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Why Bad Presentations Happen to Good Causes - The Goodman ...

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<strong>The</strong> Small Stuff<br />

(It’s Worth Sweating)<br />

Even when you have a presentation that is beautifully tailored <strong>to</strong> the audience and you are<br />

prepared <strong>to</strong> deliver it with enthusiasm and skill, you can still be undone by the little things.<br />

Experienced presenters know that their preparations for a talk are not complete until they<br />

have done their homework on the following items:<br />

Logistics<br />

Despite having their expectations lowered by a steady barrage of bad presentations,<br />

audiences still have some minimum requirements that must be met. <strong>The</strong>y expect <strong>to</strong> hear<br />

your voice and see your visuals without unduly straining their ears and eyes. If they have<br />

<strong>to</strong> take notes, they expect a level surface <strong>to</strong> write on. And they prefer room temperatures<br />

that avoid the arctic and equa<strong>to</strong>rial extremes.<br />

Since audiovisual equipment, room setups, and the event-planning expertise of your<br />

hosts will vary widely from location <strong>to</strong> location, it is incumbent upon you <strong>to</strong> nail down in<br />

advance all the details that help ensure a smooth, professional presentation:<br />

Room Setup<br />

If you want all audience members facing forward with tables in front of them, request<br />

“classroom style” seating. If you plan on breaking the audience in<strong>to</strong> smaller discussion<br />

groups, round tables (or “rounds” in event-planning parlance) are preferable, and these also<br />

provide a level surface for note taking. And if note taking is not essential and you prefer <strong>to</strong><br />

have the audience consolidated in a more intimate space, then “theatre style” seating (i.e.,<br />

parallel rows of chairs only) is the setup <strong>to</strong> request.<br />

Light and Sound<br />

Rooms with bright lights that cannot be dimmed or windows without shades can ruin<br />

presentations that rely on projected visuals. If you use PowerPoint, ask the meeting<br />

organizer if either (a) the LCD projec<strong>to</strong>r is sufficiently powerful <strong>to</strong> overcome any level of<br />

room lighting, or (b) lights can be lowered <strong>to</strong> accommodate PowerPoint or similar visuals.<br />

By asking in advance, you give the organizer time <strong>to</strong> shift the location of your presentation,<br />

if necessary, or <strong>to</strong> ensure that the right equipment is on hand.<br />

In a similar vein, when addressing enough people <strong>to</strong> merit a sound system, specify in<br />

advance (a) whether you prefer a podium microphone or a wireless clip-on, (b) if you need<br />

microphones for audience questions, and (c) whether or not they have backup systems in<br />

place should any of the front-line microphones fail <strong>to</strong> work properly.<br />

See Checklists <strong>to</strong> Go<br />

for a detachable<br />

summary of this section.<br />

pg. 65

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