Muslim Saints of South Asia: The eleventh to ... - blog blog blog
Muslim Saints of South Asia: The eleventh to ... - blog blog blog
Muslim Saints of South Asia: The eleventh to ... - blog blog blog
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THE HERMIT OF LAHORE<br />
<strong>The</strong> practice <strong>of</strong> samā‘ became a virtual stumbling block, the most<br />
contradic<strong>to</strong>ry subject <strong>of</strong> Sufi literature, around which controversies<br />
raged continually. <strong>The</strong>ologians have discussed endlessly whether<br />
the inclusion <strong>of</strong> samā‘ in the mystic ritual is lawful, or whether it is<br />
only bid‘a, a reprehensible innovation. <strong>The</strong> most lively, spectacular<br />
and entertaining part <strong>of</strong> the Sufi ritual, samā‘ in the first instance<br />
afforded the possibility <strong>of</strong> a quick attainment <strong>of</strong> the state <strong>of</strong> wajd<br />
(ecstasy). Even amongst those fraternities which practised samā‘, like<br />
Chishtiyya, Suhrawardiyya, Qadriyya and Kubrawiyya, there was<br />
no unity <strong>of</strong> opinion on this question.<br />
Al-Hujwiri also could not steer clear <strong>of</strong> these contradictions, or <strong>to</strong><br />
be more exact, his attitude <strong>to</strong>wards samā‘ reflected his evolution with<br />
the passage <strong>of</strong> time. He recollects that once on a hot day ‘in the clothes<br />
<strong>of</strong> a wanderer and with untidy hair’ he came <strong>to</strong> the well-known Shaikh<br />
Khwaja Muzaffar. In reply <strong>to</strong> the hospitable host’s question as <strong>to</strong><br />
what his wish was, al-Hujwiri <strong>to</strong>ld him that he would like <strong>to</strong> hear<br />
samā‘. Khwaja Muzaffar there and then sent for a qawwāl (singer)<br />
and musicians. Being young and full <strong>of</strong> a neophyte’s enthusiasm, al-<br />
Hujwiri was pr<strong>of</strong>oundly thrilled by the song and was driven in<strong>to</strong><br />
ecstasy. <strong>The</strong> Shaikh, observing the young man’s reaction, warned him:<br />
A time will come when this music will be no more <strong>to</strong> you<br />
than the croaking <strong>of</strong> a raven. <strong>The</strong> influence <strong>of</strong> music only<br />
lasts so long as there is no contemplation, and as soon as<br />
contemplation is attained music has no power. Take care not<br />
<strong>to</strong> accus<strong>to</strong>m yourself <strong>to</strong> this, lest it grow part <strong>of</strong> your nature<br />
and keep you back from higher things.<br />
(al-Hujwiri 1992: 171)<br />
Khwaja Muzaffar proved <strong>to</strong> be a good foreteller – in the concluding<br />
chapter <strong>of</strong> Kashf al-mah˛jūb al-Hujwiri speaks about samā‘ much<br />
more critically than in his youth. Apparently, remembering his own<br />
experience, he quotes Junaid’s saying <strong>to</strong> his disciples: ‘If you wish <strong>to</strong><br />
keep your religion safe and <strong>to</strong> maintain your penitence, do not<br />
indulge, while you are young, in the audition which the Sufis practise;<br />
and when you grow old, do not let yourself be the cause <strong>of</strong> guilt in<br />
others’ (al-Hujwiri 1992: 412).<br />
But the following episode most accurately characterizes al-<br />
Hujwiri’s attitude <strong>to</strong>wards samā‘:<br />
Once, when I was in Merv, one <strong>of</strong> the leaders <strong>of</strong> the Ahl-i<br />
hadīth 11 and the most celebrated <strong>of</strong> them all said <strong>to</strong> me: ‘I<br />
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