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Japanese Folk Tale

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xx About <strong>Folk</strong> <strong>Tale</strong>s<br />

strangely enough, wherever the one is preserved there is a deep interest<br />

in the other. I think that we must consider anew the question of<br />

the relationship between these two forms.<br />

Many interesting facts have come to light as time goes on. It was<br />

found that there were already a few people at scattered places in outlying<br />

regions who had a more than ordinary liking for folk tales. Even<br />

though they were not inclined to set them down in writing, such<br />

people in the course of their long lives instructed one or two of what<br />

we might call disciples, and through them the stream of tales continued,<br />

and in some instances even grew. One of the pleasant discoveries<br />

was that on Ikinoshima in the west there had been Yoshino Hidemasa,<br />

a scholar who had made very detailed records of geographical<br />

features of the island, and while his name was known to me and<br />

others, we found among his notations there was a surprising number of<br />

folk tales, a great exception in those days. This furnished the circumstance<br />

through which Yamaguchi Asa taro came to study folk tales.<br />

I was inclined to think there would be still other such instances.<br />

There was the unusual example of a person who went on a trip to<br />

Mika wa and brought back a little picture book which he happened to<br />

find in a secondhand book store, a book copied by hand, in which ten<br />

tales were presented without a single word of explanation, only<br />

pictures, but it showed that at the time they were drawn people could<br />

recall and enjoy tales by only looking at pictures of them. These facts<br />

made us feel we would not leave matters to chance, and we gradually<br />

set up plans to collect tales all over Japan.<br />

Our first step in undertaking this work was the journal Tabi to<br />

densetsu.5 It published two numbers devoted to folk tales, and from<br />

these we could understand for the first time that throughout the land,<br />

no matter which way we turned, there were little centers where<br />

people were interested in folk tales, and we could not fail to see the<br />

similarity in the tales which they recalled. There were no tales especially<br />

of Shikoku, for example, or of Hokuriku. By means of these two<br />

issues of folk tales, our interest was aroused in a country-wide collection<br />

of tales. At the same time we realized we should take up the<br />

study of tales according to their standard forms.<br />

To be sure, among the books that gave us hints were some from<br />

abroad that came to hand a few at a time. The detailed classification<br />

of Aarne and Thompson came out later, but there was the work of<br />

Miss Charlotte Sophia Burne,6 published by the <strong>Folk</strong>-lore Society of<br />

England, in which she presented seventy-two varieties of forms. Some<br />

of them were not so popular in Japan as in her country, but on the<br />

whole there was a similarity to ours. We were encouraged in our plan<br />

by the fact that if we searched here for tales parallel to ones in distant<br />

lands, we could find them. Even now my estimate does not seem<br />

wrong, for excluding some very short humorous tales, there are a few<br />

more here than in England, making it possible to say that there are<br />

around one hundred types of tales in Japan. Beyond that there are<br />

traces of others, but we cannot vouch absolutely for them.<br />

Encouraged by these unexpected circumstances, we set up two<br />

more plans. The first was the publication of Mukashibanashi saishii.<br />

techo,7 a guide for collecting tales. It was a comparatively small<br />

piece of work, but one with which I took particular pains. I limited the

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