Orientalism - autonomous learning
Orientalism - autonomous learning
Orientalism - autonomous learning
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252 ORIENTALISM<br />
Orienlalism Now<br />
253<br />
literally nothing except the rags they stand up in-when you<br />
see how the people live, and still more, how easily they die, it is<br />
always difficult to believe that you are walking among human<br />
beings. All colonial empires are in reality founded upon that fact.<br />
The people have brown faces-besides they have so many of<br />
them! Are they really the same flesh as yourself? Do they even<br />
have names? Or are they merely a kind of undifferentiated brown<br />
stuff, about as individual as bees or coral insects? They arise out<br />
of the earth, they sweat and starve for a few years, and then they<br />
sink back into the nameless mounds of the graveyard and nobody<br />
notices that they are gone. And even the graves themselves soon<br />
fade back into the soil.58<br />
Aside from the picturesque characters offered European readers in<br />
the exotic fiction of minor writers (Pierre Loti, Marmaduke Pickthall,<br />
and the like), the non-European known to Europeans is<br />
precisely what Orwell says about him. He is either a figure of fun,<br />
or an atom in a vast collectivity designated in ordinary or cultivated<br />
djscourse as an undifferentiated type called Oriental, African,<br />
yellow, brown, or Muslim. To such abstractions <strong>Orientalism</strong> had<br />
contributed its power of generalization, converting instances of a<br />
civilization into ideal bearers of its values, ideas, and positions,<br />
which in turn the Orientalists had found in "the Orient" and transformed<br />
into common cultural currency.<br />
If we reflect that Raymond Schwab brought out his brilliant<br />
biography of AnquetiI-Duperron in I 934--and began those studies<br />
which were to put <strong>Orientalism</strong> in its proper cultural context-we<br />
must also remark that what he did was in stark contrast to his fellow<br />
artists and intellectuals, for whom Orient and Occident were still<br />
the secondhand abstractions they were for Valery. Not that Pound,<br />
Eliot, Yeats, Arthur Waley, Fenollosa, Paul Claudel(in his C~nnaissance<br />
de rest), Victor segalen, and others were ignoring "the<br />
wisdom of the East," as Max MUlier had called it a few generations<br />
earlier. Rather the culture viewed the Orient, and Islam in particular,<br />
with the mistrust with which its learned attitude to the<br />
Orient had always been freighted. A suitable instance of this contemporary<br />
attitude at its most explicit is to be found in a series of<br />
lectures given at the University of Chicago in 1924 on "The<br />
Occident and the Orient" by Valentine Chirol, a well-known European<br />
newspaperman of great experience in the East; his purpose<br />
was to make clear to. educated Americans that the Orient was not<br />
as far off as perhaps they believed. His line is a simple one: that<br />
Orient and Occident are irreducibly opposed to each other, and that<br />
the Orient-in particular "Mohammedanism"-is one of "the<br />
great world-forces" responsible for "the deepest lines of cleavage"<br />
in the world. 59 Chirol'ssweeping generalizations are, I think, adequately<br />
represented by the titles of his six lectures: "Their Ancient<br />
Battleground"; "The Passing of the Ottoman Empire, the Peculiar<br />
Case of Egypt"; "The Great British Experiment in Egypt"; "Protectorates<br />
and Mandates"; "The New Factor of Bolshevism"; and<br />
"Some General Conclusions."<br />
To such relatively popular accounts of the Orient as Chirol's,<br />
we can add a testimonial by Elie Faure, who in his ruminations<br />
draws, like Chirol, on history, cultural expertise, and the familiar<br />
contrast between White Occidentalism and colored <strong>Orientalism</strong>.<br />
While delivering himself of paradoxes like "Ie carnage permanent de<br />
l'indifference orientale" (for, unlike "us," "they" have no conception<br />
of peace), Faure goes on to show that the Orientals' bodies are<br />
lazy, that the Orient has no conception of history, of the nation, or<br />
of patrie, that the Orient is essentially mystical-and so on. Faure<br />
argues that unless the Oriental learns to be rational, to develop<br />
techniques of knowledge and positivity, there can be no rapprochement<br />
between East and West. 60 A far more subtle and learned<br />
account of the East-West dilemma can be found in Fernand Baldensperger's<br />
essay "OU s'affrontent l'Odent et I'Occident intellectuels,"<br />
but he too speaks of an inherent Oriental disdain for the idea,<br />
for mental discipline, for rational interpretation. s1<br />
Spoken as they are out of the depths of European culture, by<br />
writers who actually believe themselves to be speaking on behalf<br />
of that culture, such commonplaces (for they are perfect idees re~ues)<br />
cannot be explained simply as examples of provincial chauvinism.<br />
They are not that, and-as will be evident to anyone who knows<br />
anything about Faure's and Baldensperger's other work-are the<br />
more paradoxical for not being that. Their background is the transformation<br />
of the . exacting, professional science of <strong>Orientalism</strong>,<br />
whose function in nineteenth-century culture had been the restoration<br />
to Europe of a lost portion of humanity, but which had become<br />
in the twentieth century both an instrument of policy and, more<br />
important, a code by which Europe could interpret both itself and<br />
the Orient to itself. For reasons discussed earlier in this book,<br />
modern <strong>Orientalism</strong> already carried within itself the imprint of