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BK-7m_OM.pdf - Roland

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Backing Module <strong>BK</strong>-<strong>7m</strong><br />

Menu options<br />

r<br />

58<br />

Parameter Setting Explanation<br />

Pre LPF 0~7 Cuts the high frequency<br />

range of the<br />

sound coming into the<br />

chorus. Higher values<br />

will cut more of the<br />

high frequencies.<br />

Level 0~127 Output level of the<br />

chorus signal.<br />

Feedback 0~127 Adjusts the amount of<br />

the chorus sound that<br />

is fed back into the<br />

effect.<br />

Delay 0~127 Adjusts the delay time<br />

from the direct sound<br />

until the chorus sound<br />

is heard.<br />

Rate 0~127 This parameter sets the<br />

speed (frequency) at<br />

which the chorus<br />

sound is modulated.<br />

Higher values result in<br />

faster modulation.<br />

Depth 0~127 This parameter sets the<br />

depth at which the<br />

chorus sound is modulated.<br />

Higher values<br />

result in a more pronounced<br />

modulation.<br />

Reverb Send 0~127 This parameter sets the<br />

amount of chorus<br />

sound that is sent to<br />

the Reverb processor.<br />

The value “127” effectively<br />

allows you to<br />

connect the chorus and<br />

reverb effects in series<br />

(Chorus before Reverb).<br />

If you do not want the<br />

chorus signal to be<br />

processed by the<br />

Reverb effect, set this<br />

value to “0”.<br />

Parameters for the “6. Delay” type:<br />

Parameter Setting Explanation<br />

Level 0~127 Output level of the<br />

chorus signal.<br />

Parameter Setting Explanation<br />

Output Select<br />

Main, Rev,<br />

Main+Rev<br />

Allows you to specify<br />

where the processor’s<br />

output signal should<br />

go: to the OUTPUT<br />

sockets (“Main”), the<br />

Reverb processor<br />

(“Rev”) or both<br />

(“Main+Rev”). The latter<br />

two options mean<br />

that the chorus signal<br />

is also processed by the<br />

reverb effect you<br />

select.<br />

L Delay Sync msec, Note Use this parameter to<br />

specify whether<br />

(“Note”) or not (“msec”)<br />

the delay time should<br />

be synchronized to the<br />

tempo. Depending on<br />

your choice, the setting<br />

range of the following<br />

parameter<br />

refers to a time (msec)<br />

or a note value.<br />

L Delay msec 0~1000ms Specifies the delay<br />

time. This can be either<br />

a time value (“msec”)<br />

or a note value,<br />

depending on how you<br />

set the “Delay Sync”<br />

parameter above. “T”<br />

means “triplet” and a<br />

L Delay Note 1/64T, 1/64,<br />

1/32T, 1/32,<br />

1/16T, 1/32.,<br />

1/16, 1/8T,<br />

1/16., 1/8,<br />

1/4T, 1/8., 1/4,<br />

1/2T, 1/4., 1/2,<br />

1/1T, 1/2., 1/1,<br />

2/1T, 1/1., 2/1<br />

“.” refers to a dotted<br />

note. “2/1” means that<br />

each repetition comes<br />

after two measures/<br />

bars. The advantage of<br />

working with a note<br />

value is that the delay<br />

effect always runs in<br />

sync with the current<br />

tempo.<br />

L Level 0~127 Volume of each delay<br />

line (there are three –<br />

left, center and right).<br />

HF Damp<br />

C Delay Sync<br />

C Delay msec<br />

C Delay Note<br />

C Level<br />

200~8000Hz,<br />

Bypass<br />

See “L Delay Sync”<br />

See “L Delay msec”<br />

See “L Delay Note”<br />

See “L Level”<br />

Adjusts the frequency<br />

above which sound fed<br />

back to the effect will<br />

be cut. If you do not<br />

want to cut the high<br />

frequencies, set this<br />

parameter to BYPASS.

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