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creative living •<br />

Changing lives<br />

one stitch at a time<br />

This bag is hand-made<br />

and fair labour item lovingly<br />

created by women in the<br />

Stitch In Time<br />

program in Cambodia.<br />

Jan Breen Burns,<br />

fashion editor, The Age<br />

because it combines two things I loved<br />

- fashion and sustainability. I don’t<br />

know who first coined it but bravo to<br />

them!”<br />

In Deana’s mind the popularity<br />

of environmentally conscious labels<br />

shows that consumers care about<br />

the story behind the creation of their<br />

garment. “We are conscious of the<br />

food we eat so why not think about<br />

what we wear in the same light?”<br />

she asks.<br />

After the catastrophic 2010<br />

earthquake in Haiti American designer,<br />

Donna Karan, visited the island,<br />

looking for ways to help the community<br />

use its natural resources and artisans<br />

to get back on its feet. As she wrote<br />

in a blog on her website, “ ... the<br />

vision for Haiti is simple: help Haiti<br />

help itself ... create business models<br />

that can be properly marketed and<br />

distributed throughout the US and<br />

Europe. As an American designer and<br />

businesswoman, I have a good sense<br />

of what makes a product desirable<br />

to the western consumer”. Donna’s<br />

spring 2012 collection was all Haitian<br />

inspired, assisted by famous Haitian<br />

artist Philippe Dodard.<br />

Last year Dame Vivienne<br />

Westwood, now 70, turned her<br />

attention to the people of Nairobi.<br />

She described the endeavour as, “Not<br />

charity, just work” and created the<br />

Ethical Fashion Africa Collection of<br />

handbags and totes using everything<br />

from old rubber thongs to roadside<br />

advertising banners and old tent<br />

fabric. The bags are available online.<br />

The collection was produced in<br />

collaboration with The Ethical Fashion<br />

Programme, a joint agency of the<br />

United Nations and the World Trade<br />

Organisation, which connects some of<br />

the world’s most marginalised people<br />

to fashion’s international movers and<br />

shakers. It enables communities of<br />

artisans and micro-manufacturers -<br />

the majority of them women - to thrive<br />

in association with the talents of the<br />

fashion world. •<br />

LINKS<br />

• www.cleanclothes.org<br />

• www.pollyandme.com<br />

• www.fairlabor.org<br />

<strong>Spotlight</strong> and<br />

Fair Trade<br />

<strong>Spotlight</strong>’s Stitch in Time bags,<br />

available in your local <strong>Spotlight</strong><br />

store, are made by women living<br />

in impoverished circumstances in<br />

various regions.<br />

<strong>Spotlight</strong> first took sewing<br />

machines and sewing teachers<br />

overseas (to Uganda) via its Stitch<br />

in Time (SIT) programme in 2008.<br />

Since then Cambodia, Vietnam and<br />

Australia’s Northern Territory have<br />

all become involved. Down the track<br />

Nepal and Kabul could also receive<br />

SIT centres.<br />

As <strong>Spotlight</strong>’s director of<br />

marketing, Jono Gelfand, says,<br />

“The idea is to empower these<br />

women to make an income. We<br />

enter into commercial and fair trade<br />

agreements where, for instance,<br />

the sewers in Cambodia make<br />

1,000 bags per month. Our aim is<br />

that we are simply their first clients<br />

and, once people see the work the<br />

women are capable of, they can<br />

grow their business.” •<br />

@ www.spotlight.com.au/<br />

community-support<br />

Get Creative Quarterly Autumn 2012 65

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