Wissensbilanz 2011 - Universität für angewandte Kunst Wien
Wissensbilanz 2011 - Universität für angewandte Kunst Wien
Wissensbilanz 2011 - Universität für angewandte Kunst Wien
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Architektur und Politik, Contractworld, Hannover, Deutschland –––––––––––––––––––––––––––––––– Wolf D. Prix<br />
Bauen am Wasser (2), Baukultur-Tourismus-Symposium,<br />
CULTH:EX CAR-GOR (Programm INTERREG IV A Slowenien–Österreich),<br />
Gmunden, Österreich ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Karin Raith<br />
Bauen am Wasser (3), Baukultur-Tourismus-Symposium,<br />
CULTH:EX CAR-GOR (Programm INTERREG IV A Slowenien–Österreich),<br />
Turrach, Österreich ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Karin Raith<br />
BMW Welt, Creaton AG, München, Deutschland ––––––––––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />
Conversation Zaha Hadid / Tina Brown, Conversation Zaha Hadid / Tina Brown,<br />
New York City, Vereinigte St. v. Amerika –––––––––––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />
COOP HIMMELB(L)AU, Pratt Institute, Pratt Institute,<br />
New York, Vereinigte St. v. Amerika ––––––––––––––––––––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />
digital territoriality, Towards a new territorial culture. Latitudes 4,<br />
Ubaldo García Torrente. escuela tecnica de granada. kgl.<br />
kunstakademie Kopenhage, granada, Spanien –––––––––––––––––––––––––––––––––––––––––––––––– Reiner Zettl<br />
Entwicklungen in der Treagwerksplanung,<br />
Wismarer Dialog, Hochschule Wismar, Wismar, Deutschland –––––––––––––––––––––––––––––––– Klaus Bollinger<br />
Evolutionary Energy Design, protoSPACE lecture,<br />
Hyperbody, TU Delft, Delft, Niederlande –––––––––––––––––––––––––––––––––––––––––––––– Bernhard Sommer<br />
From Flexibility to Fluidity, fluencies – international arhitext festival,<br />
arhitext design foundation, timisoara, Rumänien ––––––––––––––––––––––––––––––––––– Robert Neumayr-Beelitz<br />
Hadid – Lagerfeld – Schumacher – Nouvel, Hadid – Lagerfeld – Schumacher – Nouvel,<br />
IMA, Paris, Frankreich ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />
In Conversation Zaha Hadid / Dejan Sudjic, Glasgow,<br />
In Conversation Zaha Hadid / Dejan Sudjic, Glasgow, Großbrit. u. Nordirland –––––––––––––––––––––– Zaha Hadid<br />
Inaugural Lecture Guangzhou Opera House,<br />
Guangzhou Opera House, Guangzhou, China ––––––––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />
Integrative Prozesse, making of … processes, Fachbereich Architektur,<br />
Bergische <strong>Universität</strong>, Wuppertal, Deutschland –––––––––––––––––––––––––––––––––––– Robert Neumayr-Beelitz<br />
Kaleidoscope City, Energy City Conference,<br />
Institut <strong>für</strong> Gebäude und Energie, TU Graz, Österreich –––––––––––––––––––––––––––––––––– Bernhard Sommer<br />
Lecture at the Columbia University, NYC, Lecture at the Columbia University,<br />
New York, Vereinigte St. v. Amerika –––––––––––––––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />
Lecture by Zaha Hadid, London Literature Festival, Queen Elizabeth Hall,<br />
Southbank Centre, London, Großbrit. u. Nordirland ––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />
Lecture Zaha Hadid with Joseph Giovannini, Lecture at the Philadelphia Museum of Art,<br />
Philadelphia Museum of Art, Philadelphia, Vereinigte St. v. Amerika –––––––––––––––––––––––––––– Zaha Hadid<br />
Light and Atmosphere, Lysets Dag, Österreich ––––––––––––––––––––––––––––––––––––––––––––––––– Greg Lynn<br />
master an der universität <strong>für</strong> <strong>angewandte</strong> kunst, master messe berlin,<br />
master-and-more.de, Berlin, Deutschland –––––––––––––––––––––––––––––––––––––––––––––––––––– Reiner Zettl<br />
Missing Link, Missing Link, Educult, <strong>Wien</strong> –––––––––––––––––––––––––––––––––––––––––––––––– Anton Falkeis<br />
movin’movin’, collaboration in architecture lecture,<br />
<strong>Universität</strong> Liechtenstein, Vaduz, Liechtenstein ––––––––––––––––––––––––––––––––––––––––––––– Anton Falkeis<br />
Nachhaltigkeit aus architekturhistorischer Sicht, Partnermeeting,<br />
ATP Architekten und Ingenieure, ATP Architekten und Ingenieure,<br />
Kranzbach, Bayern, Deutschland ––––––––––––––––––––––––––––––––––––––––––––––––––––––– Matthias Boeckl<br />
