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Tenth International Congress of Egyptologists Abstracts of Papers

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XICE – Abstract <strong>of</strong> <strong>Papers</strong><br />

So maps seem to hesitate between praise and palimpsest. Moreover ancient greek<br />

beliefs are not passively developed by geographers. For modern cartographers, they<br />

constitute ideological and political options. When a geographer chooses to draw<br />

Acheron river in Egypt, then the Egyptian civilisation becomes the origin <strong>of</strong> western<br />

civilisation. When he denies the antiquity <strong>of</strong> Egypt, then he underestimates the<br />

importance <strong>of</strong> the filiation in order to distinguish Europe from a civilisation based on<br />

a theological system criticized widely by philosophers from the 18th century.<br />

Exploring 3D mapping applications for the risk assessment and monitoring <strong>of</strong><br />

the conservation procedures <strong>of</strong> the Tomb TT14<br />

Monica Hanna<br />

The mural paintings documentation, preservation and conservation are from the most<br />

complex procedures that require precise monitoring. The walls <strong>of</strong> Theban Tomb 14<br />

(TT14) in Dra‛ Abu el-Naga are in a serious need for those complex procedures based<br />

on its bad preservation status that resulted from flash floods and nineteenth century<br />

raids. Attempting to use 2D representation <strong>of</strong> the data needed for those procedures has<br />

proved to be quite inaccurate in the situation <strong>of</strong> TT14 where the painted walls are far<br />

from being smooth or straight to allow for basic 2D epigraphy drawings overlaid with<br />

photographs. The original bedrock <strong>of</strong> the tomb is bad and so the Ancient Egyptian<br />

used many admixtures to prepare the surface for the painted pilaster for such a “low<br />

cost” tomb. This has resulted to a very challenging situation <strong>of</strong> the tomb in terms <strong>of</strong><br />

studying, and planning conservation procedures. To be able to accurately<br />

georeference the information, a 3D scan <strong>of</strong> the tomb was done and then nearly<br />

orthorectified photographs were taken to be meshed together and provide a sort <strong>of</strong> a<br />

3D state <strong>of</strong> preservation map for the tomb. On the 3D model, 3D polygons were<br />

drawn after systematic meticulous observation in the tomb to specify the different<br />

areas current preservation status as well as ancient technique <strong>of</strong> the surface wall<br />

preparation. These polygons are linked to the data pertaining to those areas. This data<br />

is composed <strong>of</strong> alphanumeric elements such as descriptive texts, archival<br />

photographs, and laboratory analysis such as archaeometrical data results. The<br />

polygons allow for measuring, area and volume and thus help decision making and<br />

monitoring for future conservation procedures through risk assessment based on<br />

statistical data. This will allow for future better allocation <strong>of</strong> the resources for the<br />

conservation procedures and monitor the process <strong>of</strong> the conservation through its<br />

different stages over time.<br />

New directions and applications: the Tomb <strong>of</strong> Menna Project (TT 69)<br />

Melina Hartwig<br />

The tomb <strong>of</strong> Menna (TT 69) is one <strong>of</strong> the finest painted, non-royal Egyptian tombs<br />

open to the public today. Its decoration represents the height <strong>of</strong> ancient Egyptian<br />

painting, a visual textbook <strong>of</strong> what the Egyptians could do in that medium. Over the<br />

next two years, The Tomb <strong>of</strong> Menna Project will conserve and document the<br />

archaeology, architecture, decoration and texts in the tomb using a number <strong>of</strong> new<br />

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