07.02.2013 Aufrufe

Wissensbilanz 2011 - Universität für angewandte Kunst Wien

Wissensbilanz 2011 - Universität für angewandte Kunst Wien

Wissensbilanz 2011 - Universität für angewandte Kunst Wien

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Architektur und Politik, Contractworld, Hannover, Deutschland –––––––––––––––––––––––––––––––– Wolf D. Prix<br />

Bauen am Wasser (2), Baukultur-Tourismus-Symposium,<br />

CULTH:EX CAR-GOR (Programm INTERREG IV A Slowenien–Österreich),<br />

Gmunden, Österreich ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Karin Raith<br />

Bauen am Wasser (3), Baukultur-Tourismus-Symposium,<br />

CULTH:EX CAR-GOR (Programm INTERREG IV A Slowenien–Österreich),<br />

Turrach, Österreich ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Karin Raith<br />

BMW Welt, Creaton AG, München, Deutschland ––––––––––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />

Conversation Zaha Hadid / Tina Brown, Conversation Zaha Hadid / Tina Brown,<br />

New York City, Vereinigte St. v. Amerika –––––––––––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />

COOP HIMMELB(L)AU, Pratt Institute, Pratt Institute,<br />

New York, Vereinigte St. v. Amerika ––––––––––––––––––––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />

digital territoriality, Towards a new territorial culture. Latitudes 4,<br />

Ubaldo García Torrente. escuela tecnica de granada. kgl.<br />

kunstakademie Kopenhage, granada, Spanien –––––––––––––––––––––––––––––––––––––––––––––––– Reiner Zettl<br />

Entwicklungen in der Treagwerksplanung,<br />

Wismarer Dialog, Hochschule Wismar, Wismar, Deutschland –––––––––––––––––––––––––––––––– Klaus Bollinger<br />

Evolutionary Energy Design, protoSPACE lecture,<br />

Hyperbody, TU Delft, Delft, Niederlande –––––––––––––––––––––––––––––––––––––––––––––– Bernhard Sommer<br />

From Flexibility to Fluidity, fluencies – international arhitext festival,<br />

arhitext design foundation, timisoara, Rumänien ––––––––––––––––––––––––––––––––––– Robert Neumayr-Beelitz<br />

Hadid – Lagerfeld – Schumacher – Nouvel, Hadid – Lagerfeld – Schumacher – Nouvel,<br />

IMA, Paris, Frankreich ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />

In Conversation Zaha Hadid / Dejan Sudjic, Glasgow,<br />

In Conversation Zaha Hadid / Dejan Sudjic, Glasgow, Großbrit. u. Nordirland –––––––––––––––––––––– Zaha Hadid<br />

Inaugural Lecture Guangzhou Opera House,<br />

Guangzhou Opera House, Guangzhou, China ––––––––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />

Integrative Prozesse, making of … processes, Fachbereich Architektur,<br />

Bergische <strong>Universität</strong>, Wuppertal, Deutschland –––––––––––––––––––––––––––––––––––– Robert Neumayr-Beelitz<br />

Kaleidoscope City, Energy City Conference,<br />

Institut <strong>für</strong> Gebäude und Energie, TU Graz, Österreich –––––––––––––––––––––––––––––––––– Bernhard Sommer<br />

Lecture at the Columbia University, NYC, Lecture at the Columbia University,<br />

New York, Vereinigte St. v. Amerika –––––––––––––––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />

Lecture by Zaha Hadid, London Literature Festival, Queen Elizabeth Hall,<br />

Southbank Centre, London, Großbrit. u. Nordirland ––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />

Lecture Zaha Hadid with Joseph Giovannini, Lecture at the Philadelphia Museum of Art,<br />

Philadelphia Museum of Art, Philadelphia, Vereinigte St. v. Amerika –––––––––––––––––––––––––––– Zaha Hadid<br />

Light and Atmosphere, Lysets Dag, Österreich ––––––––––––––––––––––––––––––––––––––––––––––––– Greg Lynn<br />

master an der universität <strong>für</strong> <strong>angewandte</strong> kunst, master messe berlin,<br />

master-and-more.de, Berlin, Deutschland –––––––––––––––––––––––––––––––––––––––––––––––––––– Reiner Zettl<br />

Missing Link, Missing Link, Educult, <strong>Wien</strong> –––––––––––––––––––––––––––––––––––––––––––––––– Anton Falkeis<br />

movin’movin’, collaboration in architecture lecture,<br />

<strong>Universität</strong> Liechtenstein, Vaduz, Liechtenstein ––––––––––––––––––––––––––––––––––––––––––––– Anton Falkeis<br />

Nachhaltigkeit aus architekturhistorischer Sicht, Partnermeeting,<br />

ATP Architekten und Ingenieure, ATP Architekten und Ingenieure,<br />

Kranzbach, Bayern, Deutschland ––––––––––––––––––––––––––––––––––––––––––––––––––––––– Matthias Boeckl<br />

