Why Bad Presentations Happen to Good Causes - The Goodman ...
Why Bad Presentations Happen to Good Causes - The Goodman ...
Why Bad Presentations Happen to Good Causes - The Goodman ...
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<strong>The</strong> tenants’ comments were once again unanimous: “A vast improvement,” they<br />
agreed, with some estimating that waiting times had been cut in half. While Joe<br />
beamed, Nicholas fumed. He <strong>to</strong>ok out his s<strong>to</strong>pwatch and confirmed that the<br />
eleva<strong>to</strong>r car was moving no faster than when the new machinery was installed. He<br />
pulled Joe aside and demanded an explanation.<br />
“It’s simple,” Joe explained. “<strong>The</strong> question wasn’t ‘How do we make the eleva<strong>to</strong>r<br />
go faster?’ It was ‘How do we make time pass faster for those who are waiting?’”<br />
Joe gestured <strong>to</strong>ward the eleva<strong>to</strong>rs where a man s<strong>to</strong>od staring in<strong>to</strong> a newly installed<br />
mirror, inspecting his suit as he waited. <strong>The</strong> eleva<strong>to</strong>r car arrived, and its doors<br />
opened and nearly closed before the man realized his wait was over.<br />
Nicholas finally unders<strong>to</strong>od, but he had one more question. “How much for the<br />
mirrors?” he asked. “Five thousand, two hundred and sixteen dollars,” Joe replied,<br />
unable <strong>to</strong> conceal a smile. “And that was the high bid.”<br />
Special thanks <strong>to</strong> Star Eleva<strong>to</strong>r in Redwood City, California, and Goldon Windows &<br />
Mirrors in Troy, Michigan, for providing the dollar figures used in this s<strong>to</strong>ry.<br />
<strong>Presentations</strong> as S<strong>to</strong>ries<br />
Cliff Atkinson believes so strongly in the power of narrative<br />
that he designs all his presentations <strong>to</strong> follow the arc of a<br />
s<strong>to</strong>ry. In his book Beyond Bullet Points, Atkinson offers a “S<strong>to</strong>ry<br />
Template” (pictured here) that follows the basic three-act<br />
structure that s<strong>to</strong>rytellers have relied on for centuries. By filling<br />
in the blanks, you can systematically build an outline for your<br />
own s<strong>to</strong>ry-driven presentations. From there, Atkinson’s book<br />
explains how <strong>to</strong> translate your outline in<strong>to</strong> visually interesting<br />
slides that let PowerPoint support your s<strong>to</strong>rytelling. (For more<br />
information and <strong>to</strong> download a free copy of the template, visit<br />
Atkinson’s web site, www.sociablemedia.com.)<br />
Use these<br />
sections <strong>to</strong> plan<br />
your remarks<br />
for panels.<br />
Insert s<strong>to</strong>ry title and byline here<br />
Act I: Set up the s<strong>to</strong>ry<br />
<strong>The</strong> setting<br />
<strong>The</strong> protagonist<br />
<strong>The</strong> imbalance<br />
<strong>The</strong> balance<br />
<strong>The</strong> solution<br />
Act II: Develop the action<br />
5-Minute Column: 15-Minute Column: 45-Minute Column:<br />
Turning point<br />
Act III: Frame the resolution<br />
<strong>The</strong> crisis<br />
<strong>The</strong> solution<br />
<strong>The</strong> climax<br />
<strong>The</strong> resolution<br />
pg. 31