BK-7m_OM.pdf - Roland

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Backing Module BK-7m MFX types and parameters r ● Level (0~127)—Output level. 22. Time Delay This effect controls the delay time and pitch in realtime. Lengthening the delay time will lower the pitch and shortening it will raise the pitch. ● Delay Time (200~1000ms, note)—Adjusts the time until the delay is heard. ● Delay Feedback (–98%~0~98%)—Adjusts the amount of the delay sound that’s fed back into the effect. Negative (–) settings invert the phase. ● Delay Acceleration (0~15)—Adjusts the time over which the Delay Time changes from the current setting to a specified new setting. The rate of change for the Delay Time directly affects the rate of pitch change. ● Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. ● Panpot (L64~0~63R)—Stereo location of the output sound. This is a mono effect that combines incoming signals. You can, however, place the processed signal anywhere between the left and right channels. ● EQ Low Gain (–15dB~0~15dB)—Gain of the low range. ● EQ High Gain (–15dB~0~15dB)—Gain of the high range. ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct (D) and the effect sound (W). ● Level (0~127)—Output level. 23. 2 Pitch Shifter A Pitch Shifter changes the pitch of the original sound. This 2- voice effect contains two pitch shifters and adds two transposed copies to the original sound. ● Pitch Shift Mode (1~5)—Higher settings of this parameter will result in slower response, but steadier pitch. ● Pitch A Coarse (–24~0~+12 semitone)—Adjusts the pitch of Pitch Shift A in semitone steps (–2~+1 octaves). ● Pitch B Coarse (–24~0~+12 semitone)—Adjusts the pitch of Pitch Shift B in semitone steps (–2~+1 octaves). ● Pitch A Fine (–100~0~+100 cent)—Makes fine adjustments to the pitch of Pitch Shift A in 2-cent steps (–100~+100 cents). One cent is 1/100th of a semitone. ● Pitch B Fine (–100~0~+100 cent)—Makes fine adjustments to the pitch of Pitch Shift B in 2-cent steps (–100~+100 cents). One cent is 1/100th of a semitone. ● Pitch A Pre Delay (0.0~500.0ms)—Adjust the time delay from when the direct sound begins until the Pitch Shift A sound is heard. ● Pitch B Pre Delay (0.0~500.0ms)—Adjusts the time delay from when the direct sound begins until the Pitch Shift B sound is heard. ● Pitch A Panpot (L64~0~63R)—Adjusts the stereo location of the Pitch Shift A sound. L64 is far left, 0 is center and 63R is far right. ● Pitch B Panpot (L64~0~63R)—Adjusts the stereo location of the Pitch Shift B sound. L64 is far left, 0 is center and 63R is far right. ● Level Balance (A100:0B, A50:50B, A0:100B)—Adjusts the volume balance between the Pitch Shift A and Pitch Shift B sounds. When set to A100:0B, only the sound of Pitch Shift A is output; when set to A0:100B, only the sound of Pitch Shift B is output. ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct (D) and the effect sound (W). ● Level (0~127)—Output level. 24. FBK Pitch Pitch Shifter with several echoes. ● Pitch Shift Mode (1~5)—Higher settings of this parameter will result in slower response, but steadier pitch. ● Pitch Coarse (–24~0~+12 semitones)—Adjust the pitch of the pitch shifted sound in semitone steps (–2~+1 octaves). ● Pitch Fine (–100~0~+100 cent)—Make fine adjustments to the pitch of the pitch shifted sound in 2-cent steps (one cent is 1/ 100th of a semi tone). ● Pitch Pre Delay (0.0~500.0ms)—Adjust the time delay from when the direct sound begins until the pitch shifted sound is heard. 110 ● Pitch Feedback (–98%~0~98%)—Adjust the proportion (%) of the processed sound that is fed back into the effect. Negative (–) settings will invert the phase. ● Panpot (L64~0~63R)—Stereo location of the output sound. This is a mono effect that combines incoming signals. You can, however, place the processed signal anywhere between the left and right channels. ● EQ Low Gain (–15dB~0~15dB)—Gain of the low range. ● EQ High Gain (–15dB~0~15dB)—Gain of the high range. ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct (D) and the effect sound (W). ● Level (0~127)—Output level. 25. Reverb A nice Reverb effect. ● Reverb Type (Room 1, Room 2, Stage 1, Stage 2, Hall 1, Hall 2)— Type of reverb. Room1: Dense reverb with short decay. Room2: Sparse reverb with short decay. Stage1: Reverb with greater late reverberation. Stage2: Reverb with strong early reflections. Hall1: Reverb with clear reverberance. Hall2: Reverb with rich reverberance. ● Reverb Pre Delay (0.0~100.0ms)—Adjusts the delay time from the direct sound until the reverb sound is heard. ● Reverb Time (0~127)—Time length of reverberation. ● Reverb HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. ● EQ Low Gain (–15dB~0~15dB)—Gain of the low range. ● EQ High Gain (–15dB~0~15dB)—Gain of the high range. ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct (D) and the effect sound (W). ● Level (0~127)—Output level. 26. Gate Reverb This is a special type of reverb in which the reverberant sound is cut off before its natural length. ● Reverb Type (Normal, Reverse, Sweep 1, Sweep 2)—Type of reverb. NORMAL: Conventional gated reverb. REVERSE: Backwards reverb. SWEEP1: The reverberant sound moves from right to left. SWEEP2: The reverberant sound moves from left to right. ● Reverb Pre Delay (0.0~100.0ms)—Adjusts the delay time from the direct sound until the reverb sound is heard. ● Reverb Gate Time (5~500ms)—Adjusts the time from when the reverb is heard until it disappears. ● EQ Low Gain (–15dB~0~15dB)—Gain of the low range. ● EQ High Gain (–15dB~0~15dB)—Gain of the high range. ● Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct (D) and the effect sound (W). ● Level (0~127)—Output level. 27. OD‰ Chorus This effect connects an Overdrive and a Chorus in series. (“Series” means that the output signal of the first effect is also processed by the second.) ● Overdrive Drive (0~127)—Degree of distortion. Also changes the volume. ● Overdrive Panpot (L64~0~63R)—Stereo location of the overdrive sound. ● Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the incoming direct signal and the moment when the chorus starts working. ● Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed. ● Chorus Depth (0~127)—Modulation intensity. ● Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct sound (D) and the chorus sound (W). ● Level (0~127)—Output level.
Backing Module BK-7m r MFX types and parameters 28. OD‰ Flanger This effect connects an Overdrive and a Flanger in series. ● Overdrive Drive (0~127)—Degree of distortion. Also changes the volume. ● Overdrive Panpot (L64~0~63R)—Stereo location of the overdrive sound. ● Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from when the direct sound begins until the flanger sound is heard. ● Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed. ● Flanger Depth (0~127)—Modulation intensity. ● Flanger Feedback (–98%~0~98%)—Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (–) settings will invert the phase. ● Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct sound (D) and the flanger sound (W). ● Level (0~127)—Output level. 29. OD‰ Delay This effect connects an overdrive and a delay in series. ● Overdrive Drive (0~127)—Degree of distortion. Also changes the volume. ● Overdrive Panpot (L64~0~63R)—Stereo location of the overdrive sound. ● Delay Time (0.0~500.0ms)—Adjusts the time until the delay is heard. ● Delay Feedback (–98%~0~98%)—Adjusts the amount of the delay sound that’s fed back into the effect. Negative (–) settings invert the phase. ● Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. ● Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). ● Level (0~127)—Output level. 30. DST‰ Chorus This effect connects distortion and a chorus in series. ● Distortion Drive (0~127)—Degree of distortion. Also changes the volume. ● Distortion Panpot (L64~0~63R)—Stereo location of the distortion sound. ● Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the incoming direct signal and the moment when the chorus starts working. ● Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed. ● Chorus Depth (0~127)—Modulation intensity. ● Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct sound (D) and the chorus sound (W). ● Level (0~127)—Output level. 31. DST‰ Flanger This effect connects distortion and a flanger effect in series. ● Distortion Drive (0~127)—Degree of distortion. Also changes the volume. ● Distortion Panpot (L64~0~63R)—Stereo location of the distortion sound. ● Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from when the direct sound begins until the flanger sound is heard. ● Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed. ● Flanger Depth (0~127)—Modulation intensity. ● Flanger Feedback (–98%~0~98%)—Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (–) settings will invert the phase. ● Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct sound (D) and the flanger sound (W). ● Level (0~127)—Output level. 