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European Journal of Scientific Research - EuroJournals

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Comparative Analysis <strong>of</strong> Pictorial Coverage <strong>of</strong> Events by Pakistan’s English Press 747<br />

reality” (Hasan, 2005). Visuals are more effective, influential and memorable compared to the<br />

narration that is why most newspaper editors intend to accompany most <strong>of</strong> the news stories with<br />

pictures and special attention is given to the pictorial coverage <strong>of</strong> events so that the real picture <strong>of</strong> the<br />

event can be presented before the reader. There’s nothing like a photograph to give a newspaper<br />

motion and emotion. Photo journalism lies at the very heart <strong>of</strong> newspaper design” (Harrower, 2004).<br />

Today’s reader urges to see something unique, appealing, snappy, easy to grasp and that can appeal the<br />

reader’s aesthetic sense. ‘Every picture tells a story and every story deserves a picture. Today’s readers<br />

are so spoiled by TV and magazines that they now expect color photos, yet to accompany nearly every<br />

story they read’ (p.4).<br />

Today’s media is entangled in competitive environment. Print media, newspaper in particular<br />

has to combat television staged with glamour, radio for its access, interactive media for its speed and<br />

glazing magazines. ‘Pictures are one <strong>of</strong> the key elements <strong>of</strong> a page. It is a picture that draws a reader<br />

into a page and helps to guide him or her through the page and the material on it’ (Frost, 2002).<br />

Therefore a right picture, at right place in right time plays pivotal role in making newspaper eye<br />

catching and can compete its other technological rivals. ‘It is one <strong>of</strong> the peculiar characteristics <strong>of</strong> the<br />

photo that it isolates single moments in time. The TV camera does not’ (McLuhan, 2002). It wouldn’t<br />

be wrong to say that pictures displayed in newspaper significantly attract more readerships. ‘The<br />

convincing power <strong>of</strong> the verbal comment in turn is strengthened by the photographic image, which<br />

multiplies the emotional elements’ (Hasan, 2005). This study aims to explore the coverage and<br />

importance given to the pictorial coverage by English dailies.<br />

History <strong>of</strong> pictorial journalism is not so old. A French inventor named Niepce produced the first<br />

permanent photograph in 1826. The historian <strong>of</strong> photography associated with the rediscovery <strong>of</strong><br />

Niepce’s early work was Helmut Gernsheim, whose History <strong>of</strong> Photography (published in 1995 and<br />

1969) helped shape, for better or worse, the way that developments in the science are understood (Price<br />

1998). Technological advancement in photographic equipments opened new doors <strong>of</strong> innovation, and it<br />

became possible to capture an event within a camera. The first newspaper photograph was published in<br />

1880. News photos didn’t become common, however, until the early 1900s. Gradually photographs<br />

began to become important elements <strong>of</strong> newspaper design. Full color photos became common in the<br />

early’80s, thus ushering the modern era <strong>of</strong> newspaper design (Harrower, 2002). In Pakistan, during<br />

1950s English newspapers followed this trend by giving occasional photographic coverage to<br />

important events. It took some time for Urdu newspaper to give attention to photography. However, in<br />

1953, an Urdu daily ‘Kohistan’ was the first Urdu newspaper that started giving photographic coverage<br />

to the events since then the Urdu press is far ahead in the production <strong>of</strong> photographs (Hasan and<br />

Khurshid, 1987).<br />

Pictures have a major part to play in setting the emotional agenda <strong>of</strong> a piece. Whether they are<br />

pictures <strong>of</strong> widows weeping at a pithead mining disaster or the triumphant smile <strong>of</strong> the sports victor or<br />

the mouth-twisting absorption <strong>of</strong> a picture- painting toddler, they all add something to the reader’s<br />

perception <strong>of</strong> what has happened. The Poynter Institute’s Eye-trac research shows that readers are<br />

drawn into a page by the picture or pictures (Garcia and Stark 1991). The picture is therefore important<br />

to a page design and usually becomes the page’s entry point, drawing the reader in and then directing<br />

them to the start <strong>of</strong> the main article. Newspapers and magazines are a potent mix <strong>of</strong> text and image<br />

designed to grab the reader’s attention and hold it, making the experience <strong>of</strong> reading the news easy and<br />

enjoyable and, more importantly for some, to tempt readers to carry on shelling out a reasonable<br />

amount <strong>of</strong> precious cash to pay for it. The aim <strong>of</strong> a magazine front cover or a newspaper front page is<br />

solely to invite the reader to buy, to tempt them into picking up the publication and become engrossed<br />

in its content. The aim <strong>of</strong> inside is to continue that experience by <strong>of</strong>fering information, education and<br />

entertainment (Frost, 2003).<br />

People have been interested in pictures for a long time. This interest has two related aspects: (a)<br />

our interest in the picture <strong>of</strong> reality provided us in bits and pieces by our visual and gross body<br />

orienting systems-and their technological enhancements. Indeed, Western science has provided us with<br />

ever-clearer pictures <strong>of</strong> reality through the extension <strong>of</strong> our senses by specialized instruments, and (b)

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