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Muslim Saints of South Asia: The eleventh to ... - blog blog blog

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THE OLD MAN OF AJMER<br />

the dargāh the emperor gave orders not <strong>to</strong> prevent ritual performance<br />

<strong>of</strong> qawwāli in honour <strong>of</strong> the saint and, according <strong>to</strong> tradition, was<br />

so deeply moved by the singing that he heaped gold on the musicians<br />

from head <strong>to</strong> foot. 11 Finally, Shah Jahan’s daughter Jahanara, deeply<br />

fascinated by Sufism, visited the dargāh more than once.<br />

As the Mughal aris<strong>to</strong>cracy, imitating the members <strong>of</strong> the emperor’s<br />

family, was literally overloading Ajmer Sharif with new buildings,<br />

at the close <strong>of</strong> his reign Jahangir banned the construction <strong>of</strong> new<br />

buildings on the premises <strong>of</strong> the dargāh without prior sanction,<br />

restricting the pious impulses <strong>of</strong> the courtiers <strong>to</strong> the space beyond<br />

its outer fence. That is why the complex came <strong>to</strong> be surrounded<br />

by numerous mosques, covered courts (dālān), summerhouses<br />

(bārahdarī ) and memorial steles. Notable among these structures<br />

are two <strong>of</strong> the rarest mosques in the subcontinent, built by women.<br />

One, <strong>of</strong> red sands<strong>to</strong>ne, was erected on the order <strong>of</strong> Maya Ba’i, who<br />

was the wet-nurse and nanny 12 <strong>of</strong> princess Zebunnisa, Aurangzeb’s<br />

daughter. <strong>The</strong> other one was gifted <strong>to</strong> the dargāh by the daughter <strong>of</strong><br />

the great Indian musician Miyan Tansen, Ba’i Tilokdi by name (who,<br />

judging by her name, pr<strong>of</strong>essed Hinduism). As a matter <strong>of</strong> fact, it is<br />

only from the inscription on the frieze <strong>of</strong> this mosque that his<strong>to</strong>rians<br />

came <strong>to</strong> know that Tansen had a singer daughter who had inherited<br />

her father’s pr<strong>of</strong>ession (Tirmizi 1968: 52).<br />

<strong>The</strong> tradition <strong>of</strong> pilgrimage <strong>to</strong> the saint’s <strong>to</strong>mb by emperors did not<br />

wane even in the later Mughals’ time: Bahadur Shah I, Farrukh Siyar<br />

and Muhammad Shah Rangeela also performed ziyārat <strong>to</strong> Ajmer.<br />

However, in the year 1756, as a result <strong>of</strong> war between Rajput clans,<br />

the <strong>to</strong>wn passed in<strong>to</strong> the hands <strong>of</strong> the Marathas, who, <strong>to</strong> give them<br />

their due, continued <strong>to</strong> provide public services and amenities <strong>to</strong> the<br />

dargāh. In particular, in 1769, the Maratha vicegerent, San<strong>to</strong>ji by<br />

name, laid out near the gate <strong>of</strong> Madar Darwaza a big regular park,<br />

called Chishti Chaman, dedicated <strong>to</strong> the saint. In the year 1818 Ajmer<br />

was annexed by the English, under whom the dargāh ceased <strong>to</strong> be an<br />

object <strong>of</strong> state patronage and the construction <strong>of</strong> new ritual structures<br />

in it came <strong>to</strong> an end.<br />

What the dargāh looked like in the middle <strong>of</strong> the nineteenth century<br />

we know from the notes <strong>of</strong> the English traveller William Finch:<br />

Before you come <strong>to</strong> this <strong>to</strong>mb you pass three faire courts <strong>of</strong><br />

which the first contayneth near an acre <strong>of</strong> ground, paved<br />

all with black and white marble, wherein are interred many<br />

<strong>of</strong> ‘Mohamet’s Cursed Kindred’; on the left is a faire tank,<br />

inclosed with s<strong>to</strong>ne. <strong>The</strong> Second Court is paved like the<br />

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