Download the 2011-2012 Stopfordian (pdf) - Stockport Grammar ...
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The <strong>Stopfordian</strong> <strong>2011</strong>–<strong>2012</strong><br />
bombarded <strong>the</strong> audience at break-neck speed, turned our<br />
expectations upside down. The children didn’t have to ask<br />
about his style of writing or where he sourced his ideas – <strong>the</strong><br />
answers were obvious: from his amazing sense of humour and<br />
quirky approach to life.<br />
Everyone, children and adults, loved his performance and <strong>the</strong><br />
children’s interest in his books soared, as evidence by <strong>the</strong> fact<br />
that his books flew off <strong>the</strong> shelves. By 3.00pm we had ‘sold<br />
out’ and had to ‘shut up shop’.<br />
J. Mercer<br />
AUTHOR VISIT - DEBI GLIORI<br />
The author and illustrator Debi Gliori visited <strong>the</strong> school in July<br />
to speak to <strong>the</strong> Year 1 and Year 2 children about her latest<br />
book ‘The Scariest Thing of All’.<br />
The book is about a little rabbit, Pip, who has a seemingly<br />
endless list of things to be afraid of such as gobblers, wood<br />
trolls and vast ‘hissters‘ to name but a few. By <strong>the</strong> end of <strong>the</strong><br />
story Pip realises that, all <strong>the</strong> time he was really afraid of his<br />
own over-active imagination.<br />
The children loved <strong>the</strong> story and many of <strong>the</strong> adults<br />
recognised <strong>the</strong> source of <strong>the</strong>ir own irrational fears. Debi<br />
showed <strong>the</strong> children how <strong>the</strong><br />
story evolved and we saw <strong>the</strong><br />
illustrations grow from rough<br />
sketches to captivating pieces<br />
of art. Her use of colour to<br />
create atmosphere combined<br />
with her ability to illustrate<br />
wonderful animal characters<br />
had even <strong>the</strong> youngest<br />
members of <strong>the</strong> audience<br />
enthralled.<br />
J. Mercer<br />
YEAR 6 ART PROJECT – GARGOYLES<br />
This Art Day was about <strong>the</strong> ancient myth of ‘The Green Man’<br />
and gargoyles, <strong>the</strong> stone face-carvings on <strong>the</strong> downspouts<br />
many old churches and o<strong>the</strong>r buildings.<br />
We began by looking at photographs of <strong>the</strong> wea<strong>the</strong>red, lichencovered<br />
gargoyles from St Michael’s church, Winchcombe, in<br />
<strong>the</strong> Cotswolds, famous for its wonderful examples of this art<br />
form, carved by stone masons many hundreds of years ago.<br />
Clearly some of <strong>the</strong>se are nightmarish demons from <strong>the</strong> artists’<br />
imaginations and fears, but o<strong>the</strong>rs appear to be well-observed<br />
portraits of grimacing real people, well-known to <strong>the</strong> sculptors.<br />
It is thought <strong>the</strong>se were often put in place to ward off <strong>the</strong> evil<br />
spirits that people knew lurked under every bed, round every<br />
corner, and in and behind every tree and hollow…<br />
The first activity was to produce a drawing of <strong>the</strong>se, traced<br />
from <strong>the</strong> A4 photographs. However, this process evolved and<br />
changed, even at this so-called ‘copying’ stage, into something<br />
personal as <strong>the</strong> pupils saw it emerging onto <strong>the</strong> paper, and<br />
began to emphasise elements in <strong>the</strong>ir photograph and on <strong>the</strong><br />
drawing as it developed.<br />
The second activity began similarly to activity one with a<br />
tracing, but only as a line drawing. This was <strong>the</strong>n stuck to a<br />
larger sheet of white paper with masking tape. This project<br />
<strong>the</strong>n used masking tape to ‘draw’ in relief around and into <strong>the</strong><br />
lines and shapes, building up a surface of layered textures as<br />
<strong>the</strong> tape was distorted around <strong>the</strong> lines. Once finished <strong>the</strong>se<br />
were ‘scrumbled’ over with paper and graphite/crayons like a<br />
brass-rubbing to produce yet ano<strong>the</strong>r type of drawing.<br />
The third activity involved clay as a medium. Having learned<br />
something about <strong>the</strong> history and nature of clay as a material,<br />
we <strong>the</strong>n looked at <strong>the</strong> A4 images of <strong>the</strong> gargoyles. The pupils<br />
<strong>the</strong>n rolled out <strong>the</strong> clay and laid it over a ‘bridge’ of cardboard.<br />
From here, having been shown a few simple and basic forming<br />
and texturing methods, <strong>the</strong>ir imaginations took over and, using<br />
<strong>the</strong> stimulus of <strong>the</strong> gargoyle pictures, developed <strong>the</strong>ir own<br />
faces. Once dry <strong>the</strong>y scraped into <strong>the</strong> surface to add even<br />
more texture and <strong>the</strong>n used acrylic and metallic paint to<br />
complete <strong>the</strong>ir ‘gargoyle’.<br />
These fantastic models graced <strong>the</strong> entrance hall of <strong>the</strong> Junior<br />
School and served to impress but also to ward off any ‘evil<br />
spirits’ that could have been lurking around!<br />
J. Mercer<br />
116 Junior School