Muslim Saints of South Asia: The eleventh to ... - blog blog blog
Muslim Saints of South Asia: The eleventh to ... - blog blog blog
Muslim Saints of South Asia: The eleventh to ... - blog blog blog
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THE PEACEMAKER OF DELHI<br />
<strong>of</strong> him, many saints <strong>of</strong> the subcontinent owe their fine <strong>to</strong>mbs.<br />
Nevertheless, in its modern appearance the mausoleum has no<br />
resemblance <strong>to</strong> the specimens <strong>of</strong> architecture <strong>of</strong> the Delhi Sultanate.<br />
<strong>The</strong> material (white marble) itself, the shape <strong>of</strong> the cupola (regular<br />
spherical dome with the base cut <strong>of</strong>f low), enamelled overhead<br />
interior with golden inlay, as well as the composite capitals <strong>of</strong> the<br />
pillars – everything points <strong>to</strong> the fact that the mausoleum was rebuilt<br />
in the Mughal epoch.<br />
However, adjacent <strong>to</strong> the mausoleum the mosque Jama‘at-khana<br />
Masjid, which was completed by Firoz Shah, has retained its original<br />
appearance. This grand structure, made <strong>of</strong> red sands<strong>to</strong>ne and<br />
consisting <strong>of</strong> the central prayer hall and two cupolated chambers, is<br />
considered <strong>to</strong> be the earliest <strong>of</strong> the <strong>South</strong> <strong>Asia</strong>n mosques <strong>of</strong> the Delhi<br />
style, built in absolute conformity with the principles <strong>of</strong> Islamic ritual<br />
architecture. <strong>The</strong> absence in it <strong>of</strong> a rectangular courtyard, enclosed<br />
with lodgings, as is cus<strong>to</strong>mary in congregational mosques (jāmi‘<br />
masjid), indicates that Jama‘at-khana Masjid was used for local<br />
purposes, exclusively for visi<strong>to</strong>rs <strong>of</strong> the khānqāh (Desai 1971: 33).<br />
On entering the dargāh <strong>of</strong> Nizamuddin Awliya, a pilgrim tarries for<br />
a while in the first courtyard in order <strong>to</strong> buy <strong>of</strong>ferings for the saint:<br />
rose petals, sweets and incense sticks. More well-<strong>to</strong>-do visi<strong>to</strong>rs <strong>of</strong>fer<br />
perfumes and aromatic oil (‘iţr), because the saint was fond <strong>of</strong> them<br />
in his lifetime, and also chaddar, a coloured sheet <strong>of</strong> cloth, used for<br />
covering the sepulchre. <strong>The</strong>n the pilgrim passes on <strong>to</strong> the second<br />
courtyard, where sitting at the edge <strong>of</strong> a shallow reservoir he performs<br />
ritual cleansing (wudű¯’), in consecutive order first washing the palms<br />
and hands, then the face and neck and finally his feet.<br />
At the reservoir men and women’s ways diverge. <strong>The</strong> former enter<br />
the <strong>to</strong>mb from the central entrance, <strong>to</strong>uch the threshold with a hand<br />
or, falling on their knees, kiss it. Having entered the <strong>to</strong>mb, they walk<br />
round the sepulchre several times, throwing handfuls <strong>of</strong> rose petals<br />
on it. <strong>The</strong>y give their <strong>of</strong>ferings <strong>to</strong> the special attendant mujāwir, who<br />
sits by the mazār with a green box for <strong>of</strong>ferings <strong>of</strong> cash. In exchange<br />
for ten <strong>to</strong> twenty rupees the mujāwir gives a pilgrim a packet with<br />
consecrated articles, which include a handful <strong>of</strong> rose petals, a pinch<br />
<strong>of</strong> fragrant ashes <strong>of</strong> burnt incense and some sweets.<br />
Women also go up <strong>to</strong> the main entrance, but only in order <strong>to</strong> pray<br />
or <strong>to</strong> kiss the threshold – they can go inside only through the lateral<br />
door. <strong>The</strong>ir <strong>of</strong>ferings are taken from them in the vestibule, separated<br />
from the burial-vault by means <strong>of</strong> a dense lattice. Since women were<br />
always the most ardent devotees <strong>of</strong> Mah˝būb-i ilāhī (the Beloved<br />
Divine, as Nizamuddin Awliya was tenderly called) and also the most<br />
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