32. DST‰ Delay This effect connects distortion and a delay effect in series. ● Distortion Drive (0~127)—Degree of distortion. Also changes the volume. ● Distortion Panpot (L64~0~63R)—Stereo location of the distortion sound. ● Delay Time (0.0~500.0ms)—Adjusts the time until the delay is heard. ● Delay Feedback (–98%~0~98%)—Adjusts the amount of the delay sound that’s fed back into the effect. Negative (–) settings invert the phase. ● Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. ● Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). ● Level (0~127)—Output level. 33. EH‰ Chorus This effect connects an enhancer and a chorus in series. ● Enhancer Sens (0~127)—Sensitivity of the enhancer. ● Enhancer Mix Level (0~127)—Level of the overtones generated by the enhancer. ● Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the incoming direct signal and the moment when the chorus starts working. ● Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed. ● Chorus Depth (0~127)—Modulation intensity. ● Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct sound (D) and the chorus sound (W). ● Level (0~127)—Output level. 34. EH‰ Flanger This effect connects an enhancer and a flanger in series. ● Enhancer Sens (0~127)—Sensitivity of the enhancer. ● Enhancer Mix Level (0~127)—Level of the overtones generated by the enhancer. ● Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from when the direct sound begins until the flanger sound is heard. ● Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed. ● Flanger Depth (0~127)—Modulation intensity. ● Flanger Feedback (–98%~0~98%)—Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (–) settings will invert the phase. ● Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume balance between the direct sound (D) and the flanger sound (W). ● Level (0~127)—Output level. 35. EH‰ Delay This effect connects an enhancer and a delay in series. ● Enhancer Sens (0~127)—Sensitivity of the enhancer. ● Enhancer Mix Level (0~127)—Level of the overtones generated by the enhancer. ● Delay Time (0.0~500.0ms)—Adjusts the time until the delay is heard. ● Delay Feedback (–98%~0~98%)—Adjusts the amount of the delay sound that’s fed back into the effect. Negative (–) settings invert the phase. ● Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. ● Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). ● Level (0~127)—Output level. 111
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Owner’s Manual r
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Owner’s Manual Thank you and cong
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Backing Module BK-7m r Using the un
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Backing Module BK-7m r Important no
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Backing Module BK-7m r Contents 1.
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Backing Module BK-7m r Panel descri
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Backing Module BK-7m r Rear panel R
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Backing Module BK-7m r Before you s
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Backing Module BK-7m r Connecting t
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Backing Module BK-7m r Listening th
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Backing Module BK-7m r Basic operat
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Backing Module BK-7m r Details abou
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Backing Module BK-7m r Details abou
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Backing Module BK-7m r Playing the
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Backing Module BK-7m r Selecting To
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Backing Module BK-7m r Using Music
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Backing Module BK-7m r Playing back
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Backing Module BK-7m r Using the BK
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Backing Module BK-7m r Other import
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Backing Module BK-7m r Using Split
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Backing Module BK-7m r Performance
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Backing Module BK-7m r Saving your
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Backing Module BK-7m r Other Perfor
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Backing Module BK-7m r Recording Li
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Backing Module BK-7m r ‘Performan
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Page 127 and 128: For EU Countries For China China
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