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Commentary on Theories of Mathematics Education

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Knowing More Than We Can Tell 609<br />

(rarely doing mathematics); he gradually improves his mathematics schoolwork.<br />

Weyl-Kailey argues that Gilles needed an outlet for his aggressi<strong>on</strong>, and that c<strong>on</strong>trolling<br />

the sessi<strong>on</strong>s provided this. Remedial pedagogy would never have improved his<br />

performance since, like so many students, Gilles saw school mathematics as imposing<br />

c<strong>on</strong>straints and strict rules: “That is the impressi<strong>on</strong> [<strong>of</strong> mathematics] that many<br />

students have. It is the law <strong>of</strong> the Father, the law <strong>of</strong> Destiny, the LAW which is<br />

forbidden to transgress and to discuss, and which can <strong>on</strong>ly restrict its influence by<br />

ignoring it” (p. 24, my translati<strong>on</strong>). Both mathematics and his anger were c<strong>on</strong>trolling<br />

him.<br />

Other analysts have use psychoanalysis to interpret the sometimes amazing mathematical<br />

acti<strong>on</strong>s <strong>of</strong> patients, such as a refusal to write certain digits, or a block<br />

against the idea <strong>of</strong> equati<strong>on</strong>s, or the use <strong>of</strong> two unknowns. Tahta (1994) points out<br />

that these interpretati<strong>on</strong>s are necessarily unverifiable—was it a castrati<strong>on</strong> complex<br />

or an oedipal c<strong>on</strong>flict?—but some may be more fruitful than others. Indeed, Weyl-<br />

Kailey’s work with children with learning difficulties attests to possible victories<br />

that come from fruitful interpretati<strong>on</strong>s. A child who refuses to acknowledge 3 because<br />

<strong>of</strong> an oedipal c<strong>on</strong>flict might be rare, but knowing that it happens may help us<br />

appreciate the role that unc<strong>on</strong>scious processes such as c<strong>on</strong>densati<strong>on</strong> and displacement<br />

(discursively seen as metaphor and met<strong>on</strong>ymy) play in mathematical thinking<br />

(see Tahta 1991, for more discussi<strong>on</strong> <strong>of</strong> the processes <strong>of</strong> c<strong>on</strong>densati<strong>on</strong> and displacement).<br />

The example <strong>of</strong> Gilles would seem to be much less rare, given the pervasiveness<br />

<strong>of</strong> mathematical apathy and anxiety reported in the literature. Weyl-Kailey<br />

treats the problem as stemming from Gilles’ need for c<strong>on</strong>trol and, in this sense, doing<br />

mathematics may well help Gilles find out about himself. However, Walkerdine<br />

also invites us to questi<strong>on</strong> the extent to which the problem lies within the discursive<br />

practices <strong>of</strong> mathematics itself.<br />

Looking Back, Looking Forward<br />

In this chapter, I have attempted to c<strong>on</strong>sider the wide range <strong>of</strong> c<strong>on</strong>structs and phenomena<br />

associated with what we can know without being able to tell, for which I<br />

have proposed the word covert. My goal has been to suggest a way <strong>of</strong> creating distincti<strong>on</strong>s<br />

somewhat differently, more inclusively, and to try to understand some <strong>of</strong><br />

the similarities between distinct and highly specialised areas <strong>of</strong> research in mathematics<br />

educati<strong>on</strong> such as gesture, intuiti<strong>on</strong>, anxiety, and aesthetics. I have d<strong>on</strong>e this<br />

by starting within mathematics, rather than within psychology or sociology. The<br />

creati<strong>on</strong> <strong>of</strong> distincti<strong>on</strong>s has resulted in three main focal areas, with <strong>on</strong>e involving<br />

sensory “subc<strong>on</strong>scious” knowing, and another aesthetic “subc<strong>on</strong>scious” knowing.<br />

The third invokes both sensory and aesthetic “unc<strong>on</strong>scious” knowing. In this tax<strong>on</strong>omy,<br />

intuiti<strong>on</strong> and emoti<strong>on</strong> are cross-cutting, whereas creativity and imaginati<strong>on</strong><br />

are seen as being products <strong>of</strong> rather than roots <strong>of</strong> knowing.<br />

In examining the large terrain <strong>of</strong> covert ways <strong>of</strong> knowing, I have focused much<br />

more <strong>on</strong> the individual knower than <strong>on</strong> more socio-cultural aspects. In particular,<br />

the psychoanalytic perspective seems to orient <strong>on</strong>e’s attenti<strong>on</strong> inwards. However,

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