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Tenth International Congress of Egyptologists Abstracts of Papers

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XICE – Abstract <strong>of</strong> <strong>Papers</strong><br />

felt the seriousness <strong>of</strong> the situation as was in the case <strong>of</strong> Abdi-Asirta and later on his<br />

son Aziri.<br />

I’m Osiris, No I’m Osiris, No I’m Osiris: hairstyles and the afterlife.<br />

G.J. Tassie<br />

During the latter part <strong>of</strong> the Early Dynastic and first half <strong>of</strong> the Old Kingdom the high<br />

<strong>of</strong>ficials were buried around the burial place <strong>of</strong> their king. The deceased king would<br />

then intervene with the gods on their behalf so that they may enter the vitalised<br />

cosmos and start their journey in the Afterlife. Osiris first starts to be mentioned in the<br />

reign <strong>of</strong> Neferikare, third king <strong>of</strong> Fifth Dynasty. At this time Osiris does not appear to<br />

be a state god, but possibly one <strong>of</strong> the people. When Osiris is first depicted he is<br />

shown as seated wearing the tripartite hairstyle. Certain high male <strong>of</strong>ficials start to be<br />

depicted in this same pose and hairstyle at the end <strong>of</strong> Fifth Dynasty. Until this time<br />

the only men depicted wearing the tripartite hairstyle were deceased kings and gods,<br />

apart from a few Predynastic figurines. This break with the ideology and traditions<br />

that had been in place from the Early Dynastic Period, aligned with other changes<br />

during this period, indicates a socio-religious change. These socio-religious changes<br />

that began at the end <strong>of</strong> Fifth Dynasty develop through Sixth Dynasty and show their<br />

full expression in the form <strong>of</strong> anthropoid c<strong>of</strong>fins that appear in Twelfth Dynasty,<br />

showing the deceased male or female wearing the tripartite hairstyle, thus linking the<br />

deceased to Osiris. By this period the king was no longer needed to negotiate with the<br />

gods, for the people could do it on their own, justify their own place with virtuous<br />

deeds <strong>of</strong> their own and become one with Osiris.<br />

The ritual as Connection Principle in the ancient Egyptian knowledge<br />

Renata Gabriela Tatomir<br />

The Connection Principle (hereafter, CP) says that there is some kind <strong>of</strong> internal<br />

relation between a state's having intentional content ("aspectual shape") and its being<br />

(at least potentially) conscious.(JERRY FODOR, ERNIE LEPORE, “What is the<br />

Connection Principle?”). Had we tried to apply this principle to the Ancient Egyptian<br />

particular type <strong>of</strong> knowledge, we would find that there must has been a set <strong>of</strong><br />

“techniques” — discerned mentally and visibly as well— which worked as a catalyst<br />

in the process <strong>of</strong> connecting the levels <strong>of</strong> reality, i.e., the human, the god, the<br />

deceased. This set <strong>of</strong> techniques constitutes the very Egyptian ritual. The whole<br />

temple building, with premises included, was considered the actual home <strong>of</strong> the god.<br />

The god Thoth was honoured as the founder <strong>of</strong> the Ritual. While many different<br />

definitions <strong>of</strong> ritual may be formulated, one <strong>of</strong> the most complete may be the<br />

following one: (ritual) is “… a special event in time and space, organized in terms <strong>of</strong> a<br />

shared sequence <strong>of</strong> symbolical, formal acts and utterances, serving the goals, values<br />

and expectations <strong>of</strong> an individual, a group, a society, a cultural form, or a world order,<br />

whatever these aims may be”(VAN DEN DUNGEN 2008). Through enactment, religious<br />

ritual makes use <strong>of</strong> the (visible or invisible) natural order (elements & forces) created<br />

by the divine, realizing intention. Therefore, we are using here the word “ritual” as the<br />

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