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The Jewish Historian Flavius Josephus: A Biographical Investigation

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So the year 100 drew near; after the appearance of the Antiquities <strong>Josephus</strong> had worked<br />

diligently as well; he inserted the documents perhaps only later, he set about [composing] the<br />

writing against Apion and adjusted his old War for the new edition. Filled with hope, <strong>Josephus</strong><br />

could look forward to his future, then he was dealt the severest blow that was conceivable:<br />

Justus of Tiberias entered into literary competition with him and brought along talents that<br />

were lacking in <strong>Josephus</strong>; a brilliant style commended his work to the public, and Justus, filled<br />

with derision, did not tire of looking down on the miserable scribe [Scribenten] <strong>Josephus</strong> in his<br />

introduction (chapter 2.1). And with his attacks Justus did make an impression on<br />

Epaphroditus as well, to whom <strong>Josephus</strong> tries to defend his work.<br />

One should picture what <strong>Josephus</strong> had at stake. When he had lost his association with<br />

the Roman court after Domitian’s ascension to the government, it was Epaphroditus who took<br />

him in and enabled his literary existence. Epaphroditus, however, required an authority in the<br />

field of Judaism for his business, and then – threatening this deep relationship – Justus stepped<br />

in between with his writing. If this gained the approval of Epaphroditus, then [267] <strong>Josephus</strong>’<br />

livelihood was finished; swinging between his connection to Rome and his <strong>Jewish</strong> past, he<br />

found a foothold on the neutral terrain of Epaphroditus; and this was to be pulled out from<br />

under his feet. Now it was no longer a matter of politics for <strong>Josephus</strong>, now he was compelled to<br />

salvage his literary honour from the outrageous attack and preserve Epaphroditus’ trust in<br />

him.<br />

He downright assails him with [statements of] defence; in the middle of the writing<br />

against Apion, in a passage where it has neither sense nor purpose at all, he defends himself<br />

and attacks Justus most viciously. Granted, Justus may be superior to <strong>Josephus</strong> stylistically, but<br />

<strong>Josephus</strong> has secured authorities for himself for thorough stylistic revision [Durcharbeitung];<br />

educated Greeks have read his work with pleasure and, most importantly, the factual accuracy<br />

in [the work] of <strong>Josephus</strong>, who fought in the war, is beyond all doubt. This is corroborated by<br />

the leaders in the war, whose judgement <strong>Josephus</strong> invokes again now: Vespasian and Titus<br />

have accorded him [their] approbation; and from the series of educated Greeks he singles out<br />

“the admirable King Agrippa”(1.51). Has <strong>Josephus</strong> swung around yet again and drawn nearer to<br />

the Herodians? <strong>The</strong> idea is out of the question, Agrippa was dead, but now it is also no longer a<br />

matter of politics at all, but of literary combat. In this, however, <strong>Josephus</strong> willingly accepts the<br />

testimony of the man whom he had smothered with flattery [gelobhudelt] in the War, [only]<br />

233

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