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creative living •<br />
Changing lives<br />
one stitch at a time<br />
This bag is hand-made<br />
and fair labour item lovingly<br />
created by women in the<br />
Stitch In Time<br />
program in Cambodia.<br />
Jan Breen Burns,<br />
fashion editor, The Age<br />
because it combines two things I loved<br />
- fashion and sustainability. I don’t<br />
know who first coined it but bravo to<br />
them!”<br />
In Deana’s mind the popularity<br />
of environmentally conscious labels<br />
shows that consumers care about<br />
the story behind the creation of their<br />
garment. “We are conscious of the<br />
food we eat so why not think about<br />
what we wear in the same light?”<br />
she asks.<br />
After the catastrophic 2010<br />
earthquake in Haiti American designer,<br />
Donna Karan, visited the island,<br />
looking for ways to help the community<br />
use its natural resources and artisans<br />
to get back on its feet. As she wrote<br />
in a blog on her website, “ ... the<br />
vision for Haiti is simple: help Haiti<br />
help itself ... create business models<br />
that can be properly marketed and<br />
distributed throughout the US and<br />
Europe. As an American designer and<br />
businesswoman, I have a good sense<br />
of what makes a product desirable<br />
to the western consumer”. Donna’s<br />
spring 2012 collection was all Haitian<br />
inspired, assisted by famous Haitian<br />
artist Philippe Dodard.<br />
Last year Dame Vivienne<br />
Westwood, now 70, turned her<br />
attention to the people of Nairobi.<br />
She described the endeavour as, “Not<br />
charity, just work” and created the<br />
Ethical Fashion Africa Collection of<br />
handbags and totes using everything<br />
from old rubber thongs to roadside<br />
advertising banners and old tent<br />
fabric. The bags are available online.<br />
The collection was produced in<br />
collaboration with The Ethical Fashion<br />
Programme, a joint agency of the<br />
United Nations and the World Trade<br />
Organisation, which connects some of<br />
the world’s most marginalised people<br />
to fashion’s international movers and<br />
shakers. It enables communities of<br />
artisans and micro-manufacturers -<br />
the majority of them women - to thrive<br />
in association with the talents of the<br />
fashion world. •<br />
LINKS<br />
• www.cleanclothes.org<br />
• www.pollyandme.com<br />
• www.fairlabor.org<br />
<strong>Spotlight</strong> and<br />
Fair Trade<br />
<strong>Spotlight</strong>’s Stitch in Time bags,<br />
available in your local <strong>Spotlight</strong><br />
store, are made by women living<br />
in impoverished circumstances in<br />
various regions.<br />
<strong>Spotlight</strong> first took sewing<br />
machines and sewing teachers<br />
overseas (to Uganda) via its Stitch<br />
in Time (SIT) programme in 2008.<br />
Since then Cambodia, Vietnam and<br />
Australia’s Northern Territory have<br />
all become involved. Down the track<br />
Nepal and Kabul could also receive<br />
SIT centres.<br />
As <strong>Spotlight</strong>’s director of<br />
marketing, Jono Gelfand, says,<br />
“The idea is to empower these<br />
women to make an income. We<br />
enter into commercial and fair trade<br />
agreements where, for instance,<br />
the sewers in Cambodia make<br />
1,000 bags per month. Our aim is<br />
that we are simply their first clients<br />
and, once people see the work the<br />
women are capable of, they can<br />
grow their business.” •<br />
@ www.spotlight.com.au/<br />
community-support<br />
Get Creative Quarterly Autumn 2012 65