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The <strong>Stopfordian</strong> <strong>2011</strong>–<strong>2012</strong><br />
BLITHE SPIRIT<br />
A farce of a farce. What better way to describe this year’s Sixth<br />
Form production of Bli<strong>the</strong> Spirit by Noel Coward.<br />
Performing a play is never <strong>the</strong> easiest task. Managing a group<br />
of 17-year-old teenagers is an even harder task, and<br />
performing a play in just five days is near impossible. Despite<br />
this, we took on <strong>the</strong> challenge.<br />
As we all arrived at school on that bright sunny morning in<br />
June to begin our first rehearsal, <strong>the</strong>re was an air of quiet<br />
confidence and optimism amongst <strong>the</strong> cast. This did not last<br />
long. The day started badly, with Luke Howarth being <strong>the</strong><br />
only one of our two directors <strong>the</strong>re to guide us. Despair<br />
increased throughout <strong>the</strong> day as we began to realise that none<br />
of us knew our lines. Fantastic. We still ended <strong>the</strong> day quietly<br />
hopeful that everything would naturally come toge<strong>the</strong>r.<br />
The next day we were all pleased by <strong>the</strong> return of our second<br />
director Abbie Jones. Our optimism renewed, we were eager<br />
to rehearse, rehearse, rehearse to get it perfect. Still<br />
something was missing; <strong>the</strong> character of Charles Condomine,<br />
played by Tom Fawcett. After spending half of <strong>the</strong> morning<br />
trying to contact him, with no success, we attempted to<br />
rehearse <strong>the</strong> play without him; not <strong>the</strong> easiest task to achieve<br />
when he features in around 90% of <strong>the</strong> play. The next<br />
morning we received a message that Tom had had his tonsils<br />
removed. No set, no costumes, no Tom, no memory of our<br />
lines and only three days left until <strong>the</strong> performance. Then<br />
Jamie Rahman arrived mouthing <strong>the</strong> words “guys, I’ve lost my<br />
voice”. This was all just too much.<br />
no hurry to remember it. As <strong>the</strong> audience took to <strong>the</strong>ir seats<br />
(unaware that our director Abbie was hiding under <strong>the</strong> table<br />
centre stage, or that director Luke was hiding behind an<br />
armchair both prompting <strong>the</strong> cast) we knew we could do this.<br />
Adrenaline kicked in and <strong>the</strong> play began. Despite his voice<br />
issues earlier in <strong>the</strong> week, Jamie Rahman truly captured <strong>the</strong><br />
role of <strong>the</strong> eccentric psychic Madame Arcarti, not even<br />
blinking an eye when makeup artist Ayoni Medagoda slapped<br />
on <strong>the</strong> makeup. Elle Harper pulled off <strong>the</strong> part of Ruth<br />
Condomine perfectly; sipping many a glass of wine (water) in<br />
between lines to sooth her poor lost voice. Tom’s<br />
performance as Charles Condomine was masterly and Alice<br />
Carr’s portrayal of <strong>the</strong> jealous (and very much dead) Elvira<br />
effectively spooked <strong>the</strong> audience. Sam Allport and Natalie<br />
Clarke showed a true chemistry on stage in <strong>the</strong>ir parts of Dr<br />
and Mrs Bradman. It was during <strong>the</strong> performance that we<br />
truly made Bli<strong>the</strong> Spirit our own. Not knowing our lines no<br />
longer mattered, with every member of <strong>the</strong> cast filling<br />
awkward silences with witty comments and improvisation.<br />
The audience laughed more at our blunders than <strong>the</strong> written<br />
jokes and were by now very aware of <strong>the</strong> indiscreet and<br />
frantic prompting from under <strong>the</strong> table and behind <strong>the</strong> sofa.<br />
In spite of <strong>the</strong> week’s stresses, <strong>the</strong> play was a true success.<br />
Not only did <strong>the</strong> audience enjoy it, but we did too. A huge<br />
thanks to everyone involved; cast, crew and Mrs Moffatt. It<br />
was <strong>the</strong> efforts made by all that made Bli<strong>the</strong> Spirit <strong>the</strong> true<br />
success and farce it deserved to be.<br />
Martha Watson (L4)<br />
Day four was our first rehearsal day with all cast members<br />
present but still <strong>the</strong>re was only one way to describe it. A<br />
disaster. It was <strong>the</strong>n that <strong>the</strong> true abomination that was our<br />
play hit home. Panic set in. We rushed around finding props,<br />
muttering our lines in between scenes, hunting down missing<br />
cast members. Then Mrs Moffatt arrived, bringing order to <strong>the</strong><br />
chaos. We worked and worked, trying our absolute best. We<br />
left school that night prepared for <strong>the</strong> long night of learning<br />
our lines.<br />
Thursday. This was <strong>the</strong> day. The sun shone and we erected<br />
our set in <strong>the</strong> Sixth Form Quad, ready for <strong>the</strong> performance<br />
that evening. Everything was going well (undeterred by Elle<br />
losing her voice); and <strong>the</strong>n <strong>the</strong> heavens opened. We dashed<br />
inside to avoid <strong>the</strong> thunderstorm that seemed to last forever,<br />
watching <strong>the</strong> rain pour down onto <strong>the</strong> set we had so lovingly<br />
created. At last, <strong>the</strong> rain stopped and we ventured outside to<br />
discover what was left of our play. Two hours to go.<br />
The next stage of preparation is a complete blur and I am in