THE SHORT OXFORD HISTORY OF ENGLISH LITERATURE
THE SHORT OXFORD HISTORY OF ENGLISH LITERATURE
THE SHORT OXFORD HISTORY OF ENGLISH LITERATURE
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‘New and Strange at the first, inexpressibly rare, and Delightfull, and Beautifull’; the cornfields are ‘Orient and<br />
Immortal’ and the dust and stones of the street appear ‘as Precious as GOLD’. The vision fades not simply because the<br />
child loses his innocence, or takes on a pressing awareness of sin, but because custom, education, and quotidian usage<br />
intervene. To regain this lost paradise the soul must ‘unlearn,<br />
[p. 250]<br />
and becom as it were a little Child again’; what has been glimpsed in the here is to be realized in the hereafter.<br />
Private Histories and Public History: Aubrey, Sprat, and Clarendon<br />
The Oxford antiquarian Anthony Wood (1632-95) somewhat ungenerously described one of his major sources of<br />
biographical information, John Aubrey (1626-97), as ‘a pretender to antiquities ... a shiftless person, roving and<br />
magotie-headed, and sometimes little better than crased’. Wood’s History and Antiquities of the University of Oxford<br />
(1674, 1792-6) and his biographical dictionary of Oxford worthies, Athenae Oxonienses (1691-2), retain some<br />
curiosity value as once influential, if torpid, assemblages of information; Aubrey’s work, by contrast, has an<br />
explorative freshness which stems from the very nature of its eccentric randomness. The only work that Aubrey<br />
himself saw through the press, Miscellanies, ‘a Collection of Hermetic Philosophy’ (1696), is in its way a pioneer<br />
essay in anthropology jumbled together with folklore, superstition, and occult learning. His other studies -<br />
observations on the topography, natural history, and antiquities of the counties of Surrey and Wiltshire and the pithily<br />
brief lives of British celebrities - remained in manuscript until their publication in subsequent centuries. Aubrey is<br />
now recognized as a major figure in the early history of British archaeology, but it is as an anecdotal biographer that<br />
he has achieved popular and posthumous celebrity. He wrote unmethodically or, as he put it himself, he set<br />
information down ‘tumultuarily, as if tumbled out of a Sack’, but more significantly as an enterprising biographer he<br />
recognized the importance of private history and the transitory nature of ephemeral and oral sources of information.<br />
‘’Tis pitty that such minutes had not been taken 100 yeares since or more’, he complained to Wood in 1680, ‘for want<br />
thereof many worthy men’s names and notions are swallowd-up in oblivion’. He relished unconsidered trifles, he<br />
collected gossip, and he haunted the funerals and the church monuments of friends and notable strangers alike. As a<br />
g-year-old boy he claims to have been fascinated by a series of engravings of the elaborate funeral of Sir Philip<br />
Sidney; he was a pall-bearer at the obsequies of the satirist Samuel Butler and the anatomist William Harvey and he<br />
recalls the details of the dramatist Sir William Davenant’s handsome walnut coffin; he is equally taken with the idea<br />
of an old woman living amongst the bones in the crypt at Hereford Cathedral and with the discovery of the pickled<br />
body of the humanist John Colet amidst the ruins of old St Paul’s after the Great Fire. He had a nose for gossip and an<br />
ear for a telling expression. He notes, for example, that the mathematician Sir Jonas Moore cured his sciatica by<br />
‘boyling his Buttock’ and that the Puritan controversialist William Prynne studied with a long quilt cap shading his<br />
eyes, having arranged to be interrupted every three hours by a servant bringing him a<br />
[p. 251]<br />
roll ‘and a pott of Ale to refollicate his wasted spirits’. Aubrey’s lives of Milton and Hobbes (he knew the latter well)<br />
are his most substantial and amongst his most lively. He apologizes for Milton’s republicanism by asserting that he<br />
acted ‘out of pure Zeale to the Liberty of Mankind’, but he notes, on the evidence of John Dryden, that the poet’s<br />
conversation was ‘pleasant ... but Satyricall’ and that he pronounced the letter R ‘very hard - a certain signe of a<br />
Satyricall Witt’. Of Hobbes’s pleasure in geometry he recalls that he ‘was wont to draw lines on his thigh and on the<br />
sheets, abed, and also multiply and divide’.<br />
References throughout Aubrey’s ‘Brief Lives’ suggest something of the honour accorded by learned<br />
contemporaries to the Royal Society, founded in London in the years of Charles II’s restoration and awarded charters<br />
by its royal patron in 1662 and 1663. In his account of the life of the statistician Sir William Petty, for example,<br />
Aubrey records Sir William’s suggestion that the Society should hold its annual elections on St Thomas’s rather than<br />
St Andrew’s Day, for the former saint had required evidence before he was prepared to believe. The Royal Society was<br />
both a club for like-minded enthusiasts and a partial realization of the progressive ‘scientific’ ideas fostered earlier in<br />
the century by Bacon. In its professed ambition of advancing learning in general, it attempted to gather together a<br />
broad range of thinkers, both professional and amateur, and to provide a focus for a variety of investigation and<br />
experiment. Its early members included those whose contribution to the history of science proved remarkable, such as<br />
Robert Boyle, Robert Hooke, and John Ray, and those who have since been chiefly remembered for their non-scientific<br />
work, such as the mathematician turned architect, Sir Christopher Wren, and the writers, Cowley, Evelyn, Waller,