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BK-7m_OM.pdf - Roland

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Backing Module <strong>BK</strong>-<strong>7m</strong> r<br />

MFX types and parameters<br />

● Delay 1 Time [msec] (0~1300ms)—Delay time from when sound<br />

is input to delay 1 until the delay sound is heard.<br />

● Delay 1 Time [note] (musical notes)—Delay times can be set as a<br />

note-value of a tempo, if you set the “Sync” parameter above to<br />

“Note”. Specify the value of the desired note.<br />

● Delay 1 Feedback (–98%~0~+98%)—Proportion of the delay<br />

sound that is to be returned to the input of delay 1 (negative<br />

values invert the phase).<br />

● Delay 1 HF Damp (200~8000Hz, Bypass)—Frequency at which<br />

the high-frequency content of the delayed sound of delay 1 will<br />

be cut (BYPASS: no cut).<br />

● Delay 2 Time [sync] (msec, Note)—Use this parameter to specify<br />

whether (“Note”) or not (“msec”) the delay 2 time should be<br />

synchronized to the Arranger or Recorder tempo. Depending on<br />

your choice, the setting range of the following parameter refers<br />

to a time (msec) or a note value.<br />

● Delay 2 Time [msec] (0~1300ms)—Delay time from when sound<br />

is input to delay 2 until the delay sound is heard.<br />

● Delay 2 Time [note] (musical notes)—Delay times can be set as a<br />

note-value of a tempo, if you set the “Sync” parameter above to<br />

“Note”. Specify the value of the desired note.<br />

● Delay 2 Feedback (–98%~0~+98%)—Proportion of the delay<br />

sound that is to be returned to the input of delay 2 (negative<br />

values invert the phase).<br />

● Delay 2 HF Damp (200~8000Hz, Bypass)—Frequency at which<br />

the high-frequency content of the delayed sound of delay 2 will<br />

be cut (BYPASS: no cut).<br />

● Panpot (L64~0~63R)—Stereo location of the output sound. This<br />

is a mono effect that combines incoming signals. You can, however,<br />

place the processed signal anywhere between the left and<br />

right channels.<br />

● EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency<br />

range.<br />

● EQ High Gain (–15dB~0~15dB)—Gain of the high frequency<br />

range.<br />

● Balance (D100:0W, D50:50W, D0:100W)—Volume balance<br />

between the direct (D) and the effect sound (W).<br />

● Level (0~127)—Output level.<br />

70. MLT Tap DLY<br />

This effect provides four delays. Each of the Delay Time parameters<br />

can be set to a note length based on the selected tempo.<br />

You can also set the panning and level of each delay sound.<br />

● Delay Time 1~4 [sync] (msec, Note)—Use this parameter to specify<br />

whether (“Note”) or not (“msec”) the delay time should be<br />

synchronized to the Arranger or Recorder tempo. Depending on<br />

your choice, the setting range of the following parameter refers<br />

to a time or a note value.<br />

● Delay 1~4 Time [msec] (0~2600ms)—Adjusts the time until<br />

Delay 1~4 are heard.<br />

● Delay 1~4 Time [note] (musical notes)—Delay times can be set<br />

as a note-value of a tempo, if you set the “Sync” parameter<br />

above to “Note”. Specify the value of the desired note.<br />

● Delay 1 Feedback (–98%~0~+98%)—Adjusts the amount of the<br />

delay sound that’s fed back into the effect. Negative (–) settings<br />

invert the phase.<br />

● HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above<br />

which sound fed back to the effect is filtered out. If you don’t<br />

want to filter out any high frequencies, set this parameter to<br />

BYPASS.<br />

● Delay 1~4 Panpot (L64~0~63R)—Stereo location of Delays 1~4.<br />

● Delay 1~4 Level (0~127)—Output level of Delays 1~4.<br />

● EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency<br />

range.<br />

● EQ High Gain (–15dB~0~15dB)—Gain of the high frequency<br />

range.<br />

● Balance (D100:0W, D50:50W, D0:100W)—Volume balance<br />

