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The <strong>Stopfordian</strong> <strong>2011</strong>–<strong>2012</strong><br />

bombarded <strong>the</strong> audience at break-neck speed, turned our<br />

expectations upside down. The children didn’t have to ask<br />

about his style of writing or where he sourced his ideas – <strong>the</strong><br />

answers were obvious: from his amazing sense of humour and<br />

quirky approach to life.<br />

Everyone, children and adults, loved his performance and <strong>the</strong><br />

children’s interest in his books soared, as evidence by <strong>the</strong> fact<br />

that his books flew off <strong>the</strong> shelves. By 3.00pm we had ‘sold<br />

out’ and had to ‘shut up shop’.<br />

J. Mercer<br />

AUTHOR VISIT - DEBI GLIORI<br />

The author and illustrator Debi Gliori visited <strong>the</strong> school in July<br />

to speak to <strong>the</strong> Year 1 and Year 2 children about her latest<br />

book ‘The Scariest Thing of All’.<br />

The book is about a little rabbit, Pip, who has a seemingly<br />

endless list of things to be afraid of such as gobblers, wood<br />

trolls and vast ‘hissters‘ to name but a few. By <strong>the</strong> end of <strong>the</strong><br />

story Pip realises that, all <strong>the</strong> time he was really afraid of his<br />

own over-active imagination.<br />

The children loved <strong>the</strong> story and many of <strong>the</strong> adults<br />

recognised <strong>the</strong> source of <strong>the</strong>ir own irrational fears. Debi<br />

showed <strong>the</strong> children how <strong>the</strong><br />

story evolved and we saw <strong>the</strong><br />

illustrations grow from rough<br />

sketches to captivating pieces<br />

of art. Her use of colour to<br />

create atmosphere combined<br />

with her ability to illustrate<br />

wonderful animal characters<br />

had even <strong>the</strong> youngest<br />

members of <strong>the</strong> audience<br />

enthralled.<br />

J. Mercer<br />

YEAR 6 ART PROJECT – GARGOYLES<br />

This Art Day was about <strong>the</strong> ancient myth of ‘The Green Man’<br />

and gargoyles, <strong>the</strong> stone face-carvings on <strong>the</strong> downspouts<br />

many old churches and o<strong>the</strong>r buildings.<br />

We began by looking at photographs of <strong>the</strong> wea<strong>the</strong>red, lichencovered<br />

gargoyles from St Michael’s church, Winchcombe, in<br />

<strong>the</strong> Cotswolds, famous for its wonderful examples of this art<br />

form, carved by stone masons many hundreds of years ago.<br />

Clearly some of <strong>the</strong>se are nightmarish demons from <strong>the</strong> artists’<br />

imaginations and fears, but o<strong>the</strong>rs appear to be well-observed<br />

portraits of grimacing real people, well-known to <strong>the</strong> sculptors.<br />

It is thought <strong>the</strong>se were often put in place to ward off <strong>the</strong> evil<br />

spirits that people knew lurked under every bed, round every<br />

corner, and in and behind every tree and hollow…<br />

The first activity was to produce a drawing of <strong>the</strong>se, traced<br />

from <strong>the</strong> A4 photographs. However, this process evolved and<br />

changed, even at this so-called ‘copying’ stage, into something<br />

personal as <strong>the</strong> pupils saw it emerging onto <strong>the</strong> paper, and<br />

began to emphasise elements in <strong>the</strong>ir photograph and on <strong>the</strong><br />

drawing as it developed.<br />

The second activity began similarly to activity one with a<br />

tracing, but only as a line drawing. This was <strong>the</strong>n stuck to a<br />

larger sheet of white paper with masking tape. This project<br />

<strong>the</strong>n used masking tape to ‘draw’ in relief around and into <strong>the</strong><br />

lines and shapes, building up a surface of layered textures as<br />

<strong>the</strong> tape was distorted around <strong>the</strong> lines. Once finished <strong>the</strong>se<br />

were ‘scrumbled’ over with paper and graphite/crayons like a<br />

brass-rubbing to produce yet ano<strong>the</strong>r type of drawing.<br />

The third activity involved clay as a medium. Having learned<br />

something about <strong>the</strong> history and nature of clay as a material,<br />

we <strong>the</strong>n looked at <strong>the</strong> A4 images of <strong>the</strong> gargoyles. The pupils<br />

<strong>the</strong>n rolled out <strong>the</strong> clay and laid it over a ‘bridge’ of cardboard.<br />

From here, having been shown a few simple and basic forming<br />

and texturing methods, <strong>the</strong>ir imaginations took over and, using<br />

<strong>the</strong> stimulus of <strong>the</strong> gargoyle pictures, developed <strong>the</strong>ir own<br />

faces. Once dry <strong>the</strong>y scraped into <strong>the</strong> surface to add even<br />

more texture and <strong>the</strong>n used acrylic and metallic paint to<br />

complete <strong>the</strong>ir ‘gargoyle’.<br />

These fantastic models graced <strong>the</strong> entrance hall of <strong>the</strong> Junior<br />

School and served to impress but also to ward off any ‘evil<br />

spirits’ that could have been lurking around!<br />

J. Mercer<br />

116 Junior School

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