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Tenth International Congress of Egyptologists Abstracts of Papers

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XICE – Abstract <strong>of</strong> <strong>Papers</strong><br />

ceremonies. The Upper Egypt is represented by the falcon Horus from Hierakonpolis,<br />

the Lower —by perched heron. The inscription contains the toponim Dbawtj, the<br />

ancient name <strong>of</strong> Pe (Buto), which stresses the connection <strong>of</strong> the heron to the certain<br />

site. It is possible to suppose that this heron is an ancient deity <strong>of</strong> Buto, heron<br />

Djebaut. The hypothesis about existing <strong>of</strong> the heron cult in Buto let us to extend the<br />

localization <strong>of</strong> the region that was represented by a heron on a Libyan palette. It is<br />

possible to interpret it as a symbol <strong>of</strong> the Delta region (Buto) besides the generally<br />

accepted variant as one <strong>of</strong> the northern Upper Egyptian nomes. In our opinion, idea<br />

about simultaneous existing <strong>of</strong> two centers <strong>of</strong> the heron cult – in Lower Egypt (Buto)<br />

and Upper Egypt (Hwt-bnw) is preferable. The existence <strong>of</strong> the heron cult in the Upper<br />

Egypt during the Old Kingdom confirms stela, which was found in Kom el-Ahmar<br />

(Hardai). The “house (Hwt) <strong>of</strong> heron” is mentioned here also. Most <strong>of</strong> the <strong>Egyptologists</strong><br />

called it “house <strong>of</strong> Benu”(Hwt.-bnw) and identified this site with well known Hwt-bnw<br />

located either near modern Sharuna or to the south <strong>of</strong> Hardai, between Hardai and<br />

Hwt-nswt. It is obvious that Hwt-bnw was the center <strong>of</strong> Benw worship, but the question<br />

is —since what time the name <strong>of</strong> Benw has a determinative <strong>of</strong> heron? The lack <strong>of</strong><br />

written sources prevents us from definite conclusions. We found just one example<br />

from the Old Kingdom —the geographical list from the tomb <strong>of</strong> Mehu, where the<br />

name <strong>of</strong> Hwt-bnw is written completely: the name <strong>of</strong> Benu is followed by the<br />

determinative <strong>of</strong> heron. Moreover, in the Pyramid Texts (§1552 а-с) Benu is a small<br />

bird (wagtail or plover), local Heliopolitan deity. Therefore, from our point <strong>of</strong> view, it<br />

is quite disputable to consider the “house <strong>of</strong> heron” <strong>of</strong> the Old Kingdom as a “house<br />

<strong>of</strong> Benu” (Hwt-bnw), taking into account, that we have several heron deities in the<br />

Pyramid Texts (heron-aHaw, heron-nwr and heron-baH).<br />

It is worth to point out that the herons as well as the other representatives <strong>of</strong><br />

Egyptian fauna were depicted as real creatures also. The depiction <strong>of</strong> the birds hunting<br />

was one <strong>of</strong> the favorite subjects <strong>of</strong> the tomb painting since the time <strong>of</strong> the Fourth<br />

Dynasty. Starting from the Middle Kingdom, herons were intentionally depicted aside<br />

<strong>of</strong> the main subjects <strong>of</strong> hunting. In spite <strong>of</strong> the lack <strong>of</strong> written evidences, we can<br />

consider the existence <strong>of</strong> the ritual taboo to kill herons.<br />

Cretulae on papyrus from the Ancient Egypt” – witness through the<br />

impressions on clay [poster]<br />

Maira Torcia<br />

Kha’s funerary equipment at the Egyptian museum in Turin: resumption <strong>of</strong> the<br />

archaeological study<br />

Marcella Trapani<br />

I have recently resumed, together with my colleagues <strong>Egyptologists</strong> <strong>of</strong> the<br />

Soprintendenza per i Beni Archeologici del Piemonte e Museo delle Antichità Egizie<br />

(i.e. the National Archaeological Bureau for Piedmont and Egyptian Museum), the<br />

methodical study <strong>of</strong> the funerary equipment from Kha’s tomb. The equipment is<br />

entire (except for a lamp, which is at the Egyptian Museum in Cairo) and is kept at the<br />

Egyptian Museum in Turin. In the limits <strong>of</strong> this work, I studied the following classes<br />

<strong>of</strong> materials: pottery, stone vessels, metal vessels, pr<strong>of</strong>essional equipment, writing<br />

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