
to love it.” Helmut Dönnhoff repeats almost as a mantra,<br />
“It has to be FUN.” And Willi Schaefer has the glow of a<br />
man doing exactly what he was put on earth to do.<br />
I am fortunate to be a part of it, and to know this<br />
kind, honorable, modest and lovely man as a friend.<br />
For many tasters, these are the Ne Plus Ultra of Mosel<br />
schaefer at a glance:<br />
wine, and they have attracted an almost religious following.<br />
Thus my most frustrating agency, as there is never enough wine.<br />
It is hard to put a finger on exactly what it is that makes<br />
how the wines taste:<br />
these wines so precious. There is a candor about them<br />
that is quite disarming. They are polished too, but not brashly so. They are careful to<br />
delineate their vineyard characteristics, and they offer fruit of sublime purity. They are<br />
utterly soaring in flavor yet not without weight. What many of you seem to have<br />
warmed to is their clarity, precision and beauty of fruit, so maybe I’ll leave it at that!<br />
GWS-133 2005 Graacher Himmelreich Riesling Kabinett +<br />
Shy at first. Then what fruit-quality; partly exotic (a’la `97) and also serenely appley;<br />
then an adorably woodsy mid-palate; with air the stayman and cox-orange starts to<br />
exhale, and there’s a granular salty spiciness that leaves a wintergreeny finish.<br />
SOMMELIER ALERT! SOS: 2 (7-23 years)<br />
GWS-132 2005 Graacher Domprobst Riesling Kabinett ++<br />
I damn sure didn’t taste a better Mosel Kabinett than this; the nose is immediately 3dimensional.<br />
The palate is stiffer, with a longer spine of front & center minerality; this<br />
is utterly generous and expressive, more piquant and wry than the Himmelreich, compelling<br />
even more attention. It’s hard to fathom how any wine could give more beauty<br />
and satisfaction; for all its virtues it asks to be drunk, not preened over.<br />
SOS: 2 (8-25 years)