Neubau Europäische Zentralbank, Porr Frankfurt, Frankfurt, Deutschland ––––––––––––––––––––––– Wolf D. Prix<br />

On the Future of Architectural Education, ringvorlesungen <strong>2011</strong>,<br />

institut <strong>für</strong> experimentelle architektur.hochbau,<br />

<strong>Universität</strong> Innsbruck, Innsbruck, Österreich –––––––––––––––––––––––––––––––––––––– Robert Neumayr-Beelitz<br />

Projektbericht Busan Cinema Center,<br />

Offizielle Eröffnung des Busan Cinema Center, Österreich –––––––––––––––––––––––––––––––––– Klaus Bollinger<br />

Reale Utopien, Symposium zur Ausstellung „Thomas Saraceno Cloud Cities“,<br />

berlin-brandenburgische Akademie der Wissenschaften, Deutschland ––––––––––––––––––––––––– Klaus Bollinger<br />

Scuse Me While I Kiss The Sky, Arena Design <strong>2011</strong>, Poznan, Polen ––––––––––––––––––––––––––––– Wolf D. Prix<br />

Soho Galaxy, Soho Galaxy, Beijing, Beijing, China –––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />

Structure and Adaptability, Energycity Conference, TU Graz –––––––––––––––––––––––––––––––– Klaus Bollinger<br />

SunSquare – Bleibt die Architektur im Hintergrund?,<br />

TurnOn – Architekturfestival <strong>2011</strong>, Österreich –––––––––––––––––––––––––––––––––––––––––– Johann Traupmann<br />

Technische <strong>Universität</strong>, Budapest TU, Budapest, Ungarn –––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />

The possibility of the Impossible,<br />

Busan Design Center, Busan, Korea, Demokrat. VR –––––––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />

The possibility of the Impossible,<br />

Design and Research Institute, Changsha, China ––––––––––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />

The possible Impossibility, Shenzhen Biennale,<br />

Shenzhen Biennale, Shenzhen, China –––––––––––––––––––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />

what is green architecture? (re)charging the ultrapheripheral,<br />

Goethe Institut New York, New York, Vereinigte St. v. Amerika ––––––––––––––––––––––––––––––– Bärbel Müller<br />

What’s the difference #1, SCI-Arc, Los Angeles, Vereinigte St. v. Amerika ––––––––––––––––––––––– Wolf D. Prix<br />

Institut <strong>für</strong> Bildende und Mediale <strong>Kunst</strong><br />

30 Jahre Animationsfilm an der Angewandten, Hubert Sielecki, <strong>Wien</strong> ––––––––––––––––––––––––– Hubert Sielecki<br />

a robot as a tourist – with a little help of a friend, Field_Notes – Cultivating Grounds,<br />

finnish bioart society, kilpisjärvi, Finnland ––––––––––––––––––––––––––––––––––––––––––––––– Nikolaus Passath<br />

ACSIS-conference <strong>2011</strong>, Imagining Europe,<br />

<strong>Universität</strong> Linköping, Norrköping, Schweden –––––––––––––––––––––––––––––––– Gerda Lampalzer-Oppermann<br />

Against „all attempts at disavowing the factual“. László Moholy-Nagy meets Dada,<br />

International Colloquium „Transfers, Appropriations and Functions of Avant-Garde,<br />

Centre Interuniversitaire d‘Études Hongroises et Finlandaises,<br />

Paris III Sorbon, Paris, Frankreich ––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Gabriele Jutz<br />

Artists Lecture Series, Artists Lecture Series,<br />

Akademie der Bildenden <strong>Kunst</strong>, <strong>Wien</strong> ––––––––––––––––––––––––––––––––––––––––––––––––––––––– Judith Eisler<br />

Atmers, TECHNO-ECOLOGIES International interdisciplinary academic conference,<br />

Riga, RIXC Media Space, Riga, Lettland –––––––––––––––––––––––––––––––––––––––––––––––– Nikolaus Passath<br />

Bild und Wort im Künstlerbuch, ABoT (Arists’ Books on Tour.<br />

Artist Competition and Mobile Museum), MAK, <strong>Wien</strong>, Österreich ––––––––––––––––––––––––– Ferdinand Schmatz<br />

Current topics in Printmaking and future developments,<br />

3rd Printmaking Symposium, College of Fine Art / Shanghai University,<br />

Shanghai, China ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Michael Wilhelm Schneider<br />

Das (apallische) Syndrom als Schiff: wer bastelt mit (während es fährt)?,<br />

Der Patient. Eine Konferenz über die doppelte Staatsbürgerschaft der Krankheit,<br />

Steirischer Herbst, Graz –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Bernd Kräftner<br />

106 Ergebnisse Künstlerische und wissenschaftliche Arbeiten und Veröffentlichungen 107

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