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Tenth International Congress of Egyptologists Abstracts of Papers

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XICE – Abstract <strong>of</strong> <strong>Papers</strong><br />

lagide s’est légitimé auprès des Gréco-macédoniens au travers d’une panoplie de<br />

vertus et de qualités que ses épiclèses soulignent.<br />

De notre point de vue, il n’est pas pertinent de déterminer avec exactitude si tous<br />

les rois faisaient effectivement preuve des qualités —ou des défauts— auxquels leurs<br />

noms <strong>of</strong>ficiels (prédicats et noms) font allusion. Nous avons toutefois cherché à le<br />

faire au nom d’une exégèse scientifique. Ce qui est véritablement important est de<br />

comprendre que toutes les éventuelles exagérations, formules laudatives ou critiques<br />

systématiques ont été, d’un côté, des contributions essentielles pour la définition<br />

d’une image idéale du roi et, d'un autre, le produit d’une image déjà construite. Dans<br />

ce contexte, la titulature et l’onomastique sont des composantes politiques et<br />

idéologiques au sein desquelles convergent des intentions clairement propagandistes.<br />

Selon les contours helléniques, les qualités salvatrices, de victoire ou d’opulence<br />

matérielle, la justesse des actions honorables et la protection des sujets constituaient<br />

l’essence de la propre monarchie.<br />

Thebes, Amarna, Memphis: Akhenaten’s <strong>of</strong>ficials with double tomb<br />

Daniele Salvoldi<br />

During the sixth year <strong>of</strong> his reign, Akhenaten moved the capital city and the royal<br />

necropolis from Thebes to Amarna. After his death, during his seventeenth year <strong>of</strong><br />

reign, Ankhetkheperura, Semenkhkare or Tutankhamun moved again the capital city<br />

to Memphis and the royal necropolis to Thebes. These sudden changes in politics, that<br />

took place in less than thirty years, caused a unique phenomenon in the history <strong>of</strong><br />

ancient Egypt: court <strong>of</strong>ficials, who had the right <strong>of</strong> a burial, moved their tombs<br />

following their sovereign now at Thebes now at Amarna and now at Saqqara or<br />

Thebes again. Nevertheless, not all the cases are clear: only a compared discussion <strong>of</strong><br />

titles and familiar relationships, <strong>of</strong> tomb architecture, iconography and style can help<br />

the identification; it seems certain that nobody mantained the Amarna burial.<br />

If we count the few tombs in the theban necropolis during the first years <strong>of</strong><br />

Akhenaten’s reign, the most <strong>of</strong> them have a permission given by his father<br />

Amenhotep III at the end <strong>of</strong> his reign to high <strong>of</strong>ficials like Vizier Ramose (TT 55) and<br />

the Stewart <strong>of</strong> the Great Royal Wife Kheruef (TT 192), the Amarna necropolis —<br />

with its 45 tombs— shows us a royal necropolis fully operating. The memphite<br />

necropolis, that recently showed us some interesting good news, has several post-<br />

Amarna Age tombs, starting from the best known Eighteenth Dynasty tomb: that <strong>of</strong><br />

Horemheb. Excluding the tombs <strong>of</strong> the two <strong>of</strong>ficials that later became kings, id est Ay<br />

and Horemheb himself, there are only two certain cases <strong>of</strong> double tomb; three very<br />

uncertain; two cases in which —unless the homonymy— is possible to exclude with<br />

certaincy that we are dealing with only one man.<br />

The most remarkable case is that <strong>of</strong> Parennefer, Royal butler clean <strong>of</strong> hands, who,<br />

unique <strong>of</strong> the court in the first years <strong>of</strong> Akhenaten’s reign, had the privilege to<br />

excavate a tomb at Thebes (TT 188). He followed Akhenaten at Amarna, carrying on<br />

the same <strong>of</strong>fices, and he built a beautiful tomb in the South necropolis, where he<br />

imported many iconographical and architectural models from his first tomb. If at<br />

Amarna the style is the one typical <strong>of</strong> Akhenaten’s reign, the theban tomb has a<br />

strange transitional style, decisive for a reconstruction <strong>of</strong> an exact Amarna art<br />

chronology.<br />

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