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Why Bad Presentations Happen to Good Causes - The Goodman ...

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pg. 58<br />

What makes a good s<strong>to</strong>ry?<br />

PROTAGONIST<br />

STRUCTURE<br />

INCITING<br />

INCIDENT<br />

PowerPoint Is Your Friend<br />

Seriously. – cont’d<br />

Use animation <strong>to</strong> control the flow<br />

of information and convey meaning.<br />

<strong>The</strong> version of PowerPoint that I use (PowerPoint 2004 for Mac) offers more than<br />

50 ways <strong>to</strong> animate text. To the novice, this can seem like an embarrassment of riches,<br />

but presentations that incorporate a rich variety of animation techniques are usually<br />

just embarrassing. Words or images that fly on<strong>to</strong> the screen, stretch like rubber,<br />

drop in<strong>to</strong> place like a bouncing ball, or take some other fancy route <strong>to</strong> their ultimate<br />

destination are almost always nothing more than eye candy that adds empty calories <strong>to</strong><br />

the viewer’s “meal.”<br />

Which is not <strong>to</strong> say that all animations are pointless. Used thoughtfully, animated words<br />

and images can help you dole out information <strong>to</strong> audience members in digestible pieces,<br />

keep their attention focused where it belongs, and even add another layer of meaning <strong>to</strong><br />

each slide.<br />

Animating bullets <strong>to</strong> control information flow<br />

When a slide with multiple bullet points (such as the agenda slide for PCA on page 56)<br />

appears on-screen, audience members will au<strong>to</strong>matically read all the bullets, even while<br />

the presenter is still talking about bullet #1. Human nature is at work once again, but it<br />

creates problems in the transmission of information from presenter <strong>to</strong> audience. As the<br />

audience members read ahead, they invariably tune out the spoken explanation of bullet<br />

#1, so they may miss critical information right from the start. And once they know where<br />

the presenter is headed in subsequent bullets, they may tune out the remaining comments<br />

until the next slide appears – more valuable information lost.<br />

Animation can help presenters avoid this problem. By bringing in each bullet point with<br />

a simple effect (e.g., appear, fade in, peek in from left), the presenter places on the screen<br />

only the information he or she wants the audience <strong>to</strong> see. Subsequent points remain<br />

invisible until the spoken explanation is finished. Audience members can still find other<br />

things <strong>to</strong> read if they have <strong>to</strong>, but at least you won’t be providing the distraction yourself.<br />

RESOLUTION<br />

GOAL<br />

ACT I ACT II ACT III<br />

FIGURE 14<br />

B<br />

A<br />

R<br />

R<br />

I<br />

E<br />

R<br />

B<br />

A<br />

R<br />

R<br />

I<br />

E<br />

R<br />

B<br />

A<br />

R<br />

R<br />

I<br />

E<br />

R<br />

Animating graphic elements <strong>to</strong> deliver<br />

complex information gradually<br />

<strong>The</strong>re may be occasions when you need <strong>to</strong> show a map,<br />

chart, or other graphic that concentrates a large amount of<br />

information on a single slide. Simply showing the complete<br />

picture all at once can overwhelm the audience, and even if<br />

you take the time <strong>to</strong> explain how all the pieces fit <strong>to</strong>gether,<br />

you run the same risk as the presenter who displays all his<br />

bullets at once. While you are here, the audience is there, and<br />

your verbal explanation may be tuned out as viewers try <strong>to</strong><br />

make sense of the visual information on their own.<br />

In my workshop “S<strong>to</strong>rytelling as Best Practice,” I display<br />

this slide (figure 14) <strong>to</strong> illustrate the basic structure that has<br />

been used in s<strong>to</strong>ries from the earliest myths and fables <strong>to</strong> last

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