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Tenth International Congress of Egyptologists Abstracts of Papers

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XICE – Abstract <strong>of</strong> <strong>Papers</strong><br />

and cultural heritage, to whom can be acknowledged an important social role —it<br />

does not matter the way and the reasons”. 157<br />

The Apries Palace, Memphis<br />

Maria Helena Trindade Lopes and Teresa Rita Mateus Pereira<br />

Kôm Tumân is situated north <strong>of</strong> Mit Rahîna and south <strong>of</strong> the modern cemetery <strong>of</strong><br />

Sheikh Said in Kôm Aziz. The site covers approximately 220 000 m2 and today is<br />

bordered southwest by the Ezbet Gabry village.The Palace rises at the northwest<br />

corner <strong>of</strong> the vast plain, built on an artificial hill and about 13.66 m high. This<br />

platform is founded on a net <strong>of</strong> thick adobe walls whose gaps were filled with debris,<br />

broken ceramics and pieces <strong>of</strong> stone, in order to produce a solid, strong base for the<br />

upper constructions.<br />

This great structure was built with adobe and stone, and its dimensions can be<br />

calculated according to the sections <strong>of</strong> limestone columns and capitals located on the<br />

upper level. The walls, which Petrie described as approx. 4 m thick (Petrie, 1909:1),<br />

were made <strong>of</strong> adobe and sustained with stone on the lower sector. The floor, the<br />

thresholds and the steps were also made <strong>of</strong> stone. The access to the Palace was done<br />

through the south, by a colossal ramp 87 m wide. The main entrance led directly to a<br />

bridge over a ditch, which was about 3 m wide and bounded by curbs. Once the<br />

bridge was crossed, the internal activity at the Palace was done through two corridors.<br />

To the left <strong>of</strong> the “new corridor” was the house <strong>of</strong> the guards and the kitchen, and to<br />

the right there were several compartments (PETRIE, 1909:2). From the “old corridor”,<br />

also encircled by unidentified compartments, there was direct access to the Great<br />

Royal Room. The northern part <strong>of</strong> the Palace corresponds to the “Mandara”, which<br />

was built following an adobe cellular structure, with an oval plan and probably<br />

cupolas (KEMP, 1977:103).<br />

Annexed to the Palace laid the “Military ground” <strong>of</strong> Apriés, spreading out to<br />

northwest, east and southeast, where several mercenary groups might have lodged,<br />

especially Greeks and Carians. The entire area, covering Palace and Ground, was<br />

fortified and the fencing walls show a 10 m width on the base. In his excavations,<br />

Petrie also detected a large gate, on the northeast side <strong>of</strong> the fortification (PETRIE,<br />

1909b:12, pl. XXX). As mentioned before, this site was in the past subject to two<br />

excavations and two probes. M. DANINOS PACHA (PACHA, 1904: 142-143) completed<br />

the first excavation, in 1901-1902, working on the west area <strong>of</strong> the Palace platform.<br />

W.F. PETRIE led the second and most important excavation (1909-1910), and his<br />

works exposed the fortified palace and the access ramp (PETRIE, 1909: 1-5; PETRIE,<br />

1910: 40-41). The brilliant English archaeologist also probed the fencing wall, which<br />

may have been repaired in the Ptolemaic or Roman periods (JEFFREYS, 1985: 41), at<br />

an unidentified area in the field, to the east (JEFFREYS, 1985:42).<br />

According to PETRIE, the Apriés Palace was built over the most ancient palaces<br />

(PETRIE, 1909: 1; PETRIE, 1910: 40-41). Although Petrie wasn’t able to confirm his<br />

intuition, the objects and the painted ceramics <strong>of</strong> the New Empire that were found and<br />

referred to by PETRIE and KEMP can lead us to determine which New Empire<br />

installations were used to build the palace, specially if the foundations were built with<br />

157 D. JALLÀ, ‘Funzioni e ragioni del museo contemporaneo: una proposta di riflessione’, in: L. BALDIN<br />

(ed.), Progettare il museo. Atti della V Conferenza Regionale dei Musei del Veneto. Padova, 24-25<br />

settembre 2001 (Treviso 2002), 99.<br />

258

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