Neubau Europäische Zentralbank, Porr Frankfurt, Frankfurt, Deutschland ––––––––––––––––––––––– Wolf D. Prix<br />
On the Future of Architectural Education, ringvorlesungen <strong>2011</strong>,<br />
institut <strong>für</strong> experimentelle architektur.hochbau,<br />
<strong>Universität</strong> Innsbruck, Innsbruck, Österreich –––––––––––––––––––––––––––––––––––––– Robert Neumayr-Beelitz<br />
Projektbericht Busan Cinema Center,<br />
Offizielle Eröffnung des Busan Cinema Center, Österreich –––––––––––––––––––––––––––––––––– Klaus Bollinger<br />
Reale Utopien, Symposium zur Ausstellung „Thomas Saraceno Cloud Cities“,<br />
berlin-brandenburgische Akademie der Wissenschaften, Deutschland ––––––––––––––––––––––––– Klaus Bollinger<br />
Scuse Me While I Kiss The Sky, Arena Design <strong>2011</strong>, Poznan, Polen ––––––––––––––––––––––––––––– Wolf D. Prix<br />
Soho Galaxy, Soho Galaxy, Beijing, Beijing, China –––––––––––––––––––––––––––––––––––––––––––– Zaha Hadid<br />
Structure and Adaptability, Energycity Conference, TU Graz –––––––––––––––––––––––––––––––– Klaus Bollinger<br />
SunSquare – Bleibt die Architektur im Hintergrund?,<br />
TurnOn – Architekturfestival <strong>2011</strong>, Österreich –––––––––––––––––––––––––––––––––––––––––– Johann Traupmann<br />
Technische <strong>Universität</strong>, Budapest TU, Budapest, Ungarn –––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />
The possibility of the Impossible,<br />
Busan Design Center, Busan, Korea, Demokrat. VR –––––––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />
The possibility of the Impossible,<br />
Design and Research Institute, Changsha, China ––––––––––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />
The possible Impossibility, Shenzhen Biennale,<br />
Shenzhen Biennale, Shenzhen, China –––––––––––––––––––––––––––––––––––––––––––––––––––––– Wolf D. Prix<br />
what is green architecture? (re)charging the ultrapheripheral,<br />
Goethe Institut New York, New York, Vereinigte St. v. Amerika ––––––––––––––––––––––––––––––– Bärbel Müller<br />
What’s the difference #1, SCI-Arc, Los Angeles, Vereinigte St. v. Amerika ––––––––––––––––––––––– Wolf D. Prix<br />
Institut <strong>für</strong> Bildende und Mediale <strong>Kunst</strong><br />
30 Jahre Animationsfilm an der Angewandten, Hubert Sielecki, <strong>Wien</strong> ––––––––––––––––––––––––– Hubert Sielecki<br />
a robot as a tourist – with a little help of a friend, Field_Notes – Cultivating Grounds,<br />
finnish bioart society, kilpisjärvi, Finnland ––––––––––––––––––––––––––––––––––––––––––––––– Nikolaus Passath<br />
ACSIS-conference <strong>2011</strong>, Imagining Europe,<br />
<strong>Universität</strong> Linköping, Norrköping, Schweden –––––––––––––––––––––––––––––––– Gerda Lampalzer-Oppermann<br />
Against „all attempts at disavowing the factual“. László Moholy-Nagy meets Dada,<br />
International Colloquium „Transfers, Appropriations and Functions of Avant-Garde,<br />
Centre Interuniversitaire d‘Études Hongroises et Finlandaises,<br />
Paris III Sorbon, Paris, Frankreich ––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Gabriele Jutz<br />
Artists Lecture Series, Artists Lecture Series,<br />
Akademie der Bildenden <strong>Kunst</strong>, <strong>Wien</strong> ––––––––––––––––––––––––––––––––––––––––––––––––––––––– Judith Eisler<br />
Atmers, TECHNO-ECOLOGIES International interdisciplinary academic conference,<br />
Riga, RIXC Media Space, Riga, Lettland –––––––––––––––––––––––––––––––––––––––––––––––– Nikolaus Passath<br />
Bild und Wort im Künstlerbuch, ABoT (Arists’ Books on Tour.<br />
Artist Competition and Mobile Museum), MAK, <strong>Wien</strong>, Österreich ––––––––––––––––––––––––– Ferdinand Schmatz<br />
Current topics in Printmaking and future developments,<br />
3rd Printmaking Symposium, College of Fine Art / Shanghai University,<br />
Shanghai, China ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Michael Wilhelm Schneider<br />
Das (apallische) Syndrom als Schiff: wer bastelt mit (während es fährt)?,<br />
Der Patient. Eine Konferenz über die doppelte Staatsbürgerschaft der Krankheit,<br />
Steirischer Herbst, Graz –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Bernd Kräftner<br />
106 Ergebnisse Künstlerische und wissenschaftliche Arbeiten und Veröffentlichungen 107