Why Bad Presentations Happen to Good Causes - The Goodman ...
Why Bad Presentations Happen to Good Causes - The Goodman ...
Why Bad Presentations Happen to Good Causes - The Goodman ...
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Humor: <strong>The</strong> Funny Thing About Being Funny<br />
People love <strong>to</strong> laugh, so humor can be a powerful <strong>to</strong>ol for presenters. It can start<br />
presentations off on the right foot, provide needed pick-me-ups as you roll along, and<br />
send your audience off with a smile. It’s also a great way <strong>to</strong> keep their attention, because<br />
once a presenter has established that she’s got a good sense of humor (and isn’t afraid <strong>to</strong><br />
use it), everyone will listen more closely for the next good line.<br />
If being funny is part of who you are, then it is perfectly natural for humor <strong>to</strong> be part of<br />
your presentation. Having written for network television sitcoms (“Dinosaurs” on ABC<br />
and “<strong>The</strong> Nanny” on CBS), I am very comfortable with comedy and look for appropriate<br />
ways <strong>to</strong> incorporate it in<strong>to</strong> my speeches and workshops. My speech, “S<strong>to</strong>rytelling as Best<br />
Practice,” offers a useful example of how I try <strong>to</strong> use humor not only <strong>to</strong> entertain, but <strong>to</strong><br />
illustrate a substantive point as well.<br />
At the beginning of the speech, I note that nonprofits have excellent s<strong>to</strong>ries <strong>to</strong> tell, but they<br />
tend <strong>to</strong> tell them badly, often weighing them down with excessively technical language,<br />
acronyms, and statistics galore. To demonstrate, I invite the audience <strong>to</strong> play a game:<br />
I announce that I am going <strong>to</strong> tell a s<strong>to</strong>ry that everyone in the room knows, only I am<br />
going <strong>to</strong> tell it like someone from a nonprofit would. <strong>The</strong> challenge for the audience:<br />
Decode the jargon and identify the s<strong>to</strong>ry.<br />
With appropriately bland PowerPoint slides <strong>to</strong> back me up, I then provide a highly<br />
condensed plot summary of the heartwarming American classic, “<strong>The</strong> Wizard of Oz,”<br />
except in my version the heart has been surgically removed and the s<strong>to</strong>ry has been<br />
re-titled, “<strong>The</strong> Role of Family and Community in Men<strong>to</strong>ring Alienated Youth in the<br />
American Midwest.”<br />
One day, an at-risk youth from a blended family in the economically depressed farm belt is rendered<br />
unconscious during an extreme weather event.<br />
When she awakens, she undertakes a long, hazardous journey <strong>to</strong> a distant, mineral-based<br />
metropolitan center. Along the way, she is accompanied by three variously challenged and<br />
apparently homeless adults while also being pursued by a malevolent person of color – in this<br />
case, green.<br />
Just before she reaches her destination, she briefly struggles with opium addiction, but fortunately<br />
that problem is cured by snow.<br />
By this point, everyone in the audience has recognized the s<strong>to</strong>ry, so the narration abruptly<br />
ends there, often drowned out by laughter. More importantly, though, a serious point<br />
has been made in a way that lets audience members recognize their foibles and laugh at<br />
themselves – which is probably preferable <strong>to</strong> the opening I used in previous versions of the<br />
speech: “Hey folks: Your s<strong>to</strong>rytelling sucks.”<br />
pg. 45<br />
“Laughter is not only<br />
evidence of audience<br />
enjoyment or approval, but<br />
is also a powerful spur <strong>to</strong><br />
continued attentiveness.”<br />
– Max Atkinson<br />
Author<br />
Lend Me Your Ears