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The annals of Tacitus

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INTRODUCTION xiii<br />

the form <strong>of</strong> recitation to sympathetic audiences that the<br />

works <strong>of</strong> <strong>Tacitus</strong> were first given to the world' (vol. i, \x 337).<br />

Those epigrams, called by Seneca sententiae, hold so much<br />

sense in a few words. <strong>The</strong>y were then miich in fashion.<br />

Many <strong>of</strong> them are to be found in Seneca and other writers <strong>of</strong><br />

the Silver Age. Those <strong>of</strong> <strong>Tacitus</strong> are not merely showy<br />

conceits. <strong>The</strong>y come direct from life. We admire the<br />

pungent flavour he has given them ; but we are still more<br />

impressed by the pr<strong>of</strong>ound knowledge they manifest <strong>of</strong><br />

character and life^<br />

Many instances <strong>of</strong> such epigrams might be quoted from<br />

the Fourth Book <strong>of</strong> the Annals. <strong>The</strong> following are some <strong>of</strong><br />

the most noteworthy :<br />

cuius pari exitio uiguit ceciditque (1)<br />

negotia pro solaciis accipiens (13)<br />

huic uegatus honor gloriam inteudit (26)<br />

nimis ex propinquo diuersa arguens (33)<br />

si irascare, adgnita uidentur (34)<br />

punitis ingeniis gliscit auctoritas (35)<br />

haec mihi in animis uestris templa (38)<br />

contemptu famae coutemni uirtutes (38)<br />

inuidiam et preces orditur (53)<br />

idque Augusta exprobrabat, reposcebat (57)<br />

patuit breue confinium artis et falsi (58)<br />

tristibus dictis atrocia facta coniungere (71)<br />

It is a great mistake to regard the Tacitean prose <strong>of</strong> the<br />

Annals and Histories as 'Silver Latin' and nothing more.<br />

<strong>Tacitus</strong> has not the common fault <strong>of</strong> the Silver Age,—the<br />

stilted declamatory manner, which the education <strong>of</strong> the time<br />

encouraged. A Ciceronian in his youth, later on <strong>Tacitus</strong><br />

developed a style <strong>of</strong> his own, <strong>of</strong> which the main features are<br />

^ See Boissier, p. 23.

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