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Tenth International Congress of Egyptologists Abstracts of Papers

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XICE – Abstract <strong>of</strong> <strong>Papers</strong><br />

chamber. The author is the field director <strong>of</strong> this project supported by Grant-in-Aid for<br />

Scientific Research from the Ministry <strong>of</strong> Education, Culture, Sports, Science and<br />

Technology, Japan. In the burial chamber, one can see ensemble <strong>of</strong> wall paintings on<br />

the walls and on the pillars according to the cardinal points: 1) On the walls the Book<br />

<strong>of</strong> Amduat is to be seen. A.F. SADEK pointed out the texts had some exceptional<br />

spellings <strong>of</strong> words and played an important rule for its tradition after the New<br />

Kingdom (SADEK 1985). 2) On each face <strong>of</strong> the six pillars is an image <strong>of</strong> the king face<br />

to face with a god or a goddess, for example on the faces along the axis <strong>of</strong> the<br />

chamber is the image <strong>of</strong> the king with Osiris; on the western side with Hathor and on<br />

the eastern side with West Goddess.<br />

The first hour <strong>of</strong> the Book <strong>of</strong> Amduat is situated in the middle <strong>of</strong> the south wall<br />

and the following hours can be seen clockwise on the south, west, north and the east<br />

wall. On the east wall near the south-east corner, to the right end <strong>of</strong> the 12th hour, the<br />

résumé <strong>of</strong> the Book <strong>of</strong> Amduat, so called the short version, begins and continues<br />

beyond the corner to the south wall and ends to the left <strong>of</strong> the first hour <strong>of</strong> the Book <strong>of</strong><br />

Amduat. The execution <strong>of</strong> the Book <strong>of</strong> Amduat was carefully planed on the walls <strong>of</strong><br />

the burial chamber adjusted to the cardinal points. The connection into the burial<br />

chamber is situated in the south wall near the south-west corner. Usually such<br />

connection is placed in the axis <strong>of</strong> the burial chamber <strong>of</strong> the royal tombs in the Valley<br />

<strong>of</strong> the Kings. However, this is not the case in the tomb <strong>of</strong> Amenophis III. In all<br />

probability, the decoration program with the Book <strong>of</strong> Amduat has a priority to the<br />

architectural element. On the west wall, from which the burial chamber axis runs to<br />

the east, the fourth and fifth hour were drawn. Only in each hour <strong>of</strong> this part, an<br />

intersection <strong>of</strong> three registers can be seen. To keep this structure as a whole and avoid<br />

a separation <strong>of</strong> the united registers with doorway, the connection into the burial<br />

chamber was not laid out to the west wall.<br />

The Book <strong>of</strong> Amduat has not been executed from the beginning <strong>of</strong> the Book<br />

continuously, but it has been drawn separately on each wall. Such process <strong>of</strong> work has<br />

an advantage to realize an ideal disposition <strong>of</strong> the hours.Because <strong>of</strong> the name <strong>of</strong><br />

Tuthmosis IV on the foundation deposits discovered by H. Carter in front <strong>of</strong> the tomb<br />

<strong>of</strong> Amenophis III, we know Tuthmosis IV started to construct the royal tomb<br />

(THOMAS 1966: 83). However, until now there is no reliable theory to explain why the<br />

pharaoh needed the second royal tomb (cf. ROMER 1981: 240). It is probably because<br />

that the decoration program in the burial chamber discussed here could not be realized<br />

in his first royal tomb (KV 43) so that he launched to excavate another royal tomb<br />

(KV 22).<br />

References:<br />

J. ROMER, Valley <strong>of</strong> the Kings (London, 1981).<br />

A.F. SADEK, Contribution à l'étude de l’Amdouat, OBO 65 (Freiburg/Göttingen,<br />

1985).<br />

E. THOMAS, The Royal Nekropoleis <strong>of</strong> Thebes (Princeton, 1966).<br />

S. YOSHIMURA and J. KONDO (eds.), Conservation <strong>of</strong> the Wall Paintings in the Royal<br />

Tomb <strong>of</strong> Amenophis III. –First and Second Phases Report (Tokyo, 2004).<br />

The (w)nwn (w)nwn funerary dance in the Old Kingdom and its relationship to<br />

the dance <strong>of</strong> the Mww<br />

Mww<br />

Lesley Kinney<br />

137

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