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Beowulf - Institutionen för arkeologi och antik historia

Beowulf - Institutionen för arkeologi och antik historia

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Distant or stand-offish Germanic kings are nothing new. Hroðgar’s behaviour towards<br />

<strong>Beowulf</strong> between the fights with Grendel and Grendel’s mother (vv. 1345 ff.),<br />

or Hygelac’s attitude to the young <strong>Beowulf</strong> (vv. 2177 ff.; above p. 89) are significant<br />

examples.<br />

If our interpretation of the poems to Sigibert and Brunhild is correct we can say<br />

that the way the King is depicted in relation to his most loyal men is a projection of<br />

his divine origin. His roots give him the ability to sit in his high settle, survey the world<br />

and know what must be done. They also invest him with the power to make others,<br />

i.e., Gogo and Lupus, feel obliged to carry out his wishes, i.e., do what must be<br />

done. Thus, the King not only towers high above everybody else, he is also alien—<br />

a perfect man but marked by otherness.<br />

Lupus is the hero of the poem and his tour a <strong>Beowulf</strong>ian one inasmuch as it starts<br />

with his being made aware of a threat to the kingdom, and thus the hall; accordingly<br />

he sets out to solve the problem, solves it and returns a hero to the hall. This means<br />

that he has completed a turn in the spiral (cf. Fig. 32), and his actions are like those<br />

of <strong>Beowulf</strong> inspired by loyalty to a king and to the hall-governed society. It is true<br />

that he benefits from his campaign, but for all we know he did not undertake it for his<br />

own benefit. Even the way Lupus handles the emissaries on behalf of the King has its<br />

parallel in <strong>Beowulf</strong>, namely in the negotiations conducted by <strong>Beowulf</strong> and his men<br />

with the courtier Wulfgar, the equivalent of Lupus, who had been sent out to negotiate<br />

on Hroðgar’s behalf.<br />

The hall-governed society is represented by the dukes, whose task it is to approve<br />

of Lupus’ actions, but also by the personification of the hall when we close in<br />

on it:<br />

65 occurrens dominis veneranda palatia comples<br />

et tecnm ingrediens multiplicatur honor.<br />

te veniente novo domus emicat alma sereno<br />

et reparant genium regia tecta suum.<br />

nempe oculos recipit cum te videt aula redire,<br />

(Venantius Book VII, poem 7, ll. 65–69)<br />

When you meet with your lords you fill the venerable palace, and honour, which<br />

enters with you, is multiplied. When you arrive the house shines from a new<br />

serenity and the royal dwelling regains its genius. The hall gets its eyes back<br />

seeing that you return,<br />

These lines hint at the existence of a hall society strongly dependent on information<br />

and therefore also potentially interested in Lupus’ returning with the victory and<br />

knowledge about what happened. The loyal and approving dukes are not a new<br />

acquaintance; on the contrary, we saw them at the wedding when they trotted up the<br />

hill with Sigibert, a happy rejoicing aristocracy otherwise difficult to detect among<br />

the Merovingians.<br />

108

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