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Orientalism - autonomous learning

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162 ORIENTALISM<br />

Orientalist Structures and Restructures<br />

163<br />

remarkable peculiarities in the manners, customs, and character of<br />

a nation are attributable to the physical peculiarities of the country."72<br />

What follows confirms this easily-the Nile, Egypt's "remarkably<br />

salubrious" climate, the peasant's "precise" labor. Yet<br />

instead of this leading to the next episode in narrative order, the<br />

detail is added to, and consequently the narrative fulfillment expected<br />

on purely formal grounds is not given. In other words,<br />

although the gross outlines of Lane's text conform to the narrative<br />

and causal sequence of birth-life-death, the special detail introduced<br />

during the sequence itself foils narrative movement. From a<br />

general observation, to a delineation of some aspect of Egyptian<br />

character, to an account of Egyptian childhood, adolescence,<br />

maturity, and senescence, Lane is always there with great detail to<br />

prevent smooth transitions. Shortly after we hear about Egypt's<br />

salubrious climate, for instance, we are informed that few Egyptians<br />

live beyond a few years, because of fatal illness, the absence of<br />

medical aid, and oppressive summer weather. Thereafter we are told<br />

that the heat "excites the Egyptian [an unqualified generalization]<br />

to intemperance in sensual enjoyments," and soon are bogged down<br />

in descriptions, complete with charts and line drawings, of Cairene<br />

architecture, decoration, fountains, and locks. When a narrative<br />

strain re-emerges, it is clearly only as a formality.<br />

What prevents narrative order, at the very same time that narrative<br />

order is the dominating fiction of Lane's text, is sheer, overpowering,<br />

monumental description. Lane's objective is to make<br />

Egypt and the Egyptians totally visible, to keep nothing hidden from<br />

his reader, to deliver the Egyptians without depth, in swollen detail.<br />

As rapporteur his propensity is for sadomasochistic colossal tidbits:<br />

the self"multilation of dervishes, the cruelty of judges, the blending<br />

of religion with licentiousness among Muslims, the excess of<br />

libidinous passions, and so on. Yet no matter how odd and perverse<br />

the event and how lost we become in its dizzying detail, Lane is<br />

ubiquitous, his job being to reassemble the pieces and enable us<br />

to move on, albeit jerkily. To a certain extent he does this by just<br />

being a European who can discursively control the passions and<br />

excitements to which the Muslims are unhappily subject. But to an<br />

even greater extent, Lane's capacity to rein in his profuse subject<br />

matter with an unyielding bridle of discipline and detachment<br />

depends on his cold distance from Egyptian life and Egyptian<br />

productivity.<br />

The main symbOlic moment occurs at the beginning of chapter 6,<br />

"Domestic Life-Continued." By now Lane has adopted the narrative<br />

convention of taking a walk through Egyptian life, and having<br />

reached the end of his tour of the public rooms and habits of an<br />

Egyptian household (the social and spatial worlds are mixed<br />

together by him), he begins to discuss the intimate side of home life.<br />

Immediately, he "must give some account of marriage and the<br />

marriage-ceremonies." As usual, the account begins with a general<br />

observation: to abstain from marriage "when a man has attained a<br />

sufficient age, ~nd when there is no just impediment, is esteemed<br />

by the Egyptians improper, and even disreputable." Without transition<br />

this observation is applied by Lane to himself, and he is found<br />

guilty. For one long paragraph he then recounts the pressures placed<br />

on him to get married, which he unflinchingly refuses. Finally, after<br />

a native friend even offers to arrange a mariage de convenance,<br />

also refused by Lane, the whole sequence is abruptly terminated<br />

with a period and a dash. T3 He resumes his general discussion with<br />

another general observation.<br />

Not only do we have here a typical Lane-esque interruption of<br />

the main narrative with untidy detail, we have also a firm and<br />

literal disengagement of the author from the productive processes<br />

of Oriental society. The mini:narrative of his refusal to join the<br />

society he describes concludes with a dramatic hiatus: his story<br />

cannot continue, he seems to be saying, so long as he does not<br />

enter the intimacy of domestic life, and so he drops from sight as a<br />

candidate for it. He literally abolishes himself as a human subject<br />

by refusing to marry into human society. Thus he preserves his<br />

authoritative identity as a mock participant and bolsters the objectivity<br />

of his narrative. If we already knew that Lane was a non­<br />

Muslim, we· now know too that in order for him to become an<br />

Orientalist-instead of an Oriental-he had to deny himself the<br />

sensual enjoyments of domestic life. Moreover, he had also to avoid<br />

Iii<br />

" dating himself by entering the human life-cycle. Only in this negative<br />

way could he retain his timeless authority as observer.<br />

it, , 1<br />

Lane's choice was between living without "inconvenience and<br />

, '<br />

, ~I discomfort" and accomplishing his study of the modern Egyptians.<br />

The result of his choice is plainly to have made possible his definition<br />

of the Egyptians, since had he become one of them, his perspec­<br />

Ir<br />

I tive would no longer have been antiseptically and asexually<br />

lexicographical. In two important and urgent ways, therefore, Lane<br />

gains scholarly credibility and legitimacy. First, by interfering with<br />

the ordinary narrative course of human life: this is the function of<br />

l

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