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Tenth International Congress of Egyptologists Abstracts of Papers

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XICE – Abstract <strong>of</strong> <strong>Papers</strong><br />

(b) A fragment <strong>of</strong> the Amenhotep III shabti from the Slovak National Museum<br />

[poster]<br />

“Lascaux along the Nile”: The Palaeolithic rock art <strong>of</strong> Qurta (Upper-Egypt)<br />

Dirk Huyge<br />

In February-March 2007, a Belgian archaeological expedition, financed by Yale<br />

University, started a rock art research project at the Qurta sites, on the east bank <strong>of</strong> the<br />

Nile, along the northern edge <strong>of</strong> the Kom Ombo Plain, about 40 km south <strong>of</strong> Edfu and<br />

15 km north <strong>of</strong> Kom Ombo. The rock art sites at Qurta, which are essentially<br />

characterized by naturalistically drawn animal figures (predominantly wild cattle or<br />

aurochs), had been discovered in 1962-1963 by a Canadian archaeological mission,<br />

but had never been properly been valued. They were relocated by the Belgian mission<br />

in 2005. On the basis <strong>of</strong> a large number <strong>of</strong> arguments, relative to the rock art itself and<br />

to its general geographical and archaeological context, it is beyond doubt that these<br />

drawings are extremely ancient and can most probably be attributed to the Late<br />

Palaeolithic Ballanan-Silsilian culture, dated to about 16,000 to 15,000 years ago<br />

(BP). As such, Qurta constitutes the oldest graphic activity recorded in Egypt until<br />

now. It moreover provides clear evidence that Africa in general and Egypt in<br />

particular possesses prehistoric art that is both chronologically and aesthetically<br />

closely comparable to the great Palaeolithic art traditions known for a long time from<br />

the European continent.<br />

Royal monuments <strong>of</strong> the third dynasty: a re-examination <strong>of</strong> the archaeological<br />

documents<br />

Ilaria Incordino<br />

Summary <strong>of</strong> the Ph.D. research results on the royal funerary monuments <strong>of</strong> the Third<br />

Dynasty, trying to recognize a possible chronological sequence <strong>of</strong> kings, in which I<br />

suggest the chronological position <strong>of</strong> Sanakht at the beginning <strong>of</strong> the dynasty. My<br />

work has been focused first on the study <strong>of</strong> 12 royal reliefs <strong>of</strong> the third dynasty that<br />

could complete the work on the style and proportions in the reliefs <strong>of</strong> the Ancient<br />

Kingdom begun by GAY ROBINS in the year 1994. This analysis has the aim to<br />

identify the pharaonic canon <strong>of</strong> representation for this period, giving more evidence to<br />

draw up the chronology. The second phase <strong>of</strong> my reseach is a more punctual<br />

examination <strong>of</strong> the rich epigraphical documents referring to the administral <strong>of</strong>ficials<br />

<strong>of</strong> the third dynasty, specially from the Bet Khallaf cemetery, that could clear the birth<br />

<strong>of</strong> some title or mention <strong>of</strong> buildings and royal institutions helpful to identify the<br />

burocratic development in the administration <strong>of</strong> the time. Finally my survey <strong>of</strong> the Bet<br />

Khallaf site in 2007 has suggested me a new hypotesis for the biggest mastaba <strong>of</strong> the<br />

cemetery (K1).<br />

126

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