Publishing in the Knowledge Economy - DTI Home Page
Publishing in the Knowledge Economy - DTI Home Page
Publishing in the Knowledge Economy - DTI Home Page
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<strong>Publish<strong>in</strong>g</strong> <strong>in</strong> <strong>the</strong> knowledge economy<br />
The <strong>in</strong>dustry today<br />
CHAPTER<br />
12<br />
Typology of publish<strong>in</strong>g products accord<strong>in</strong>g<br />
to brand and format characteristics<br />
Follow<strong>in</strong>g on from <strong>the</strong> discussion on brand<br />
extension <strong>in</strong> <strong>the</strong> sections on consumer<br />
magaz<strong>in</strong>es and bus<strong>in</strong>ess to bus<strong>in</strong>ess media,<br />
and look<strong>in</strong>g forward to <strong>the</strong> discussion on <strong>the</strong><br />
challenge of digital media <strong>in</strong> Chapter 17, we<br />
have drawn up a typology of pr<strong>in</strong>ted media<br />
products. This attempts to place different media<br />
products accord<strong>in</strong>g to <strong>the</strong>ir brand strength and<br />
<strong>the</strong> degree to which <strong>the</strong>y are format-neutral.<br />
12.1 Brand<br />
Brand becomes ever more important <strong>in</strong> a<br />
fragmented digital environment as a marker for<br />
users to f<strong>in</strong>d content <strong>the</strong>y can trust and want to<br />
use (and may pay for). It is also important to<br />
protect brands <strong>in</strong> environments where content<br />
is passed though new <strong>in</strong>termediaries and<br />
aggregators and to guard aga<strong>in</strong>st<br />
commoditisation of content.<br />
12.2 Importance of format<br />
Format-neutrality is an <strong>in</strong>dicator of how far and<br />
fast different products will tend to move <strong>in</strong>to<br />
multiple channels and platforms. For some<br />
pr<strong>in</strong>ted products, <strong>the</strong> format <strong>the</strong>y appear <strong>in</strong> is<br />
<strong>in</strong>tr<strong>in</strong>sic to <strong>the</strong>ir appeal, e.g. portability,<br />
disposability, <strong>the</strong> ability to cut pictures out, or<br />
share <strong>the</strong> product with o<strong>the</strong>rs easily. With<br />
o<strong>the</strong>rs, <strong>the</strong> content itself is <strong>the</strong> primary sell<strong>in</strong>g<br />
po<strong>in</strong>t and its separation from <strong>the</strong> traditional<br />
format may enhance its functionality. Some<br />
products will be equally useful <strong>in</strong> different<br />
formats, depend<strong>in</strong>g on <strong>the</strong>ir mode of use, e.g.<br />
used <strong>in</strong> one form while <strong>the</strong> reader is on <strong>the</strong><br />
move, and ano<strong>the</strong>r when <strong>the</strong>y are at <strong>the</strong>ir desks<br />
or at home.<br />
The products are categorised by end-user:<br />
consumer, bus<strong>in</strong>ess, and <strong>in</strong>stitutional<br />
(education/research).<br />
12.3 Consumer media<br />
Medium<br />
Book<br />
Magaz<strong>in</strong>e<br />
Broadsheets<br />
Mass market<br />
Regional and local<br />
newspapers<br />
Directories<br />
(e.g. Yellow <strong>Page</strong>s)<br />
Exhibitions and events<br />
Format characteristics<br />
Format <strong>in</strong>tr<strong>in</strong>sic to appeal – at least until usability<br />
issues are resolved with screens and through<br />
generational change. Possible exceptions: reference<br />
works, travel guides and <strong>the</strong> like<br />
Format <strong>in</strong>tr<strong>in</strong>sic to appeal, especially for glossies and<br />
teen/women’s weeklies. TV list<strong>in</strong>gs as well, although<br />
<strong>the</strong>y face migration to/competition from EPGs. Some<br />
buyer’s guide-type consumer magaz<strong>in</strong>es are more<br />
format-neutral (PCs, cars, etc)<br />
Format somewhat neutral, but paper still <strong>the</strong><br />
fundamental format<br />
Format <strong>in</strong>tr<strong>in</strong>sic to appeal<br />
Format <strong>in</strong>tr<strong>in</strong>sic to appeal; but classifieds ga<strong>in</strong><br />
enormously <strong>in</strong> functionality from onl<strong>in</strong>e<br />
Format fluid. Paper products likely to persist for a<br />
long time as <strong>the</strong>y constitute a barrier to entry and<br />
many users prefer paper. Electronic confers greater<br />
functionality/updat<strong>in</strong>g<br />
Format <strong>in</strong>tr<strong>in</strong>sic to appeal; be<strong>in</strong>g present is <strong>the</strong> whole<br />
po<strong>in</strong>t, although onl<strong>in</strong>e can be complementary <strong>in</strong><br />
publicis<strong>in</strong>g/ prepar<strong>in</strong>g events<br />
Brand characteristics<br />
Ma<strong>in</strong>ly resides with author; longevity varies. Where<br />
brand resides with impr<strong>in</strong>t or publisher, it is long lived<br />
Strong brands but may be relatively short-lived;<br />
some ephemeral (resembles FMCG); brand<br />
extension limited<br />
Strong, long-lived brands. Some opportunity to create<br />
l<strong>in</strong>ked, differentiat<strong>in</strong>g brands through <strong>in</strong>teractive<br />
media<br />
Strong long lived brands; brand extension limited<br />
Most strong and long lived but advertisement-only<br />
papers can be weak and ephemeral. Opportunity to<br />
create l<strong>in</strong>ked but differentiat<strong>in</strong>g brands (e.g. thisis)<br />
Often very strong. Yellow <strong>Page</strong>s a generic brand as<br />
well as an actual one<br />
Some strong and long lived; o<strong>the</strong>rs weak and<br />
ephemeral<br />
70