The Jewish Historian Flavius Josephus: A Biographical Investigation
The Jewish Historian Flavius Josephus: A Biographical Investigation
The Jewish Historian Flavius Josephus: A Biographical Investigation
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changing the content he copied it partly literally and partly such that a slight paraphrase was<br />
produced. This stylistic reworking did not remain consistent throughout, <strong>Josephus</strong> reworked<br />
the beginning of the book in a more intense manner stylistically speaking; later on he became<br />
noticeably depleted and copied more literally. And something similar happens to the contents.<br />
<strong>Josephus</strong> retains the old framework from beginning to end but he incorporates a new<br />
trend into it. He presents the various pictures anew for this purpose, and in so doing he makes<br />
an honest effort to think these new pictures through consistently in the details; but the author<br />
is burdened by the model so that he cannot extricate himself from its pressure. So all these<br />
new formulations then still clearly betray their origin from a writing [based on] an opposite<br />
bias and as a result also form a counterpart to our War. Moreover, <strong>Josephus</strong> did not make the<br />
attempt to refurbish the entire old text from a uniform point of view; rather he was content to<br />
reformulate the individual pictures as such and to remove from each one that trait, which no<br />
longer seemed appropriate to him. <strong>The</strong> result is that the Antiquities is lacking all uniformity of<br />
execution, and that it is absolutely impossible [219] to characterize a personality on the basis<br />
of this work; the only thing that we can deduce from these reworkings is the political bias that<br />
<strong>Josephus</strong> wished to express in detail by the reworking, and it is indeed this, which interests us<br />
above all. But also with these factual reworkings the same thing happened to <strong>Josephus</strong> as did<br />
with the stylistic [reworkings]. His power began to weaken progressively; in the first part of<br />
the book <strong>Josephus</strong> is tirelessly at work impressing the new trend upon almost every sentence;<br />
later on he follows his model much more closely. <strong>The</strong>refore, when our investigations, which<br />
were to identify the reworkings, gradually lose somewhat in extent, they still as a result<br />
provide an exact portrayal of what <strong>Josephus</strong> has accomplished. Evidently he fully sensed the<br />
formidable difficulties occasioned by the incorporation of a new trend into the old framework<br />
– he did, after all, constantly stumble in the process; therefore he contented himself at the end<br />
with showing his new view to its best advantage in a few outstanding points while he calmly<br />
transferred other [material straight] from his source. Thus his work was to be deprived of all<br />
balance.<br />
This impression of imbalance is heightened by the fact that <strong>Josephus</strong> included even<br />
more insertions into his work during its composition; at present I am thinking less of the<br />
additional sources [Nebenquellen] (documents, Strabo, etc.), which should be dealt with<br />
collectively, than in fact of such segments in which <strong>Josephus</strong> once more brings his political<br />
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