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German Catalog 2006 USE THIS ONE.qxp - Michael Skurnik Wines

German Catalog 2006 USE THIS ONE.qxp - Michael Skurnik Wines

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MOSEL WINES<br />

84<br />

carl schmitt-wagner mosel • longuich<br />

The half-bottles come out when we’re through with the young wines. I have almost lost count of<br />

the number of old wines this remarkable man has shared with my friends and me. But he hasn’t!<br />

I think he remembers each and every one.<br />

I think I’ll share what we drank one year, not to rub your nose in it (well maybe a little) (O.K.<br />

a lot) but rather as a tribute to his generosity and avid spirit.<br />

We started with a 1963 Kabinett, very much alive and leafy. I thought it was a ‘62, and was<br />

abashed. One of my traveling companions had surely never dreamed of a 40-year-old<br />

“Kabinett” with barely 8% alcohol even making it, let alone drinking like a dream. Next came<br />

an elegant, fine ‘62 Spätlese, slatey and solid. A gorgeous wine followed: ‘69 Spätlese, ethereal,<br />

long, evocative and tender.<br />

The next wine was obviously younger, a ‘92 Auslese,<br />

just emerging from its adolescence; then a 1997 Auslese,<br />

not my type (too much botrytis); then an improbable and<br />

obscure wine; I thought maybe a 1966 but as it grew in<br />

the glass it seemed too stern and “important” for ‘66.<br />

“Could be a 1971 Spätlese,” I wrote. Bulls-eye! Then a<br />

rather old-tasting ‘71 Auslese; “We should have used<br />

more sulfur,” said Bruno. The next wine was easy; nothing<br />

tastes like this magic-Mosel vintage: ‘75 Spätlese.<br />

Corrie Malas was happy; it’s her birth-year. Next up<br />

came a 1971 BA, 145° Oechsle, superb, but I still loved<br />

that ‘69 best. Then the coup de gras, a ‘71 TBA, about<br />

which I wrote “It’s an adult but it hasn’t been wounded<br />

yet; it’s still perfectly confident the world is splendidly<br />

beautiful and safe. It needs fifteen more years to find its<br />

way to kindness<br />

and tenderness;<br />

right now it’s all<br />

happy malt and<br />

orange.” This at 32<br />

years old! So<br />

remember when I<br />

write “25-75 years”<br />

for a drinking envelope<br />

for such<br />

wines, this is based<br />

on many such<br />

experiences.<br />

Bruno Schmitt<br />

And all this<br />

took place over<br />

maybe 45 minutes! Nor was it in any way worshipful;<br />

quite the contrary. You get the sense this is how Bruno<br />

Schmitt likes to PARTY DOWN. I’ll bet he looks forward<br />

to the chance to rampage through a bunch of old vintages.<br />

Happy to oblige, squire. Though forgive me if I get<br />

a little emotional, you know. I know these wines literally<br />

live in your basement and all, but for a guy like me this<br />

is a sanctum of beauty.<br />

I only wish I could show it to you, because all you<br />

get to see is this “drink now to four years” crap by wine<br />

•Vineyard area: 4 hectares<br />

•Annual production: 3,000 cases<br />

•Top sites: Longuicher Maximiner Herrenberg<br />

•Soil types: Blue Devonian slate<br />

•Grape varieties: 100% Riesling<br />

writers who’ve never set foot in a <strong>German</strong> winery. I also<br />

love the ceremony with which the new wines are presented.<br />

Wine is significant not only as a provider of<br />

livelihood, but also as a filament connecting us to a<br />

human continuity.<br />

It’s interesting to note that the Herrenberg was classified<br />

category “A” — the best category — during the<br />

world’s first official vineyard classification, undertaken<br />

by the Prussian land office during the early nineteenth<br />

century for the purpose of — you guessed it — tax<br />

assessment! The original document, published by Stuart<br />

Pigott as a vineyard map, is remarkable in its fidelity to<br />

current notions of the best vineyards.

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