between the direct (D) and the effect sound (W).<br />

● Level (0~127)—Output level.<br />

71. Reverse DLY<br />

This is a reverse delay that adds a reversed and delayed sound<br />

to the input sound. A tap delay is connected immediately after<br />

the reverse delay.<br />

● Threshold (0~127)—Volume at which the reverse delay will<br />

begin to be applied.<br />

● Rev Delay Time [sync] (msec, Note)—Use this parameter to specify<br />

whether (“Note”) or not (“msec”) the reverse delay time<br />

should be synchronized to the Arranger or Recorder tempo.<br />

Depending on your choice, the setting range of the following<br />

parameter refers to a time (msec) or a note value.<br />

● Rev Delay Time [msec] (0~1300ms)—Delay time from when<br />

sound is input into the reverse delay until the delay sound is<br />

heard.<br />

● Rev Delay Time [note] (musical notes)—Delay times can be set<br />

as a note-value of a tempo, if you set the “Sync” parameter<br />

above to “Note”. Specify the value of the desired note.<br />

● Rev Delay Feedback (–98%~0~+98%)—Proportion of the delay<br />

sound that is to be returned to the input of the reverse delay<br />

(negative values invert the phase)<br />

● Rev Delay HF Damp (200~8000Hz, Bypass)—Frequency at which<br />

the high-frequency content of the reverse-delayed sound will be<br />

cut (BYPASS: no cut).<br />

● Rev Delay Panpot (L64~0~63R)—Panning of the reverse delay<br />

sound.<br />

● Rev Delay Level (0~127)—Volume of the reverse delay sound.<br />

● Delay 1 Time [sync] (msec, Note)<br />

● Delay 2 Time [sync] (msec, Note)<br />

● Delay 3 Time [sync] (msec, Note)—Use this parameter to specify<br />

whether (“Note”) or not (“msec”) the delay time should be synchronized<br />

to the Arranger or Recorder tempo. Depending on<br />

your choice, the setting range of the following parameter refers<br />

to a time or a note value.<br />

● Delay 1 Time [msec] (0~1300ms)<br />

● Delay 2 Time [msec] (0~1300ms)<br />

● Delay 3 Time [msec] (0~1300ms)—Adjusts the time until the<br />

delay is heard.<br />

● Delay 1 Time [note] (musical notes)<br />

● Delay 2 Time [note] (musical notes)<br />

● Delay 3 Time [note] (musical notes)—Delay times can be set as a<br />

note-value of a tempo, if you set the “Sync” parameter above to<br />

“Note”. Specify the value of the desired note.<br />

● Delay 3 Feedback (–98%~0~+98%)—Proportion of the delay<br />

sound that is to be returned to the input of the tap delay (negative<br />

values invert the phase).<br />

● Delay HF Damp (200~8000Hz, Bypass)—Frequency at which the<br />

low-frequency content of the tap delay sound will be cut<br />

(BYPASS: no cut).<br />

● Delay 1 Panpot (L64~0~63R)<br />

● Delay 2 Panpot (L64~0~63R)—Panning of the tap delay sounds.<br />

● Delay 1 Level (0~127)<br />

● Delay 2 Level (0~127)—Volume of the tap delay sounds.<br />

● EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency<br />

range.<br />

● EQ High Gain (–15dB~0~15dB)—Gain of the high frequency<br />

range.<br />

● Balance (D100:0W, D50:50W, D0:100W)—Volume balance<br />

between the direct (D) and the effect sound (W).<br />

● Level (0~127)—Output level.<br />

72. Shuffle DLY<br />

Adds a shuffle to the delay sound, giving the sound a bouncy<br />

delay effect with a swing feel.<br />

● Delay Time [sync] (msec, Note)—Use this parameter to specify<br />

whether (“Note”) or not (“msec”) the delay time should be synchronized<br />

to the Arranger or Recorder tempo. Depending on<br />

your choice, the setting range of the following parameter refers<br />

to a time or a note value.<br />

● Delay Time [msec] (0~2600ms)—Adjusts the time until the delay<br />

is heard.<br />

● Delay Time [note] (Musical Notes)—Delay times can be set as a<br />

note-value of a tempo, if you set the “Sync” parameter above to<br />

“Note”. Specify the value of the desired note.<br />

119

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