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Tenth International Congress of Egyptologists Abstracts of Papers

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XICE – Abstract <strong>of</strong> <strong>Papers</strong><br />

vegetable species such as the naret-tree and the uneb-flower. Through them, we<br />

assist in a process <strong>of</strong> recreation, whereby the city and surroudings, either<br />

anthropic or natural but “tangible”, are mythically reconstructed and projected<br />

into the realm <strong>of</strong> the gods and the deceased.<br />

� Lastly, the meaning <strong>of</strong> the characters and landmarks is rendered complete by<br />

relating them to specific situations and mythological events: the fight between<br />

Horus and Seth; the beginning <strong>of</strong> the destruction <strong>of</strong> humanity; the dwelling <strong>of</strong> the<br />

main deities and others <strong>of</strong> minor status; the crowning and triumph <strong>of</strong> these gods<br />

over their enemies, and therefore <strong>of</strong> order over chaos; the performance <strong>of</strong> rites<br />

such as the hacking <strong>of</strong> the earth; the subjection to trials and subsequent<br />

justification <strong>of</strong> the deceased before specific judges; the stopping in the nightly<br />

journey <strong>of</strong> the sun and the deceased in the Heracleopolis <strong>of</strong> the Beyond in order<br />

to be purified and reborn.<br />

Among all the manifold aspects <strong>of</strong> the mythical topography <strong>of</strong> Heracleopolis, we will<br />

draw attention to those that turn the city and Naref into a place <strong>of</strong> appearance <strong>of</strong><br />

Osiris. In this case, as in other examples <strong>of</strong> the manifestation <strong>of</strong> a god in the<br />

Heracleopolitan area (Osiris, Re, Herysef), either a specific feature <strong>of</strong> his personality<br />

or a concrete episode <strong>of</strong> his mythological cycle is selected. Osiris is therefore<br />

integrated in the following core themes: the crowning and handing over <strong>of</strong> elements<br />

<strong>of</strong> regalia endowed with a specific symbolism and function (Atef and Wreret-crowns);<br />

the jubilation and fear that his enthronement entails in the community <strong>of</strong> gods and the<br />

deceased; the arrangement <strong>of</strong> the burial <strong>of</strong> his body by his father Re or his son Horus,<br />

or <strong>of</strong> one <strong>of</strong> his limbs as the nome’s relic; and the celebration <strong>of</strong> rites as the hacking <strong>of</strong><br />

the earth in relation to his being justified and triumphant over his Sethian enemies.<br />

The figure <strong>of</strong> Osiris and these episodes enhance the spatial frame, turning<br />

Heracleopolis into the legitimate seat <strong>of</strong> the royalty and Naref into the western<br />

counterpart <strong>of</strong> Heliopolis.<br />

We consider that the new mythemes, and above all the Osirian occurrences, with<br />

their noticeable emphasis on royalty and the dynastic and legitimizing aspects <strong>of</strong> the<br />

<strong>of</strong>fice, are part <strong>of</strong> a complex cycle. This cycle seems to be linked with the historical<br />

and cultural development <strong>of</strong> the city that reaches the status <strong>of</strong> capital (more in a<br />

nominal than in a real way) <strong>of</strong> the country in the First Intermediate Period. The<br />

Heracleopolitan case-study underscores some issues concerning the analysis <strong>of</strong> myths<br />

in ancient Egypt: the need for contextual interpretations; the emphasis placed on their<br />

nature and purpose, which explains their highly dynamic character; their role as a<br />

means <strong>of</strong> articulating events and social values; the importance <strong>of</strong> the local traditions<br />

inside the national dynamics; and their function in the political and religious sphere as<br />

an instrument for justifying and legitimating power.<br />

Widowhood in Ancient Egypt<br />

Helena Díaz Rivas<br />

According to the British Encyclopaedia, widow/widower is one person whose spouse<br />

has died and has not returned to marry. In ancient Egypt this loss did not have the<br />

same meaning for man than for woman. Some authors 38 have suggested that the social<br />

38 Some examples are: C. DESROCHES NOBLECOURT, La mujer en tiempos de los faraones (Madrid,<br />

1999), 183; P.W. PESTMAN, Marriage and Matrimonial Property in Ancient Egypt. A contribution to<br />

establishing the legal position <strong>of</strong> the woman (Leiden, 1961), 182; M. Bierbrier, The tomb-Builders <strong>of</strong><br />

68

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