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Muslim Saints of South Asia: The eleventh to ... - blog blog blog

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THE WARRIOR SAINTS<br />

It is superfluous <strong>to</strong> observe that such types <strong>of</strong> rituals ran counter<br />

<strong>to</strong> the prevalent <strong>Muslim</strong> practice <strong>of</strong> the veneration <strong>of</strong> saints, which<br />

rules out dramatization or anything erotic, including a nuptial aspect.<br />

<strong>The</strong> fact that the features <strong>of</strong> ‘obstinate’ youngster and bridegroom<br />

became manifest in the image <strong>of</strong> the warrior saint is undoubtedly<br />

indicative <strong>of</strong> the Indian influence, in particular, the Vaishnawa cult.<br />

It is not unlikely that in the hypostasis <strong>of</strong> obstinate youngster Ghazi<br />

Miyan’s image became united with the traits <strong>of</strong> Lord Krishna and as<br />

a warrior and heroic husband he was identified with Lord Rama,<br />

whose birthplace and cult centre were in the very neighbourhood <strong>of</strong><br />

Ayodhya, which was close <strong>to</strong> Bahraich.<br />

<strong>The</strong> main ritual <strong>of</strong> Ghazi Miyan’s cult – the veneration <strong>of</strong> his ‘alam<br />

(banner) – is the so-called ‘fact <strong>of</strong> twin motivation’. <strong>The</strong> veneration<br />

<strong>of</strong> a military banner and processions with flags and spears, which<br />

became a part <strong>of</strong> the saint’s cult no later than the fourteenth century,<br />

are typical also for Shi‘a mourning rites in the month <strong>of</strong> Muh˝arram,<br />

which became widespread in the neighbouring districts <strong>of</strong> Faizabad<br />

and Lucknow in the eighteenth century. Obviously, the rituals <strong>of</strong> the<br />

saint’s ‘urs had a direct effect on the formation <strong>of</strong> the ritual practices<br />

<strong>of</strong> the Shi‘a <strong>of</strong> Awadh. However, a procession <strong>of</strong> pilgrims with<br />

multicoloured flags, and also the veneration <strong>of</strong> jhandā (banner), is a<br />

constituent part <strong>of</strong> many indigenous Indian rituals, pertaining even<br />

<strong>to</strong> the pre-Islamic epoch (for example, the pūjā <strong>of</strong> God Indra’s banner<br />

or staff).<br />

Representatives <strong>of</strong> normative Islam clearly realized the ‘pagan’<br />

substratum <strong>of</strong> Ghazi Miyan’s cult. It has already been mentioned<br />

that certain rulers had forbidden the celebration <strong>of</strong> his ‘urs on account<br />

<strong>of</strong> the elements <strong>of</strong> nuptial eroticism in the saint’s veneration ritual.<br />

In the nineteenth century veneration <strong>of</strong> Ghazi Miyan by Hindus<br />

provoked ironic bewilderment amongst Englishmen. <strong>The</strong> British<br />

Resident in Awadh, William Sleeman, wrote: ‘Strange <strong>to</strong> say, Hindoos<br />

as well as Mahommedans make <strong>of</strong>ferings <strong>to</strong> this shrine, and implore<br />

the favours <strong>of</strong> this military ruffian, whose only recorded merit<br />

consists <strong>of</strong> having sent a great many Hindoos <strong>to</strong> hell, in a wan<strong>to</strong>n and<br />

unprovoked invasion <strong>of</strong> their terri<strong>to</strong>ry’ (Sleeman 1971: 69).<br />

<strong>The</strong> saint’s authority did not wane with the passage <strong>of</strong> time,<br />

however. Even in the eighteenth century the great Punjabi Sufi poet,<br />

Warith Shah, names him among the legendary group <strong>of</strong> the most<br />

venerated saints – the Five Pīrs. Neither Naqshbandiyya reaction,<br />

nor Puritanim <strong>of</strong> the Wahhabis, nor reformists’ criticism could undermine<br />

the foundations <strong>of</strong> the saint’s cult. Those who could not reach<br />

Bahraich celebrated Ghazi Miyan’s ‘urs at his fellow-fighters’ <strong>to</strong>mbs<br />

160

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