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Why Bad Presentations Happen to Good Causes - The Goodman ...

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Humor: <strong>The</strong> Funny Thing About Being Funny<br />

People love <strong>to</strong> laugh, so humor can be a powerful <strong>to</strong>ol for presenters. It can start<br />

presentations off on the right foot, provide needed pick-me-ups as you roll along, and<br />

send your audience off with a smile. It’s also a great way <strong>to</strong> keep their attention, because<br />

once a presenter has established that she’s got a good sense of humor (and isn’t afraid <strong>to</strong><br />

use it), everyone will listen more closely for the next good line.<br />

If being funny is part of who you are, then it is perfectly natural for humor <strong>to</strong> be part of<br />

your presentation. Having written for network television sitcoms (“Dinosaurs” on ABC<br />

and “<strong>The</strong> Nanny” on CBS), I am very comfortable with comedy and look for appropriate<br />

ways <strong>to</strong> incorporate it in<strong>to</strong> my speeches and workshops. My speech, “S<strong>to</strong>rytelling as Best<br />

Practice,” offers a useful example of how I try <strong>to</strong> use humor not only <strong>to</strong> entertain, but <strong>to</strong><br />

illustrate a substantive point as well.<br />

At the beginning of the speech, I note that nonprofits have excellent s<strong>to</strong>ries <strong>to</strong> tell, but they<br />

tend <strong>to</strong> tell them badly, often weighing them down with excessively technical language,<br />

acronyms, and statistics galore. To demonstrate, I invite the audience <strong>to</strong> play a game:<br />

I announce that I am going <strong>to</strong> tell a s<strong>to</strong>ry that everyone in the room knows, only I am<br />

going <strong>to</strong> tell it like someone from a nonprofit would. <strong>The</strong> challenge for the audience:<br />

Decode the jargon and identify the s<strong>to</strong>ry.<br />

With appropriately bland PowerPoint slides <strong>to</strong> back me up, I then provide a highly<br />

condensed plot summary of the heartwarming American classic, “<strong>The</strong> Wizard of Oz,”<br />

except in my version the heart has been surgically removed and the s<strong>to</strong>ry has been<br />

re-titled, “<strong>The</strong> Role of Family and Community in Men<strong>to</strong>ring Alienated Youth in the<br />

American Midwest.”<br />

One day, an at-risk youth from a blended family in the economically depressed farm belt is rendered<br />

unconscious during an extreme weather event.<br />

When she awakens, she undertakes a long, hazardous journey <strong>to</strong> a distant, mineral-based<br />

metropolitan center. Along the way, she is accompanied by three variously challenged and<br />

apparently homeless adults while also being pursued by a malevolent person of color – in this<br />

case, green.<br />

Just before she reaches her destination, she briefly struggles with opium addiction, but fortunately<br />

that problem is cured by snow.<br />

By this point, everyone in the audience has recognized the s<strong>to</strong>ry, so the narration abruptly<br />

ends there, often drowned out by laughter. More importantly, though, a serious point<br />

has been made in a way that lets audience members recognize their foibles and laugh at<br />

themselves – which is probably preferable <strong>to</strong> the opening I used in previous versions of the<br />

speech: “Hey folks: Your s<strong>to</strong>rytelling sucks.”<br />

pg. 45<br />

“Laughter is not only<br />

evidence of audience<br />

enjoyment or approval, but<br />

is also a powerful spur <strong>to</strong><br />

continued attentiveness.”<br />

– Max Atkinson<br />

Author<br />

Lend Me Your Ears

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