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(Westermarck, 1926:187).<br />

Nasewukhuphuka umtsimba emini timphahla tamakoti titfwalwa ngudzadzewabo.<br />

Letimphahla tifaka ekhatsi licansi lamakoti phela ngulo latawulala ngalo<br />

Jekhakhakhe. Nyalo ngesilumbi sekuba ngumbhede Jatsengelwa wona makoti.<br />

Kuyagidvwa-ke kube mnandzi emacembu lamabili achudzelene. Ekuseni<br />

ngembulukusa ngakusasa, ngeUsontfo phela makoti ungeniswa esibayeni<br />

ayomekeza. Lapha kuvamise kutsi kube nebemndeni kanye netihlobo letisedvute<br />

letetsamela lomcimbi lobaluleke kakhulu esiveni semaSwati. Dlamini (1995)<br />

ukuchaza kahle kumekeza ngobe phela vele loku kwatiwa futsi kubuye kwentiwe<br />

ngulabasikati. Asimuve nangemavi akhe abeka atsi:<br />

This ceremony is part of the Swazi wedding, when the bride moves<br />

into the cattle kraal at the home of her in-laws with other women to<br />

sing and cry. The ceremony is held at the crack of dawn on the last<br />

day of her wedding. The songs that are sung evoke sorrow in the<br />

bride so that she cries. The women stand at the sides of the kraal.<br />

The bride is the one who makes some slow movements towards and<br />

from the kraal outlet. She stands holding a spear that is pointing<br />

down and wearing only the traditional skirt. She then cries in a<br />

controlled voice. The other women sing for her those songs that<br />

will make her cry very bitterly. They also take tums in crying in the<br />

same controlled voices.<br />

(Dlamini, 1995:89).<br />

Kunetingoma takhona letihlatjelwako lapha kumekezwa. Leto tingoma atimane<br />

nje tihlatjelwe noma nini kepha tihlatjelwa ngalelilanga kuphela. Levamile ingoma<br />

lapha ngulena leJandzelako.<br />

Ngaphum' ekufeni,<br />

Yehha!<br />

Ngaphum' ekufeni<br />

Ngangen' ekufeni.<br />

Yelababe, ngitawufa mine,<br />

Yelababe, ngitayifeJ' inkhonto.<br />

Yehhal<br />

46

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