Beowulf - Institutionen för arkeologi och antik historia
Beowulf - Institutionen för arkeologi och antik historia
Beowulf - Institutionen för arkeologi och antik historia
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and humans and animals on each side of that room is a balanced dyad and a way of<br />
conserving and stabilising a strict social structure in a more dualistic perspective. The<br />
complementarity, on the other hand, is a way of coping with and benefiting from the<br />
inequalities of the society. It is in essence the expression of a conflict-solving social<br />
philosophy with a dynamic character in an originally egalitarian society.<br />
The complementary concepts of the Late Iron Age, whether illustrated by the marriage<br />
between Sigibert and his complement Brunhild or by the relationship between<br />
<strong>Beowulf</strong> and Hroðgar, are significant of a society in which social mobility is possible<br />
and essential while at the same time there is a strong will to control it and an equally<br />
strong will to mark its hierarchical structure. In practice the complementarity is the basis<br />
for personal development of individuals—a career for perfect men and women at a<br />
suitable social level. Society is not stratified in sharply defined groups, but each member<br />
is ranked in accordance with his or her ability to honour the complexity of utilitarian<br />
concepts such as the good, or marriage.<br />
Clearly, we can only arrive at a very tenuous understanding of prehistoric or Early<br />
Medieval society on the basis of written or material sources, but at least the prehistoric<br />
setting of the hall fits in with the concept of the good and associated concepts of honour<br />
and friendship. And one aspect of the good, namely goodness with food or gifts, i.e.,<br />
the initial stage of the contract of goodness is performed in the hall. The introduction of<br />
the hall is in other words linked to the concept of complementarity, inasmuch as it is the<br />
room in which an essential part, and the confirmation of the good act, is performed, and<br />
perhaps we may go as far as to say that the hall is the result of the acceptance of<br />
complementarity as a social norm.<br />
160<br />
The Making of an Aristocracy<br />
In two related essays, On Aristocracy and On Fashion, the German sociologist<br />
Georg Simmel (Simmel 1911, pp. 29 ff.) has pointed out some general concepts basic<br />
to these two social phenomena, which in their turn are closely linked to the characteristics<br />
of the good. This follows from the fact that although the concept of the good is<br />
linked to the formation of an aristocracy characterised by individuals, it is also characteristic<br />
of a period during the Viking Age when the word ‘good’ invades the rune-stone<br />
texts, which are, at least in the Mälar Valley, an obvious vogue phenomenon<br />
(Herschend 1994).<br />
It is a major point in Georg Simmel’s sociology that on the basis of a reasonable,<br />
although not very clear, basic perspective upon the tension between individual and<br />
collective, he takes his readers on a tour around a large number of relevant and intriguing<br />
examples. However, in order to benefit from the examples the reader must often<br />
hesitate in front of them and develop them further for his own purposes (cf. Lipman<br />
1959, pp. 135 ff.).