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Tenth International Congress of Egyptologists Abstracts of Papers

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XICE – Abstract <strong>of</strong> <strong>Papers</strong><br />

no distinction has to be made between the document and the physical museum object<br />

(e.g. a papyrus) or the text written on it (e.g. a hieratic Book <strong>of</strong> the Dead). Frequently,<br />

however, several texts are found together on a single writing surface and then it must<br />

be decided whether these all should become individual records or not.<br />

In defining what constitutes a document or book (and thus should become a<br />

separate record), our approach has been to put material aspects central: in principle all<br />

texts written on what was in antiquity a physically separate writing surface belong<br />

together and form one document, unless there are good reasons to believe that the<br />

only (and unintended) relation between the texts is the writing surface itself. In other<br />

words, only in the case <strong>of</strong> “unrelated” reuse <strong>of</strong> the writing surface will texts written on<br />

the same material object be split up over various records. While this admittedly leaves<br />

some room for interpretation, the definition to a large extent aligns with current<br />

papyrological and epigraphic usage, and only poses problems for temple texts.<br />

An entirely different but perhaps even more important problem is that <strong>of</strong> our<br />

dependence upon what has been called “the vicissitudes <strong>of</strong> discovery and<br />

preservation”. To quantify chronological fluctuations in language use in the Graeco-<br />

Roman period, we would prefer to use the actual number <strong>of</strong> documents written. That<br />

number is unknown to us, however, and was certainly higher than the number <strong>of</strong><br />

documents preserved, which in turn will be higher than the number <strong>of</strong> documents<br />

published, which in turn will be higher than the number <strong>of</strong> documents which are<br />

exactly dated. Since we have to work with figures for this last category, these various<br />

interferences need to be examined in detail.<br />

The role <strong>of</strong> Osiris in the mythological cycle devised around Heracleopolis Magna<br />

Lucía Elena Díaz-Iglesias Llanos<br />

In the sources <strong>of</strong> ancient Egypt, a constant process <strong>of</strong> actualization <strong>of</strong> mythological<br />

contents can be established by means <strong>of</strong> the introduction, change or preferential use <strong>of</strong><br />

some themes over others. It is inside this ongoing process that we frame the<br />

development <strong>of</strong> the mythological cycle <strong>of</strong> Heracleopolis Magna starting from the<br />

Heracleopolitan Period. It results in the creation <strong>of</strong> a new image <strong>of</strong> the city in the<br />

mythical sphere, possibly promoted from the circles <strong>of</strong> royal and religious power. The<br />

new imagery can be traced in the written documents <strong>of</strong> this period and those which<br />

follow. They contrast sharply with those stemming from the Old Kingdom, above all<br />

the Pyramid Texts, where it is remarkable the absence <strong>of</strong> mythemes that use any <strong>of</strong><br />

the elements in the Heracleopolitan territory as a frame <strong>of</strong> reference for the<br />

mythological arguments that are introduced in the utterances. However, they are<br />

integrated from the Heracleopolitan Period onwards, especially in compositions <strong>of</strong><br />

funerary and religious nature (C<strong>of</strong>fin Texts and Book for Going Forth by Day;<br />

hymns) on which our discussion is based.<br />

Three factors give us the clue for the interpretation <strong>of</strong> the mythemes: the main<br />

characters at stake, the spatial contexts and the actions or situations envisaged.<br />

� As regards the first factor, the sources highlight the role played by the local god<br />

Heryshef and three <strong>of</strong> the most prestigious figures <strong>of</strong> the pantheon: Re, Osiris and<br />

Horus.<br />

� Concerning the second point, these characters are related with the following local<br />

landmarks: the capital itself, the lake/s <strong>of</strong> Heryshef’s temple, a place <strong>of</strong> cult <strong>of</strong> a<br />

local form <strong>of</strong> Osiris called Naref, connected with a necropolis in the nome;<br />

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