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Tenth International Congress of Egyptologists Abstracts of Papers

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XICE – Abstract <strong>of</strong> <strong>Papers</strong><br />

glance at their own past, cast by those priests, and reveal a propagandistic use <strong>of</strong> the<br />

religious feelings and <strong>of</strong> the membership sense, that an intelligent use <strong>of</strong> the art <strong>of</strong><br />

rhetoric, could usefully recall from oblivion, to control the power in a so troubled<br />

epoch in the history <strong>of</strong> the country. In effect, the parcelling out <strong>of</strong> the Delta territories<br />

and the military interventions in the Lower Egypt by many foreign peoples, like<br />

Libyan, Nubian and Assyrian, gave rise to a need for unity and to a feeling <strong>of</strong><br />

belonging that, in a former moment <strong>of</strong> division, were expressed in the call for<br />

tradition and ancient culture, and later in nationalism and archaism, keeping together<br />

and supporting the Egyptian nation, united again. It’s precisely from that need that<br />

priestly local and specific titles came to represent one <strong>of</strong> the most important<br />

manifestations that lived on in this cultural and historical reality.<br />

They were titles with allusive and evocative names, relating ceremonies and<br />

mythological recounts, relevant to the divine characters worshipped in the most<br />

important religious centres <strong>of</strong> the Lower (but also <strong>of</strong> the Upper) Egypt. Although they<br />

were used and studied very much, above all in order to determine the geographical<br />

origin <strong>of</strong> the artefacts, it has never been drawn a big picture for them, to analyse their<br />

more interesting general aspects and the cultural and political role they played in the<br />

complex situation <strong>of</strong> those days. Their occurrences are numerous in the Lower Egypt<br />

priests’ monuments with epigraphs, starting from the Twenty-fifth Dynasty on, but<br />

they are not reflected in the same way (neither studied with sufficient intensity) in the<br />

other documents, in the papyri containing rituals, in the demotic documentation, in<br />

literature and celebrative texts.<br />

This lack <strong>of</strong> information has <strong>of</strong>ten let the scholars call them factitious, formal,<br />

honorific. The research to understand how they were assigned, revoked, handed<br />

down, and what kind <strong>of</strong> prebends, benefits and privileges they provided to their<br />

holders, is still in its first steps but is very badly needed. Therefore, the forthcoming<br />

discussion represents a little contribute to the study <strong>of</strong> the whole <strong>of</strong> these titles, in the<br />

great variety <strong>of</strong> the documents that have anything to do with them. The presence,<br />

although marginal, <strong>of</strong> the discussed <strong>of</strong>fices in the contracts <strong>of</strong> donation, in the rituals<br />

on papyri, in the regulations <strong>of</strong> religious societies and all the indirect evidence, all this<br />

compared, will enable us to deepen our knowledge <strong>of</strong> their functions, attributions,<br />

pr<strong>of</strong>its they were bound to and authority they were granted, in a diachronistic<br />

perspective as well. The results <strong>of</strong> a research that constitutes a Ph.D. thesis are<br />

anticipated here as a basis to attract attention to this section <strong>of</strong> the religious<br />

geography, in the drift <strong>of</strong> a tradition <strong>of</strong> very important scholars as Sauneron, De<br />

Meulenaere and Yoyotte.<br />

Harpocrates statuettes: alloys and colour<br />

Hedvig Győry<br />

The authors studied a group <strong>of</strong> Egyptian Harpocrates, in the collection <strong>of</strong> the Museum<br />

<strong>of</strong> Fine Arts in Budapest, from the stylistic and the compositional point <strong>of</strong> view. The<br />

statuettes can be grouped into different iconographic types, the standing or striding<br />

Harpocrates and the sitting or half reclining Harpocrates. The statuettes are <strong>of</strong><br />

unknown provenance, while the typological examination seems to indicate that most<br />

<strong>of</strong> the pieces are to be dated to the Late Period. The analyses <strong>of</strong> the pieces showed<br />

differences in the chemical composition which seem to indicate that the Egyptian<br />

artisans deliberately used alloys <strong>of</strong> distinctive kind for different types. The<br />

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