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Muslim Saints of South Asia: The eleventh to ... - blog blog blog

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THE HERMIT OF LAHORE<br />

great influence on the entire subsequent hagiographic tradition:<br />

references <strong>to</strong> and borrowings from it are <strong>to</strong> be found in such famous<br />

works as ‘Attar’s Tadhkirat al-awliyā (Memoirs <strong>of</strong> the <strong>Saints</strong>) and<br />

Jami’s Nafahāt al-uns (Whiffs <strong>of</strong> Friendship). Dara Shikoh, constantly<br />

quoting al-Hujwiri in Safīnāt al-awliyā, gives an appraisal <strong>of</strong> his<br />

predecessor’s work: ‘Among the books on tas¸awwuf not even one<br />

has been composed so well as the “Revelation <strong>of</strong> the Veiled”, and no<br />

one can raise any objection <strong>to</strong> it’ (Dara Shikoh 1965: 22).<br />

Information about al-Hujwiri is well known at least from V. A.<br />

Zhukovsky’s foreword <strong>to</strong> the edition <strong>of</strong> the Persian text <strong>of</strong> Kashf<br />

al-mah˛jūb (al-Hujwiri 1926: 15) and R. Nicholson’s preface <strong>to</strong> its<br />

English translation. I would, therefore, dwell on them only in witness<br />

<strong>of</strong> the fact that one’s biography cannot serve as the basis for sainthood.<br />

According <strong>to</strong> R. Nicholson, al-Hujwiri was born in the last decade<br />

<strong>of</strong> the tenth century or in the first decade <strong>of</strong> the <strong>eleventh</strong> century in<br />

Ghazna. Dara Shikoh explains the three-tier nisba <strong>of</strong> the saint – al-<br />

Jullabi al-Hujwiri al-Ghaznavi by the fact that Jullab and Hujwir are<br />

two regions <strong>of</strong> the city <strong>of</strong> Ghazna (Dara Shikoh 1965: 56). A Sunnite<br />

<strong>of</strong> Hanafi madhab, born <strong>to</strong> a family known for its piety, he received<br />

a traditional <strong>Muslim</strong> education and at an early age showed the faculty<br />

<strong>of</strong> a religious writer and a vocation for mysticism.<br />

<strong>The</strong> Kashf al-mah˛jūb is the last in chronological order and the only<br />

extant work <strong>of</strong> al-Hujwiri, his magnum opus. According <strong>to</strong> his own<br />

statement he was the author <strong>of</strong> another nine books (including a dīwān<br />

<strong>of</strong> verses), none <strong>of</strong> which are available now. To a certain extent al-<br />

Hujwiri became a victim <strong>of</strong> the absence <strong>of</strong> the law <strong>of</strong> copyright. He<br />

writes:<br />

A certain individual borrowed my poetical works, <strong>of</strong> which<br />

there was no other copy, and retained the manuscript in his<br />

possession, and circulated it, and struck out my name which<br />

s<strong>to</strong>od at its head, and caused all my labour <strong>to</strong> be lost. May<br />

God forgive him! I had also composed another book, entitled<br />

‘<strong>The</strong> Highway <strong>of</strong> Religion’ (Minhaj ad-din), on the method<br />

<strong>of</strong> Sufism – may God make it flourish! A shallow pretender,<br />

whose words carry no weight, erased my name from the<br />

title page and gave out <strong>to</strong> the public that he was the author,<br />

notwithstanding that connoisseurs laughed at his assertion.<br />

(al-Hujwiri 1992: 2)<br />

Having suffered twice from literary piracy, al-Hujwiri became more<br />

cautious, and whether called for or not, inserted his own name in<strong>to</strong><br />

40

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