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Muslim Saints of South Asia: The eleventh to ... - blog blog blog

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THE SPIRITUAL SOVEREIGN OF MULTAN<br />

him, or what he derived from its constant repetition’ Amir Hasan<br />

1992: 198).<br />

In any case Baha’uddin did not succeed in banishing samā’ from the<br />

khānqāh in Multan for all time: nowadays qawwāls perform the bait<br />

from a famous ghazal <strong>of</strong> Fakhruddin ‘Iraqi at the gates <strong>of</strong> his <strong>to</strong>mb.<br />

Nukhustīn bāde k-andar jām kardand<br />

Zi chashm-i mast-i sāqī wām kardand<br />

<strong>The</strong> eternal wine poured out in the goblet,<br />

Was borrowed from the sāqī’s in<strong>to</strong>xicated eyes.<br />

(Safa 1984: 580)<br />

Tradition has it that other disciples <strong>of</strong> the Shaikh were shocked <strong>to</strong><br />

learn that this ghazal was being sung in local taverns <strong>to</strong> the accompaniment<br />

<strong>of</strong> the harp. <strong>The</strong>y complained <strong>to</strong> the Shaikh who asked<br />

‘Iraqi <strong>to</strong> recite the complete ghazal. On listening <strong>to</strong> the end <strong>of</strong> the<br />

verse, Baha’uddin Zakariya was so deeply moved by it that he<br />

declared ‘Iraqi’s training completed. He ordered him <strong>to</strong> give up<br />

discipline, presented him his own khirqa and later appointed him his<br />

khalīfa. ‘Iraqi’s devotion <strong>to</strong> his pīr expressed itself in many <strong>of</strong> the<br />

verses which he wrote. One <strong>of</strong> them stated:<br />

If you ask <strong>of</strong> the world who is the guide <strong>of</strong> mortals,<br />

You will hear from the heavens nothing but ‘Zakariya’.<br />

(Amir Khurd 1978: 109)<br />

Amongst Baha’uddin Zakariya’s and Qadi Hamiduddin Nagori’s<br />

disciples there were quite a number <strong>of</strong> merchants and craftsmen by<br />

birth, who continued <strong>to</strong> lead a temporal life and visited the khānqāh<br />

only from time <strong>to</strong> time. Particularly glorified in hagiographic<br />

literature were the weaver Ahmad Naharwani, the butcher Shaikh<br />

‘Ainuddin, Shahi Muy Tab (Hair-Rope Maker who was Nizamuddin<br />

Awliya’s boyhood friend from Badaun), Mahmud Muyina-Duz<br />

(Tailor <strong>of</strong> Fur) and the artisan Hasan Afghan. Fawā’id al-fu’ād refers<br />

<strong>to</strong> their virtues and saintliness over and over.<br />

Hasan Afghan, in particular, was endowed with such extra-sensory<br />

faculties that, in spite <strong>of</strong> being illiterate, he could among other written<br />

texts make out the lines <strong>of</strong> Qur’ran because, thanks <strong>to</strong> his internal<br />

sight (bașīrat) he could see the radiance emanating from them.<br />

Baha’uddin Zakariya used <strong>to</strong> say about him: ‘If <strong>to</strong>morrow they ask<br />

me <strong>to</strong> bring forward one person from my household (dargah) as a<br />

representative <strong>to</strong> face judgment on behalf <strong>of</strong> all the others, I would<br />

select Hasan Afghan’ (Amir Hasan 1992: 90).<br />

148

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