Orientalism - autonomous learning
Orientalism - autonomous learning
Orientalism - autonomous learning
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338 ORIENT ALISM<br />
in a dialogue of equals. My view of Palestine, fonnulated originally<br />
in The Question ofPalestine, remains the same today: I expressed all<br />
sorts of reservations about the insouciant nativism and militant militarism<br />
of the nationalist consensus; I suggested instead a critical look<br />
at the Arab environment, Palestinian history, and the Israeli realities,<br />
with the explicit conclusion that only a negotiated settlement between<br />
the two communities of suffering, Arab and Jewish, would provide<br />
respite from the unending war. (I should mention in passing that<br />
although my book on Palestine was given a fine Hebrew translation<br />
in the early 1980s by Mifras, a small Israeli publishing house, it<br />
remains untranslated into Arabic to this day. Every Arabic publisher<br />
who was interested in the book wanted me to change or delete those<br />
sections that were openly critical of one or another Arab regime<br />
(including the PLO), a request that I have always refused to comply<br />
with.)<br />
I regret to say that the Arabic reception of <strong>Orientalism</strong>, despite<br />
Kamal Abu Deeb's remarkable translation, still managed to ignore<br />
that aspect of my book which diminished the nationalist fervo( that<br />
some implied from my critique of <strong>Orientalism</strong>, which I associated<br />
with those drives to domination and control also to be found in<br />
imperialism. Abu Deeb's painstaking translation was an almost total<br />
avoidance of Arabized Western expressions; technical words like<br />
discourse, simulacrum, paradigm, or code were rendered from within<br />
the classical rhetoric of the Arab tradition. His idea was to place my<br />
work inside one fully fonned tradition, as if it were addressing another<br />
from a perspective of cultural adequacy and equality. In this<br />
way, he re~soned, it was possible to show that just as one could<br />
advance an epistemological critique from within the Western tradition,<br />
so too could one do it from within the Arabic.<br />
Yet the sense of fraught confrontation between an often emotionally<br />
defined Arab world and an even more emotionally experienced<br />
Western world drowned out the fact that <strong>Orientalism</strong> was meant to<br />
be a study in critique, not an affirmation of warring and hopelessly<br />
antithetical identities. Moreover, the actuality I described in the<br />
book's last pages, of one powerful discursive system maintaining<br />
hegemony over another, was intended as the opening salvo in a<br />
debate that might stir Arab readers and critics to engage more determinedly<br />
with the system of <strong>Orientalism</strong>. I was either upbraided for<br />
not having paid closer attention to Marx the passages on Marx's<br />
Own <strong>Orientalism</strong> in my book were the most singled out i?y dogmatic<br />
critics in the Arab world and India, for instance-whose system of<br />
Afterword 339<br />
thought was claimed to have risen above his obvious prejudices, or<br />
I was criticized for not appreciating the great achievements of <strong>Orientalism</strong>,<br />
the West, etc. As with defenses of Islam,. recourse to Marxism<br />
or "the West" as a coherent total system seems to me to have been<br />
a case of using one orthodoxy to shoot down another.<br />
The difference between Arab and other responses to <strong>Orientalism</strong><br />
is, I think, an accurate indication of how decades ofloss, frustration,<br />
and the absence of democracy have affected intellectual and cultural<br />
life in the Arab region. I intended my book as part of a pre-existing<br />
current of thought whose purpose was to liberate intellectuals from<br />
the shackles of systems such as <strong>Orientalism</strong>: I wanted readers to make<br />
use of my work so they might then produce new studies of their own<br />
that would illuminate the historical experience of Arabs and others<br />
in a generous, enabling mode. That certainly happened in Europe,<br />
the United States, Australia, the Indian subcontinent, the Caribbean,<br />
Latin America, and parts of Africa. The invigorated study of<br />
Mricanist and Indological discourses; the analyses of subaltern history;<br />
the reconfiguration of post-colonial anthropology, political science,<br />
art history, literary criticism, musicology, in addition to the vast<br />
new developments in feminist and minority discourses-to all these,<br />
I am pleased and flattered that <strong>Orientalism</strong> often made a difference.<br />
That does not seem to have been the case (insofar as I can judge it)<br />
in the Arab world, where, partly because my work is correctly perceived<br />
as Eurocentric in its texts, and partly because, as Musallam<br />
says, the battle for cultural survival is too engrossing, books like mine<br />
are interpreted less usefully, productively speaking, and more as<br />
defensive gestures either for or against the "West."<br />
Yet among American and British academics of a decidedly rigorous<br />
and unyielding stripe, <strong>Orientalism</strong>, and indeed all of my other<br />
work, has come in for disapproving attacks because of its "residual"<br />
humanism, its theoretical inconsistencies, its insufficient, perhaps<br />
even sentimental, treatment of agency. I am glad that it has! <strong>Orientalism</strong><br />
is a partisan book, not a theoretical machine. No one has convincingly<br />
shown that individual effort is not at some profoundly<br />
unteachable level both eccentric and, in Gerard Manley Hopkins's<br />
sense, original; this despite the existence of systems of thought, discourses,<br />
and hegemonies, (although none of them are in fact seamless,<br />
perfect, or inevitable). The interest I took in <strong>Orientalism</strong> as a<br />
cultural phenomenon (like the culture of imperialism I talk about in<br />
Culture and Imperialism, its 1993 sequel) derives from its variability<br />
and unpredictability, both qualities that give writers like Massignon<br />
J