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The <strong>Stopfordian</strong> <strong>2011</strong>–<strong>2012</strong><br />

YEAR 4 ART AND DESIGN DAY<br />

Because of a football tournament <strong>the</strong> children were divided<br />

into two groups: boys in <strong>the</strong> morning and girls in <strong>the</strong><br />

afternoon and <strong>the</strong>y were engaged in two ambitious projects.<br />

GAUDI AND HUNDERTWASSER.<br />

The group was shown images of <strong>the</strong> use of colour in paintings<br />

in <strong>the</strong> last two hundred years. They looked first at an early<br />

painting by JMW Turner which portrayed a large house on a<br />

hill before a lake painted in very subtle shades of grey. They<br />

<strong>the</strong>n witnessed how Turner became much more experimental,<br />

working with light ra<strong>the</strong>r than <strong>the</strong> <strong>the</strong>mes <strong>the</strong> wealthy patrons<br />

required. They saw ‘Sunset, Rouen’ which showed a large<br />

yellow disc with a ‘squiggle’ as a reflection. This, along with<br />

Turner’s o<strong>the</strong>r experimental work, was a precursor to<br />

Impressionism. This paved <strong>the</strong> way for much more vibrant<br />

work by <strong>the</strong> likes of Russian artist Kandinsky and <strong>the</strong>n<br />

Hundertwasser. The PowerPoint presentation <strong>the</strong>n went on<br />

to look at some work by Spanish architect and designer<br />

Gaudi, whose buildings have a similar vibrant quality.<br />

The children tried to combine <strong>the</strong>se qualities in <strong>the</strong>ir own art.<br />

This was achieved by drawing exotic skylines of buildings.<br />

They <strong>the</strong>n applied various layers of paint and ink to create a<br />

composition more to do with colour than a ‘realistic’<br />

impression of a sky, using <strong>the</strong> legacy of Turner and<br />

Hundertwasser.<br />

LARGE FIGURE PAINTING<br />

We started with two large ‘canvases’ of sheets of card, stuck<br />

toge<strong>the</strong>r in a 4x3 formation. In two groups of twelve <strong>the</strong><br />

pupils took turns to lie on <strong>the</strong> rectangle and were drawn<br />

round, with <strong>the</strong> lines and shapes overlapping. Each pupil was<br />

drawn, and each did <strong>the</strong> drawing. The sheets were <strong>the</strong>n<br />

separated and each pupil had <strong>the</strong>ir own to work on, though<br />

some pupils worked on each sheet as a group. We looked at<br />

some abstract paintings which showed how each shape could<br />

be developed as its own little world of colour and texture.<br />

The pupils <strong>the</strong>n painted <strong>the</strong> background with as many types<br />

of blue (cold colour) and texture as possible, achievable with<br />

<strong>the</strong> thick acrylics. The overlapping and complex shapes,<br />

made by and round <strong>the</strong> pupils, were painted in yellows,<br />

oranges and reds (warm colours). Dots of white were also<br />

placed in close sequence along <strong>the</strong> edges of <strong>the</strong> shapes.<br />

When finished, <strong>the</strong> pictures were taped back toge<strong>the</strong>r in <strong>the</strong><br />

sequence <strong>the</strong>y were when first placed on <strong>the</strong> floor, to be hung<br />

as a large colourful composition in which elements of <strong>the</strong><br />

pupils were evident (hands, feet, heads etc), but whose main<br />

purpose was to develop a feeling for textured paint and a<br />

strong contrast of <strong>the</strong> warm reds and oranges from strong to<br />

light tones against blues.<br />

J. Mercer<br />

YEAR 3 ART DAY<br />

The plan for this Year 3 Art Day was to build a piece of work<br />

out of several layers into a relief, and in a variety of materials.<br />

The lesson began with a discussion, with examples of different<br />

kinds of ‘botanical’ art from scientific illustrations at <strong>the</strong> plantrecognition<br />

end of <strong>the</strong> spectrum, to more interpretive work by<br />

Georgia O’Keeffe and also o<strong>the</strong>r examples from Islamic art<br />

which were also developed into ma<strong>the</strong>matical tiles from initial<br />

studies in that culture. The emphasis here was that we were<br />

not so much concerned with ‘accuracy’ as with individual<br />

creative interpretation.<br />

The starting point was observational drawing, looking at laurel<br />

and rhododendron branches, end-on, with <strong>the</strong>ir clusters of<br />

leaves around <strong>the</strong> point of <strong>the</strong> bud. Large drawings were<br />

encouraged, to fill <strong>the</strong> sheet; initially lightly sketched in pencil<br />

and <strong>the</strong>n drawn over in coloured pencil to give a bright line<br />

o<strong>the</strong>r than black.<br />

The use of <strong>the</strong> transparent and textural qualities of wax<br />

crayons was <strong>the</strong>n applied, building up a green, for example,<br />

using yellows and blues ra<strong>the</strong>r than just being satisfied with<br />

‘<strong>the</strong> green’ of a particular crayon. Next <strong>the</strong> pupils looked at<br />

A4 images of flowers and in choosing one of <strong>the</strong>se, interpreted<br />

this image onto ano<strong>the</strong>r sheet using oil pastel.<br />

Finally, <strong>the</strong> next stage was to develop large drawings of insects,<br />

again derived from photographs provided. ‘Brusho’ powder<br />

was sprinkled onto <strong>the</strong> wet designs so that <strong>the</strong> colours spread<br />

and merged. The flower and insect designs were cut out and<br />

mounted onto <strong>the</strong> original sketch using a concertina<br />

construction to give a 3D effect.<br />

J. Mercer<br />

SCIENCE DAY<br />

The children were prepared for <strong>the</strong> excitement of <strong>the</strong> day by<br />

a whole school assembly taken by two science boffins. There<br />

were roars of laughter and great excitement at activities like<br />

making a genie come out of a bottle, balloon piercing and<br />

flash paper. However, I think <strong>the</strong> favourites had to be making<br />

elephant’s toothpaste and <strong>the</strong> loo roll Bernoulli experiment,<br />

which I am sure <strong>the</strong> children will have talked about.<br />

Pupils <strong>the</strong>n took part in various workshops with <strong>the</strong> boffins.<br />

Year 3 pupils had <strong>the</strong> chance to see some Dragon Chemistry<br />

Junior School 117

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