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Beowulf - Institutionen för arkeologi och antik historia

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to introduce <strong>Beowulf</strong> and to describe him as good. This happens in the frame verses<br />

195 and 384. So, although the episode could be broken up into smaller ones, it is still<br />

a unit in the narrative—<strong>Beowulf</strong>’s first step to bring himself into the presence of the<br />

King.<br />

Verses 195 and 199 link the good with <strong>Beowulf</strong>’s ship and his men, i.e., his means<br />

of action. Verses 269 and 279 belong to a conversation with the beach watchman<br />

and the point is initially to describe <strong>Beowulf</strong> and Hroðgar as good. The latter is good<br />

in verse 269 and <strong>Beowulf</strong> in 279. The watchman leads the party to the King’s farm,<br />

where <strong>Beowulf</strong> is engaged in yet another conversation this time with the court official<br />

Wulfgar. First <strong>Beowulf</strong> calls King Hroðgar good and then Wulfgar answers by pointing<br />

out that Hroðgar is good. Having thus established Hroðgar’s position, it eventually<br />

becomes possible for Hroðgar to end the episode by calling <strong>Beowulf</strong> good in<br />

verse 384. This means that <strong>Beowulf</strong> is accepted, the preliminaries have been performed<br />

and the story can proceed. From c. v. 269 and onwards we can describe<br />

what happens as a ‘How-do-you-do?-may-I-come-in?’scene, and it takes 150 odd<br />

lines for two civilised men to pose these questions and answer: ‘Yes!’.<br />

<strong>Beowulf</strong>, who is already famous for his strength, presents himself in a splendid<br />

ritualistic way, showing the quality of his character, his descent, and equally agreeable<br />

manners, all embedded in a fittingly pompous eloquence, but for Hroðgar the<br />

essential thing is the fact that he knows who <strong>Beowulf</strong> is and that they knew each<br />

other when <strong>Beowulf</strong> was a child (vv. 372 ff.). This should not surprise us, since in the<br />

very beginning of the poem we have been told that princes, when young and still<br />

under the protection of their fathers, should ‘give good gifts’, i.e., be generous, so<br />

that when they come of age their companions will support them. There is in other<br />

words a point in being good or nice to children, and in the case of Hroðgar and<br />

<strong>Beowulf</strong> the interaction and the goodness seems to have started in <strong>Beowulf</strong>’s childhood<br />

when Hroðgar was still a forceful king or prince.<br />

82<br />

The Two Contract-Combat Episodes<br />

<strong>Beowulf</strong> fights twice in order to solve Hroðgar’s problems and good is employed in<br />

same way in both episodes. The first starts when Hroðgar leaves his hall in<br />

<strong>Beowulf</strong>’s care (v. 662), and ends with the King returning to inspect the house in the<br />

morning. In verse 956 the King declares that he is satisfied with <strong>Beowulf</strong>’s night’s<br />

work, i.e., the way he punished Grendel. The episode has an epilogue, a speech by<br />

<strong>Beowulf</strong> up to verse 980 and good is used five times (vv. 675, 681, 758, 863, 956).<br />

The second episode is <strong>Beowulf</strong>’s fight with Grendel’s mother. It was necessary<br />

for <strong>Beowulf</strong> to engage himself in this fight when it became apparent that his first fight<br />

was not sufficient, although he was honoured for it as if it had been the end of all<br />

problems. Therefore the second episode starts in verse 1473 when <strong>Beowulf</strong> is leaving<br />

a search party which was set up with the purpose of leading him to the lake where

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