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Muslim Saints of South Asia: The eleventh to ... - blog blog blog

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THE OLD MAN OF AJMER<br />

he unreservedly liked samā‘ and considered ‘audition’ <strong>to</strong> be one <strong>of</strong> the<br />

main instruments <strong>of</strong> spiritual transformation <strong>of</strong> a mystic. <strong>The</strong> defence<br />

<strong>of</strong> samā’, beginning with Mu‘inuddin, which permeates the entire<br />

literature <strong>of</strong> the Chishtis, on the one hand became a watershed<br />

between them and the competing Suhrawardiyya fraternity, and<br />

on the other, put them against the ‘ulamā. On the saint’s order<br />

Hamiduddin Suwali Nagori compiled a ‘Treatise on audition’ (Risālai<br />

samā‘), where he formulated the theory, later developed by other<br />

authors, according <strong>to</strong> which three stages <strong>of</strong> ecstasy are reached<br />

successively, owing <strong>to</strong> samā‘: tawājud, the ecstasy deliberately evoked<br />

by means <strong>of</strong> psychotechnics: wajd, the state <strong>of</strong> ecstasy proper; and<br />

wujūd, the state beyond the limits <strong>of</strong> ecstasy, that is existence in God<br />

(Lawrence 1983: 76–7). Excessive enthusiasm <strong>of</strong> the Chishtis for<br />

samā‘ gradually mitigated the ‘sobriety’ <strong>of</strong> their original practice,<br />

pushing the fraternity <strong>to</strong>wards ecstatic Sufism.<br />

<strong>The</strong> his<strong>to</strong>ry <strong>of</strong> the veneration <strong>of</strong> the <strong>to</strong>mb in Ajmer, which has<br />

become, without exaggeration, the main Sufi shrine <strong>of</strong> India, more<br />

than matches the his<strong>to</strong>ry <strong>of</strong> the saint’s life in its richness <strong>of</strong> events. As<br />

happens <strong>to</strong> be the cus<strong>to</strong>m among Sufis, the Khwaja was buried near<br />

his khānqāh, and the original mazār <strong>of</strong> bricks was in due course<br />

covered with a marble cenotaph. <strong>The</strong> <strong>to</strong>mb, erected on the orders <strong>of</strong><br />

the Sultan <strong>of</strong> Malwa Mahmud Khalji (1436–69) was later rebuilt<br />

and expanded more than once. <strong>The</strong> main entrance doors <strong>of</strong> the<br />

dargāh Buland Darwaza were built during the reign <strong>of</strong> the same<br />

sultan.<br />

No information is available regarding pilgrimage <strong>to</strong> Ajmer in the<br />

thirteenth century, but after a hundred years the role <strong>of</strong> the Chishtiyya<br />

fraternity in Indian society had increased <strong>to</strong> such an extent that<br />

performing ziyārat <strong>to</strong> the mazār <strong>of</strong> the founder <strong>of</strong> the fraternity<br />

became obliga<strong>to</strong>ry for representatives <strong>of</strong> the ruling dynasties and the<br />

aris<strong>to</strong>cracy. Thus, poet ‘Isami, author <strong>of</strong> the his<strong>to</strong>rical mathnawī ‘<strong>The</strong><br />

Sultans’ conquests’ (Futūh˝as-salāţī n, 1350) refers <strong>to</strong> Muhammad bin<br />

Tughluq’s pilgrimage <strong>to</strong> Ajmer:<br />

Mu‘īn al-din, that Sijzī who was a refuge <strong>of</strong> the faith<br />

That Guide <strong>of</strong> the Road who is asleep at Ajmer,<br />

When the Sultan had performed ziyārat <strong>to</strong> him<br />

He <strong>to</strong>ok the road thence <strong>to</strong> his capital (Dehlī)<br />

(Digby 1983: 97)<br />

A further reference <strong>to</strong> regular pilgrimage <strong>to</strong> Ajmer in the second half<br />

<strong>of</strong> the fourteenth century occurs in the malfūz.āt <strong>of</strong> Sayyid Muhammad<br />

69

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